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Talk to Her
Sony Pictures Classics

Talk to Her reviews
Critic Score
Metascore: 86 Metascore out of 100
User Score  
8.3 out of 10
based on 34 reviews
Read critic reviews
How did we calculate this?
based on 39 votes
Read user comments
Rate this movie

MPAA RATING: R for nudity, sexual content and some language

Starring Javier Cámara, Darío Grandinetti, Leonor Watling, Rosario Flores, Mariola Fuentes, Geraldine Chaplin, Pina Bausch, and Malou Airaudo

A story about the friendship between two men, about loneliness and the long convalescence of wounds provoked by passion. (Sony Pictures Classics)


GENRE(S): Romance  
WRITTEN BY: Pedro Almodóvar  
DIRECTED BY: Pedro Almodóvar  
RELEASE DATE: DVD: May 27, 2003 
Video: May 27, 2003 
Theatrical: November 22, 2002 
RUNNING TIME: 116 minutes, Color 
ORIGIN: Spain 
LANGUAGE(S): Spanish (with English subtitles) 

Original Spanish title "Hable con Ella"

What The Critics Said

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...

100
Wall Street Journal Joe Morgenstern
Beautiful (sometimes sublimely so), daring (sometimes outrageously so), seriously crazed and terrifically funny.
100
The New York Times A.O. Scott
When it's over, the realization of how much the movie means to you really sinks in; you can't get it out of your heart.
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100
Rolling Stone Peter Travers
The actors are outstanding, illuminating four different views of loneliness. But it's Camara's tour-de-force performance that anchors the film, that shocks and unnerves us.
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100
Christian Science Monitor David Sterritt
One of Almodóvar's most challenging pictures, jumping around in time and sending a large gallery of characters through a wide variety of situations -- will find him again at the peak of his powers.
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100
Entertainment Weekly Lisa Schwarzbaum
Like everything else in this superb work of art, ''Shrinking Lover'' is exquisitely Almodóvarian. It's funny, tender, a little shocking, and it pays homage to what we know about movies: that they can move us beyond words.
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100
The New Yorker David Denby
Almodóvar has brought an extraordinary calm to the surface of his work. The imagery is smooth and beautiful, the colors are soft-hued and blended. Past and present flow together; everything seems touched with a subdued and melancholy magic. [25 November 2002, p. 108]
100
LA Weekly Ella Taylor
Talk to Her is as melodramatic -- and, sporadically, as funny -- as any Almodóvar comedy, but its mood is one of muted, aching loneliness, while the color scheme leans less to hot reds and magentas than to rich, elegant shades of ochre.
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100
Dallas Observer Andy Klein
No one can blend melodrama and heightened emotion with laugh-out-loud wackiness the way Almodóvar does.
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100
Los Angeles Times Kenneth Turan
Like taking a drug everyone says is dynamite and impatiently wondering why the heck it's not kicking in. The kick in fact turns out to be real, and as powerful as advertised, but it doesn't necessarily hit you in any way you anticipated.
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100
Chicago Tribune Michael Wilmington
Great filmmakers push their ideas and characters to the limit, unafraid of consequences - which is what Pedro Almodovar has done in Talk To Her, his latest film and, I think, his best.
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100
Chicago Sun-Times Roger Ebert
No director since Fassbinder has been able to evoke such complex emotions with such problematic material.
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91
Portland Oregonian Kim Morgan
Almodovar loves the human flesh -- indeed, one of his films is titled "Live Flesh" -- and with the quietly subversive Talk to Her, he utilizes it not just as mere decoration but weaves with it textured themes of powerlessness, love and obsession.
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90
Washington Post Ann Hornaday
A movie of technical skill and rare depth of intellect and feeling.
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90
The Onion (A.V. Club) Keith Phipps
The marvelous new Talk To Her has elements that wouldn't have seemed out of place in an Almodóvar film of 20 years ago
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89
Austin Chronicle Kimberley Jones
Moments of almost unbearable beauty.
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88
ReelViews James Berardinelli
Almodovar also manages to conclude the film on a hopeful note, and one that will have many audience members wishing that he will someday return to tell more about these characters.
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88
New York Post Lou Lumenick
Isn't quite as accessible or as deeply moving as his masterpiece, "All About My Mother." It's a tad too self-consciously a work of art for that. But it's still a must-see for anyone who's halfway serious about film.
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88
Miami Herald Rene Rodriguez
This rich, emotionally complex movie finds Almodóvar venturing into trickier, more fascinating territory, even if his themes.
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88
USA Today Claudia Puig
It is at once warmly humanistic and boldly innovative, raising philosophical questions but not answering them.
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88
Philadelphia Inquirer Carrie Rickey
Almodóvar has made a powerfully moving film about men who think they want to lose themselves in their women, then are startled to realize that they're the ones who have been comatose.
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88
The Globe and Mail (Toronto) Liam Lacey
Pure cinematic intoxication, a wildly inventive mixture of comedy and melodrama, tastelessness and swooning elegance, bodies with the texture of fresh peaches, and angular faces Picasso would have loved.
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88
New York Daily News Jack Mathews
This quiet yet jolting meditation on love, obsession, loneliness, friendship and fate has the quality to entrance you through a first viewing, and compel you to take its themes and characters home with you for further consideration.
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80
TV Guide Maitland McDonagh
This ode to the peculiar strength and flexibility of love, romantic and platonic, is simultaneously perverse, overwrought, deeply creepy and truly moving, a high-wire act that finds humor in the grotesque and hope in emotional malformation.
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80
Film Threat Rich Cline
It feels strangely slight for Almodovar, but there's a richness that draws us in -- There's so much going on beneath the surface that you can hardly take it all in.
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80
Variety Jonathan Holland
An engaging, well-crafted and imaginative meditation on solitude and communication.
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75
San Francisco Chronicle Mick LaSalle
This is Almodovar's stab at serious drama, and the result is bizarre and affecting but also unsettling in ways that the filmmaker may not have intended.
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75
Boston Globe Ty Burr
Odd, moving, strained cinematic poetry.
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70
Salon.com Stephanie Zacharek
Talk to Her is much better than Almodóvar's "bad" movies. But it never soars as freely as his best ones do -- it has a very trim, manicured wingspan.
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67
Seattle Post-Intelligencer William Arnold
The movie is occasionally funny, always very colorful and enjoyably overblown in the traditional Almodóvar style; and the performances -- especially Javier Cámara as the gentle, sweet-spirited Benigno -- are exquisitely tender and moving.
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63
Charlotte Observer Lawrence Toppman
I do wonder why a gay director's best-known movies about straight guys, Talk to Her and "Tie Me Up! Tie Me Down!," suggest that satisfying relationships with women are most easily achieved if they're 1) unconscious or 2) in bondage.
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63
Baltimore Sun Michael Sragow
The movie's cinematography is sumptuous, in its own intimate way. But all that's glorious about this film is the flesh tones. There isn't enough flesh and blood.
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60
Chicago Reader J.R. Jones
The key scene -- is typical of the film's fanciful narrative approach but also its grating pretentiousness.
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60
New York Magazine Peter Rainer
Talk to Her affects some people very deeply, while others, like me, find it high-grade kitsch.
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40
Village Voice J. Hoberman
Initial strangeness inexorably gives way to rote sentimentality and mystical tenderness becomes narrative expedience.
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What Our Users Said

Vote Now!The average user rating for this movie is 8.3 (out of 10) based on 39 User Votes
Note: User votes are NOT included in the Metascore calculation.

Amurabi M. gave it a9:
This is a story about the friendship between two men, about solitude, about the long process of healing wounds provoked by passion, about communication and the lack of it in relationships. About cinema as an ideal vehicle in the realationships between people. Watching as the cinema as storytelleing can stop the time and sets in the life of who´s telling the story and who listens it. "Talk to Her" is a movie about the joy of tell a story and about the words as a weapon of escape of loneliness, death and madness, that madness so close to tenderness and common sense that can´t be so different from reality. In "Talk to Her" there are moments of cinematic perfection, of sublime blend of music and image (as the great cateano veloso singing and the whole almodovarian crew listening --cecilia roth, marisa paredes, paz vega et al--) and moments of unbearable beauty. This is the second great masterpiece of a genius and the best example of narrative as cinema and viceversa.

rockbox gave it a0:
How do we know that benigno raped alicia? maybe marco did it, you never see who does it, yet you see how obsessed by alicia marco really is. think again people.

Pat C. gave it a7:
The best movies balance obsession and enlightenment. They can dare to be tedious to the point of boredom throughout if the wrapup is a blinding flash of the obvious. The Rules of the Game, Tokyo Story and Citizen Kane come to mind. This movie, while undeniably ground-breaking, compelling and worth watching, becomes too absorbed in the subconscious to conclude with clarity. Lack of development of the female love interest characters sustains their relationship with the male leads as a vegetative state.

Michael H gave it a10:
Best Almodovar I've seen.. beautiful cinematography, great rhythm. Acting is excellent. What more can I say?

rachel c. gave it a10:
The subtle beauty of this film brings me to tears just to think on it.

Giulia gave it a9:
This movie is so easy too like. you feel better after watching it.

Vic L. gave it a 9:
There are a total of four performances within the film itself, for a total of five performance art pieces each worthy of reflection. This type of play within a play often reminds me of Shakespeare's Hamlet, where the travelling actors put on a story whose plot mirros that of Eodipus Rex, which is in fact what Hamlet was at its core. The first twenty minutes of this film were slow but soon the pace increases and before the hour is out you are bonded in an emotional connection to the characters. No plot summary could do the film justice as the plot is too contrived outside the context of the movie and Almodovar's directorial narration.

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