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Stars indicate the most critically-acclaimed movies.

67
$9.99
75
24 City
66
Adoration
74
Afghan Star
48
Alien Trespass
56
American Violet
82
Anvil! The Story of Anvil
57
Away We Go
81
Beaches of Agnes, The
62
Big Man Japan
28
Big Shot-Caller, The
78
Boys: The Sherman Brothers' Story, The
55
Brothers Bloom, The
82
Burma VJ: Reporting from a Closed Country
xx
Call of the Wild
63
Cheri
62
Cherry Blossoms
63
Dead Snow
65
Departures
18
Downloading Nancy
58
Easy Virtue
70
End of the Line, The
77
Every Little Step
64
Examined Life
80
Food, Inc.
38
Gigantic
56
Girl from Monaco, The
67
Girlfriend Experience, The
87
Gomorrah
89
Goodbye Solo
63
Great Buck Howard, The
79
Harvard Beats Yale 29-29
xx
Home
82
Hunger
91
Hurt Locker, The
16
I Hate Valentine's Day
81
Il Divo
54
Is Anybody There?
71
Jerichow
58
Julia
74
Lemon Tree
36
Life is Hot in Cracktown
40
Limits of Control, The
42
Little Ashes
64
Lymelife
50
Management
57
Merry Gentleman, The
66
Moon
35
New York
62
Not Forgotten
xx
Offshore
78
O'Horten
64
Outrage
40
Paris 36
54
Pontypool
71
Pressure Cooker
52
Quiet Chaos
83
Revanche
67
Rudo y Cursi
86
Seraphine
65
Sex Positive
70
Shall We Kiss?
77
Sin Nombre
59
Sleep Dealer
74
Song of Sparrows, The
54
Stoning of Soraya M., The
82
Sugar
84
Summer Hours
61
Sunshine Cleaning
28
Surveillance
42
Tennessee
63
Tetro
64
Throw Down Your Heart
80
Tokyo Sonata
63
Tokyo!
70
Tony Manero
74
Treeless Mountain
88
Tulpan
74
Two Lovers
83
Tyson
83
U2 3D
60
Under Our Skin
69
Unmistaken Child
69
Valentino: The Last Emperor
22
What Goes Up
45
Whatever Works
57
Youssou Ndour: I Bring What I Love
91
Hurt Locker, The
89
Goodbye Solo
88
Tulpan
87
Gomorrah
86
Seraphine
84
Summer Hours
83
U2 3D
83
Revanche
83
Tyson
82
Burma VJ: Reporting from a Closed Country
82
Sugar
82
Hunger
82
Anvil! The Story of Anvil
81
Il Divo
81
Beaches of Agnes, The
80
Food, Inc.
80
Tokyo Sonata
79
Harvard Beats Yale 29-29
78
Boys: The Sherman Brothers' Story, The
78
O'Horten
77
Every Little Step
77
Sin Nombre
75
24 City
74
Treeless Mountain
74
Afghan Star
74
Two Lovers
74
Song of Sparrows, The
74
Lemon Tree
71
Pressure Cooker
71
Jerichow
70
Shall We Kiss?
70
Tony Manero
70
End of the Line, The
69
Valentino: The Last Emperor
69
Unmistaken Child
67
$9.99
67
Rudo y Cursi
67
Girlfriend Experience, The
66
Adoration
66
Moon
65
Sex Positive
65
Departures
64
Outrage
64
Examined Life
64
Throw Down Your Heart
64
Lymelife
63
Tokyo!
63
Cheri
63
Dead Snow
63
Tetro
63
Great Buck Howard, The
62
Cherry Blossoms
62
Big Man Japan
62
Not Forgotten
61
Sunshine Cleaning
60
Under Our Skin
59
Sleep Dealer
58
Julia
58
Easy Virtue
57
Away We Go
57
Merry Gentleman, The
57
Youssou Ndour: I Bring What I Love
56
Girl from Monaco, The
56
American Violet
55
Brothers Bloom, The
54
Is Anybody There?
54
Pontypool
54
Stoning of Soraya M., The
52
Quiet Chaos
50
Management
48
Alien Trespass
45
Whatever Works
42
Little Ashes
42
Tennessee
40
Limits of Control, The
40
Paris 36
38
Gigantic
36
Life is Hot in Cracktown
35
New York
28
Big Shot-Caller, The
28
Surveillance
22
What Goes Up
18
Downloading Nancy
16
I Hate Valentine's Day
xx
Call of the Wild
xx
Home
xx
Offshore
Stars indicate the most critically-acclaimed movies.
|
Sweet November
Warner Bros.
FILM:
MPAA RATING: PG-13 for sexual content and language
Starring
Keanu Reeves,
Charlize Theron,
Jason Isaacs,
Greg Germann,
Lauren Graham,
and
Michael Rosenbaum
Nelson (Reeves) and Sara (Theron) have nothing in common except an hour spent in DMV hell. Intrigued by each other, but not quite ready to commit, they settle on a rather unconventional courtship: a one-month trial, after which they'll go their separate ways. No expectations. No pressure. No strings attached. What neither of them counts on is falling in love. (Warner Brothers)
| GENRE(S): |
Romance
|
| WRITTEN BY: |
Kurt Voelker (also story)
Paul Yurick (story)
Herman Raucher (1968 screenplay)
|
| DIRECTED BY: |
Pat O'Connor
|
| RELEASE DATE: |
DVD: July 24, 2001
Video: July 24, 2001
Theatrical: February 16, 2001
|
| RUNNING TIME: |
120 minutes, Color |
| ORIGIN: |
USA |

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
75
San Francisco Chronicle
Mick LaSalle
Neither a masterpiece nor a remake of one, but its wistfulness is infectious, and its melancholy mood lingers for days.

63
Boston Globe
Jay Carr
It's a small film, and a far from perfect one, but it allows her (Theron) to extend her range as no previous role has done.
63
Chicago Tribune
Loren King
Nice to look at but too calculated and clichéd to resonate beyond its surface slickness.
58
Seattle Post-Intelligencer
William Arnold
Anyone in the market for a bittersweet romantic comedy could do worse.

50
Slate
David Edelstein
He's (Reeves) not as good as he was playing a menacing Georgia wife-beater in The Gift, but he's an awfully convincing jerk.

50
Village Voice
Michael Atkinson
If the movie works on its own insipid level, it's because of high-gear star power -- 50 times the captivator Dennis ever was, Theron is terrific at creating adorable intimacy with little help from the script or director and exudes more guileless élan than any of the film's many puppies.

50
Salon.com
Stephanie Zacharek
Does neither of its leads any favors. But they fill their roles admirably, and then some. Time and again, in a movie that repeatedly threatens mawkishness, you can sense them gently steering away just in the nick of time.

50
New York Post
Lou Lumenick
The sort of movie that seems to exist for no good reason except to keep the studio's pipeline filled with filmed product.
50
Christian Science Monitor
David Sterritt
The sweetest thing about Sweet November (a remake of the 1968 movie) is the on-screen magic between Charlize Theron and Keanu Reeves. But that's pretty much where the magic ends.

42
Portland Oregonian
Kim Morgan
It's classic movie manipulation gone amok.

40
Salon.com
Stephanie Zacharek
Does neither of its leads any favors. But they fill their roles admirably, and then some. Time and again, in a movie that repeatedly threatens mawkishness, you can sense them gently steering away just in the nick of time.

40
Chicago Reader
Lisa Alspector
It's all corny and contrived and usually sensitive. The filmmakers even dare to show the effects of illness--a subject frequently glamorized to the point of being insulting--in a love scene of rare honesty.

40
Variety
Todd McCarthy
A contrived but entirely workable premise is given a well-tooled treatment in Sweet November, a femme-slanted doomed romance with a heavily calculated feel to it.

38
USA Today
Susan Wloszczyna
November is when we eat turkey, and Sweet November is pretty much a fat, juicy gobbler passed off as Valentine's Day date bait.

38
Philadelphia Inquirer
Carrie Rickey
If Sweet November were a puppy, it would have rabies.

30
Mr. Showbiz
Kevin Maynard
This is one of those movies in which there are only two types of people: officious yuppie pricks, and the beautiful folks who stop and smell the daisies. What keeps it (barely) from being completely intolerable is Keanu Reeves' hilariously awful lead performance.

30
TV Guide
Maitland McDonagh
This whimsical weeper gets off to an awkward start and never finds its footing.

30
Los Angeles Times
Kevin Thomas
A film that means to be seductive but merely progresses from the contrived to the manipulative.

30
Film.com
Robert Horton
Charlize Theron has charm and skill, but no actress could survive this role, which has the gravity and verisimilitude of a sketch from a late-sixties Nancy Sinatra TV special.

25
Miami Herald
Curtis Morgan
The enigma of Reeves, sort of a human black hole on screen, works well in "The Matrix" but it drains the life from weepy romance.

25
Chicago Sun-Times
Roger Ebert
Passes off pathological behavior as romantic bliss. It's about two sick and twisted people playing mind games and calling it love.

25
New York Daily News
Jami Bernard
A hellacious stew of romance and tragedy that gives the words "screwball" and "pathos" a bad name.

25
Entertainment Weekly
Lisa Schwarzbaum
A very low grade romantic drama indeed, a love story with all the life and death intensity of a heat rash.

20
Austin Chronicle
Marc Savlov
Get out your handkerchiefs. No, scratch that -- get out a pair of windshield wipers and staple them to your brow. Perhaps they'll obscure the screen.

20
LA Weekly
Hazel-Dawn Dumpert
This feeble remake offers little more than two pretty and willing leads who nonetheless can't hide their embarrassment over being set up as distractions to hide the film's thorough lack of coherence and appeal.

20
The New York Times
Dana Stevens
The film's last half-hour -- or do I mean its final two weeks? -- is meant to keep the audience sniffling and sobbing uncontrollably, but the only thing likely to elicit tears is the sight of Mr. Reeves dressed in a white dinner jacket crooning "Time After Time."

20
Washington Post
Desson Thomson
A front-end collision of a romance.

20
Rolling Stone
Peter Travers
Beware all male viewers who enter here, you are in chick-movie hell.

20
Dallas Observer
Staff (Not credited)
It could be said that Reeves is one of the great manifestations of the mysteriousness of stardom. He gives the worst performance in Sweet November, and he's the best thing about it.

10
Washington Post
Stephen Hunter
Shamelessly manipulative in a crude, bullying way.

10
Wall Street Journal
Joe Morgenstern
Sara is supposed to be an adorable screwball with a fatal disease. Ms. Theron certainly gets the adorable right. With a comic style that's close to unerring, she not only deserves better than this junk but the very best.

The average user rating for this movie is 7.7 (out of 10) based on 43 User Votes
Note: User votes are NOT included in the Metascore calculation.
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