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79
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78
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72
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71
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71
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70
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65
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64
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64
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64
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63
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62
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61
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60
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58
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57
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57
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55
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54
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54
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53
Sex and the City: The Movie
53
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53
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52
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51
Mamma Mia!
51
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49
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49
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47
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47
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46
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45
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43
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43
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43
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42
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39
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37
Miracle at St. Anna
36
Space Chimps
36
Righteous Kill
36
Fly Me to the Moon
36
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35
Star Wars: The Clone Wars
35
Mirrors
34
Happening, The
34
My Best Friend's Girl
31
Mummy: Tomb of the Dragon Emperor, The
27
Women, The
26
Babylon A.D.
24
Bangkok Dangerous
24
Love Guru, The
23
American Carol, An
15
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85
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83
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82
Tell No One
82
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82
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81
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80
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80
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80
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80
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79
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78
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78
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77
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75
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75
Boy A
74
Anita O'Day: The Life of a Jazz Singer
74
Mongol
73
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73
Obscene
73
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72
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72
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72
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72
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71
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71
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71
Roman de gare
70
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67
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67
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67
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66
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66
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66
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65
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65
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64
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64
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64
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64
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63
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63
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63
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63
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63
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62
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62
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62
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62
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61
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61
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61
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61
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59
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58
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57
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57
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57
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56
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56
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55
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55
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55
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55
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55
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55
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54
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54
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54
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53
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53
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52
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52
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52
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51
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49
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47
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47
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46
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46
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45
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44
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41
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40
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40
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39
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39
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37
Forever Strong
33
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31
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28
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26
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25
Hell Ride
16
Surfer, Dude
xx
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xx
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xx
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xx
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xx
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xx
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xx
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Beer for My Horses
Stars indicate the most critically-acclaimed movies.
|
Talk to Her
Sony Pictures Classics
FILM:
MPAA RATING: R for nudity, sexual content and some language
Starring
Javier Cámara,
Darío Grandinetti,
Leonor Watling,
Rosario Flores,
Mariola Fuentes,
Geraldine Chaplin,
Pina Bausch,
and
Malou Airaudo
A story about the friendship between two men, about loneliness and the long convalescence of wounds provoked by passion. (Sony Pictures Classics)
| GENRE(S): |
Romance
|
| WRITTEN BY: |
Pedro Almodóvar
|
| DIRECTED BY: |
Pedro Almodóvar
|
| RELEASE DATE: |
DVD: May 27, 2003
Video: May 27, 2003
Theatrical: November 22, 2002
|
| RUNNING TIME: |
116 minutes, Color |
| ORIGIN: |
Spain |
| LANGUAGE(S): |
Spanish (with English subtitles) |
Original Spanish title "Hable con Ella"

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
100
Wall Street Journal
Joe Morgenstern
Beautiful (sometimes sublimely so), daring (sometimes outrageously so), seriously crazed and terrifically funny.
100
The New York Times
A.O. Scott
When it's over, the realization of how much the movie means to you really sinks in; you can't get it out of your heart.

100
Rolling Stone
Peter Travers
The actors are outstanding, illuminating four different views of loneliness. But it's Camara's tour-de-force performance that anchors the film, that shocks and unnerves us.

100
Christian Science Monitor
David Sterritt
One of Almodóvar's most challenging pictures, jumping around in time and sending a large gallery of characters through a wide variety of situations -- will find him again at the peak of his powers.

100
Entertainment Weekly
Lisa Schwarzbaum
Like everything else in this superb work of art, ''Shrinking Lover'' is exquisitely Almodóvarian. It's funny, tender, a little shocking, and it pays homage to what we know about movies: that they can move us beyond words.

100
The New Yorker
David Denby
Almodóvar has brought an extraordinary calm to the surface of his work. The imagery is smooth and beautiful, the colors are soft-hued and blended. Past and present flow together; everything seems touched with a subdued and melancholy magic. [25 November 2002, p. 108]
100
LA Weekly
Ella Taylor
Talk to Her is as melodramatic -- and, sporadically, as funny -- as any Almodóvar comedy, but its mood is one of muted, aching loneliness, while the color scheme leans less to hot reds and magentas than to rich, elegant shades of ochre.

100
Dallas Observer
Andy Klein
No one can blend melodrama and heightened emotion with laugh-out-loud wackiness the way Almodóvar does.

100
Los Angeles Times
Kenneth Turan
Like taking a drug everyone says is dynamite and impatiently wondering why the heck it's not kicking in. The kick in fact turns out to be real, and as powerful as advertised, but it doesn't necessarily hit you in any way you anticipated.

100
Chicago Tribune
Michael Wilmington
Great filmmakers push their ideas and characters to the limit, unafraid of consequences - which is what Pedro Almodovar has done in Talk To Her, his latest film and, I think, his best.

100
Chicago Sun-Times
Roger Ebert
No director since Fassbinder has been able to evoke such complex emotions with such problematic material.

91
Portland Oregonian
Kim Morgan
Almodovar loves the human flesh -- indeed, one of his films is titled "Live Flesh" -- and with the quietly subversive Talk to Her, he utilizes it not just as mere decoration but weaves with it textured themes of powerlessness, love and obsession.

90
Washington Post
Ann Hornaday
A movie of technical skill and rare depth of intellect and feeling.

90
The Onion (A.V. Club)
Keith Phipps
The marvelous new Talk To Her has elements that wouldn't have seemed out of place in an Almodóvar film of 20 years ago

89
Austin Chronicle
Kimberley Jones
Moments of almost unbearable beauty.

88
ReelViews
James Berardinelli
Almodovar also manages to conclude the film on a hopeful note, and one that will have many audience members wishing that he will someday return to tell more about these characters.

88
New York Post
Lou Lumenick
Isn't quite as accessible or as deeply moving as his masterpiece, "All About My Mother." It's a tad too self-consciously a work of art for that. But it's still a must-see for anyone who's halfway serious about film.

88
Miami Herald
Rene Rodriguez
This rich, emotionally complex movie finds Almodóvar venturing into trickier, more fascinating territory, even if his themes.

88
USA Today
Claudia Puig
It is at once warmly humanistic and boldly innovative, raising philosophical questions but not answering them.

88
Philadelphia Inquirer
Carrie Rickey
Almodóvar has made a powerfully moving film about men who think they want to lose themselves in their women, then are startled to realize that they're the ones who have been comatose.

88
The Globe and Mail (Toronto)
Liam Lacey
Pure cinematic intoxication, a wildly inventive mixture of comedy and melodrama, tastelessness and swooning elegance, bodies with the texture of fresh peaches, and angular faces Picasso would have loved.

88
New York Daily News
Jack Mathews
This quiet yet jolting meditation on love, obsession, loneliness, friendship and fate has the quality to entrance you through a first viewing, and compel you to take its themes and characters home with you for further consideration.

80
TV Guide
Maitland McDonagh
This ode to the peculiar strength and flexibility of love, romantic and platonic, is simultaneously perverse, overwrought, deeply creepy and truly moving, a high-wire act that finds humor in the grotesque and hope in emotional malformation.

80
Film Threat
Rich Cline
It feels strangely slight for Almodovar, but there's a richness that draws us in -- There's so much going on beneath the surface that you can hardly take it all in.

80
Variety
Jonathan Holland
An engaging, well-crafted and imaginative meditation on solitude and communication.

75
San Francisco Chronicle
Mick LaSalle
This is Almodovar's stab at serious drama, and the result is bizarre and affecting but also unsettling in ways that the filmmaker may not have intended.

75
Boston Globe
Ty Burr
Odd, moving, strained cinematic poetry.

70
Salon.com
Stephanie Zacharek
Talk to Her is much better than Almodóvar's "bad" movies. But it never soars as freely as his best ones do -- it has a very trim, manicured wingspan.

67
Seattle Post-Intelligencer
William Arnold
The movie is occasionally funny, always very colorful and enjoyably overblown in the traditional Almodóvar style; and the performances -- especially Javier Cámara as the gentle, sweet-spirited Benigno -- are exquisitely tender and moving.

63
Charlotte Observer
Lawrence Toppman
I do wonder why a gay director's best-known movies about straight guys, Talk to Her and "Tie Me Up! Tie Me Down!," suggest that satisfying relationships with women are most easily achieved if they're 1) unconscious or 2) in bondage.

63
Baltimore Sun
Michael Sragow
The movie's cinematography is sumptuous, in its own intimate way. But all that's glorious about this film is the flesh tones. There isn't enough flesh and blood.

60
Chicago Reader
J.R. Jones
The key scene -- is typical of the film's fanciful narrative approach but also its grating pretentiousness.

60
New York Magazine
Peter Rainer
Talk to Her affects some people very deeply, while others, like me, find it high-grade kitsch.

40
Village Voice
J. Hoberman
Initial strangeness inexorably gives way to rote sentimentality and mystical tenderness becomes narrative expedience.


The average user rating for this movie is 8.2 (out of 10) based on 37 User Votes
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