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Stars indicate the most critically-acclaimed movies.

67
$9.99
75
24 City
66
Adoration
74
Afghan Star
48
Alien Trespass
56
American Violet
82
Anvil! The Story of Anvil
57
Away We Go
81
Beaches of Agnes, The
62
Big Man Japan
28
Big Shot-Caller, The
78
Boys: The Sherman Brothers' Story, The
55
Brothers Bloom, The
82
Burma VJ: Reporting from a Closed Country
xx
Call of the Wild
63
Cheri
62
Cherry Blossoms
63
Dead Snow
65
Departures
18
Downloading Nancy
58
Easy Virtue
70
End of the Line, The
77
Every Little Step
64
Examined Life
80
Food, Inc.
38
Gigantic
56
Girl from Monaco, The
67
Girlfriend Experience, The
87
Gomorrah
89
Goodbye Solo
63
Great Buck Howard, The
79
Harvard Beats Yale 29-29
xx
Home
82
Hunger
91
Hurt Locker, The
16
I Hate Valentine's Day
81
Il Divo
54
Is Anybody There?
71
Jerichow
58
Julia
74
Lemon Tree
36
Life is Hot in Cracktown
40
Limits of Control, The
42
Little Ashes
64
Lymelife
50
Management
57
Merry Gentleman, The
66
Moon
35
New York
62
Not Forgotten
xx
Offshore
78
O'Horten
64
Outrage
40
Paris 36
54
Pontypool
71
Pressure Cooker
52
Quiet Chaos
83
Revanche
67
Rudo y Cursi
86
Seraphine
65
Sex Positive
70
Shall We Kiss?
77
Sin Nombre
59
Sleep Dealer
74
Song of Sparrows, The
54
Stoning of Soraya M., The
82
Sugar
84
Summer Hours
61
Sunshine Cleaning
28
Surveillance
42
Tennessee
63
Tetro
64
Throw Down Your Heart
80
Tokyo Sonata
63
Tokyo!
70
Tony Manero
74
Treeless Mountain
88
Tulpan
74
Two Lovers
83
Tyson
83
U2 3D
60
Under Our Skin
69
Unmistaken Child
69
Valentino: The Last Emperor
22
What Goes Up
45
Whatever Works
57
Youssou Ndour: I Bring What I Love
91
Hurt Locker, The
89
Goodbye Solo
88
Tulpan
87
Gomorrah
86
Seraphine
84
Summer Hours
83
U2 3D
83
Revanche
83
Tyson
82
Burma VJ: Reporting from a Closed Country
82
Sugar
82
Hunger
82
Anvil! The Story of Anvil
81
Il Divo
81
Beaches of Agnes, The
80
Food, Inc.
80
Tokyo Sonata
79
Harvard Beats Yale 29-29
78
Boys: The Sherman Brothers' Story, The
78
O'Horten
77
Every Little Step
77
Sin Nombre
75
24 City
74
Treeless Mountain
74
Afghan Star
74
Two Lovers
74
Song of Sparrows, The
74
Lemon Tree
71
Pressure Cooker
71
Jerichow
70
Shall We Kiss?
70
Tony Manero
70
End of the Line, The
69
Valentino: The Last Emperor
69
Unmistaken Child
67
$9.99
67
Rudo y Cursi
67
Girlfriend Experience, The
66
Adoration
66
Moon
65
Sex Positive
65
Departures
64
Outrage
64
Examined Life
64
Throw Down Your Heart
64
Lymelife
63
Tokyo!
63
Cheri
63
Dead Snow
63
Tetro
63
Great Buck Howard, The
62
Cherry Blossoms
62
Big Man Japan
62
Not Forgotten
61
Sunshine Cleaning
60
Under Our Skin
59
Sleep Dealer
58
Julia
58
Easy Virtue
57
Away We Go
57
Merry Gentleman, The
57
Youssou Ndour: I Bring What I Love
56
Girl from Monaco, The
56
American Violet
55
Brothers Bloom, The
54
Is Anybody There?
54
Pontypool
54
Stoning of Soraya M., The
52
Quiet Chaos
50
Management
48
Alien Trespass
45
Whatever Works
42
Little Ashes
42
Tennessee
40
Limits of Control, The
40
Paris 36
38
Gigantic
36
Life is Hot in Cracktown
35
New York
28
Big Shot-Caller, The
28
Surveillance
22
What Goes Up
18
Downloading Nancy
16
I Hate Valentine's Day
xx
Call of the Wild
xx
Home
xx
Offshore
Stars indicate the most critically-acclaimed movies.
|
Street Kings
Fox Searchlight Pictures
 |
|
MPAA RATING: R for strong violence and pervasive language
Starring
Keanu Reeves,
Forest Whitaker,
Hugh Laurie,
Terry Crews,
Chris Evans,
Cedric the Entertainer,
Common,
and
The Game
In Street Kings, a police thriller directed by David Ayer, Keanu Reeves plays Tom Ludlow, a veteran LAPD Vice detective. Ludlow sets out on a quest to discover the killers of his former partner, Detective Terrance Washington. Academy Award winner Forest Whitaker plays Captain Wander, Ludlow's supervisor, whose duties include keeping him within the confines of the law and out of the clutches of Internal Affairs Captain Biggs (Hugh Laurie). Ludlow teams up with a young Robbery-Homicide detective (Chris Evans) to track Washington's killers through the diverse communities of Los Angeles. Their determination pays off when the two detectives track down Washington's murderers and confront them in an attempt to bring them to justice. (Fox Searchlight)
| GENRE(S): |
Crime
|
Drama
|
Suspense/Thriller
|
| WRITTEN BY: |
James Ellroy
David Ayer
|
| DIRECTED BY: |
David Ayer
|
| RELEASE DATE: |
DVD: August 19, 2008
Theatrical: April 11, 2008
|
| RUNNING TIME: |
109 minutes, Color |
| ORIGIN: |
USA |

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
80
The Hollywood Reporter
Kirk Honeycutt
"Kings" covers familiar territory but does so with ruthless efficiency, intense performances and a densely packed plot designed to highlight the moral issues that most concern Ayer and Ellroy.

80
Variety
Peter Debruge
A brutal look at police corruption that allows director David Ayer and "L.A. Confidential" author James Ellroy to pool their deeply cynical insights.

80
New York Daily News
Joe Neumaier
After its clichéd first scene - a solo LAPD officer battling a well-armed gang of thugs - Street Kings becomes an enjoyably tough, blood-splattered action drama that revolves around the one good cop at its center.

75
San Francisco Chronicle
Mick LaSalle
There's a lot to appreciate in Street Kings, a tight, propulsive action thriller, but there's one thing to marvel at, and that's James Ellroy's command of story.

70
Time
Richard Corliss
Armed or not, Reeves is the weapon that can go off at any time. That's why Street Kings, though it isn't a great movie, is a pretty damn cool Keanu Reeves movie, one that on the Reevesian action scale measures somewhere between "Whoa" and "Wow."

70
The New York Times
Manohla Dargis
It’s easy to laugh at Street Kings for its bigger than big emotions, its preposterously kinky narrative turns and overwrought jawing and yowling, but there’s no doubt that it also keeps you watching, really watching, all the way to the end.

67
Austin Chronicle
Marjorie Baumgarten
A solid contemporary crime drama.

63
Premiere
Jenni Miller
If you’re looking for some big, stupid fun, you could do worse than Street Kings.

63
Boston Globe
Wesley Morris
Street Kings is nonsense, and yet the crooked, racialized world underneath the soulless mayhem is pretty fascinating.

63
Miami Herald
Rene Rodriguez
The picture may feel more than a little familiar, but Ayer knows how to cook up intense setpieces, and Reeves keeps getting better at the weary hero role he continually gravitates toward.

63
ReelViews
James Berardinelli
Despite the predictability of the overall story arc, there's suspense and tension to be found between the credit sequences, but the movie is saddled with an ending that is both improbable and borderline insulting.

63
New York Post
Kyle Smith
A wet, red chunk of pulp that knows what it is and doesn't care.

60
Empire
Ian Nathan
Another mean, violent and decently acted slab of Ellroy-flavoured criminality, with an impressively battered Keanu Reeves, but Ayers is no Curtis Hanson.

58
Portland Oregonian
Shawn Levy
For what's essentially a bad movie, Street Kings is fairly tight and energetic.

58
Entertainment Weekly
Owen Gleiberman
Every so often, Keanu Reeves' robo-voiced blankness serves him well, but when he has to play a pulpy, tormented demon-saint, scraping up insults and spitting them out like bullets, he's like the host of an infomercial doing an impersonation of a badass.

58
Baltimore Sun
Michael Sragow
See it with people who take it for the trash it is, and you can cheer the baroque killings and laugh fondly with Forest Whitaker as he tries too hard to create a domestic sociopath to match his role as "Idi Amin."

58
The Onion (A.V. Club)
Scott Tobias
After all the actorly fireworks, Street Kings concludes that the LAPD is an institution where even the well-intentioned can't work clean. Okay. What else?

58
Seattle Post-Intelligencer
William Arnold
It's hard to recall another time when the cross-purposes of two collaborating filmmakers of a major film has been quite so evident, or when the theme of the movie itself has been so totally schizophrenic -- half populist outrage, half Nazi.

50
Chicago Reader
J.R. Jones
It preserves the peculiar machismo of Ayer's earlier projects: the alpha male dominates not only because he's the most powerful, but because he's the most jaded.

50
Chicago Tribune
Michael Phillips
I enjoyed parts of Street Kings but I didn’t believe one thing about it, and I couldn’t get past Reeves’ unsuitability to his role. He may someday play a cop on the edge convincingly, but the edge needs to be sharper than this.

50
Slate
Dana Stevens
There's something cynical about Ayer's attempt to preserve Ludlow as a hero after scene upon scene meant to show, with heavy irony, how lawlessly he enforced the law. You can't lionize your "Dirty Harry" vigilante and expose his hypocrisy, too.

50
Village Voice
Tim Grierson
Ayer's grim police thriller mostly plays as one long dick-measuring competition. You sense that an infinitely more complex drama exists within the film's grasp, but no one bothered to stop guzzling the testosterone long enough to find it.

50
The Globe and Mail (Toronto)
Stephen Cole
A bad-cop, worse-cop movie.

50
Rolling Stone
Peter Travers
The acting? Common and the Game score as baddies, but Hugh Laurie as an acid-tongued internal-affairs cop is disappointingly just House without the limp.

50
TV Guide
Maitland McDonagh
There are two kinds of police officers in David Ayers and James Ellroy's convoluted, ultraviolent tale of corruption within the LAPD: dirty cops and dirtier ones.

40
Washington Post
Desson Thomson
All the movie's treacheries, deceptions and story twists are marred by our lack of innocence. We see the big picture way before the characters do, and that pushes us right out of the movie and back into our seats -- the last place we want to be.

38
USA Today
Claudia Puig
Wastes a moderately intriguing premise by filling it with laughably clichéd dialogue, one-dimensional characters and implausible turns of events.

30
Film Threat
Pete Vonder Haar
Two things come to mind as you watch the first act of Street Kings, the first is how fresh and exciting the movie would’ve been if it was released in 1984, the second is the question, “James Ellroy wrote that?”


The average user rating for this movie is 7.5 (out of 10) based on 49 User Votes
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