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71
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65
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64
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64
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63
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61
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60
Traitor
57
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55
House Bunny, The
54
You Don't Mess with the Zohan
54
Get Smart
53
Sex and the City: The Movie
53
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52
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51
Mamma Mia!
51
Step Brothers
49
Hancock
47
Swing Vote
47
X-Files: I Want to Believe, The
43
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42
Death Race
36
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36
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35
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35
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34
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31
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26
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24
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19
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83
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81
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80
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80
Bigger, Stronger, Faster*
80
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79
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78
Roman Polanski: Wanted and Desired
78
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77
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76
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75
Young@Heart
75
Boy A
74
Anita O'Day: The Life of a Jazz Singer
74
Mongol
73
Gonzo: The Life and Work of Dr. Hunter S. Thompson
73
Secret, A
72
Priceless
72
Transsiberian
72
I.O.U.S. A
71
To the Limit
71
Girl Cut in Two, A
71
Roman de gare
70
Love Songs
67
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67
Jellyfish
66
Elegy
66
Patti Smith: Dream of Life
66
American Teen
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65
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64
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Stars indicate the most critically-acclaimed movies.
|
Things We Lost in the Fire
DreamWorks Pictures
FILM:
MPAA RATING: R for drug content and language
Starring
Halle Berry,
Benicio Del Toro,
David Duchovny,
Alison Lohman,
Sarah Dubrovsky,
and
John Carroll Lynch
Audrey Burke's life has been shattered by the sudden death of her husband. In grief, she turns to one of his lifelong friends, Jerry Sunborne, a former lawyer who is on a serious downward spiral. Together they work to repair their lives. (DreamWorks Pictures)
| GENRE(S): |
Drama
|
| WRITTEN BY: |
Allan Loeb
|
| DIRECTED BY: |
Susanne Bier
|
| RELEASE DATE: |
DVD: March 4, 2008
Theatrical: October 19, 2007
|
| RUNNING TIME: |
119 minutes, Color |
| ORIGIN: |
USA / UK |

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
89
Austin Chronicle
Josh Rosenblatt
In the end this movie belongs to Del Toro. He imbues Jerry with such life, such ambiguity, such unsentimental complexity and depth that you can’t help but feel you’re watching the most intricately mapped depiction of addiction and strained humanity the film world has ever given us.

88
ReelViews
James Berardinelli
Emotionally challenging and honest.

88
TV Guide
Ken Fox
Allen Loeb's first produced screenplay is an unvarnished treatment of death and its aftermath that's unusual for a Hollywood film.

88
New York Daily News
Jack Mathews
Berry gives a riveting performance, but as a deeply decent man trapped in a hell of his own making, Del Toro gives the kind of career performance Berry gave in "Monster's Ball."

80
Empire
Alan Morrison
The script is structurally similar to "21 Grams," but restrained turns and perceptive direction make this honest rather than manipulative.

75
Portland Oregonian
Shawn Levy
The result is a film that's more credible in its building blocks than in its whole.

75
San Francisco Chronicle
Walter Addiego
Outstanding in support roles are Alison Lohman, playing a friend of Jerry's, and John Carroll Lynch, playing a neighbor who befriends Jerry.

75
Premiere
Glenn Kenny
The film also has an unexpected and rich vein of humor. John Carroll Lynch -- you might know him as Norm Gunderson of "Fargo" -- is a stitch as a neighbor of the Burkes.

75
Chicago Sun-Times
Roger Ebert
The movie is an engrossing melodrama, and it has its heart in the right place.

75
Charlotte Observer
Lawrence Toppman
The honesty outweighs the hokiness by a fair margin.

75
Miami Herald
Rene Rodriguez
It is a testament to how well the movie is made that even the most hardened viewer might find himself tearing up at moments -- and you won't have to hate yourself in the morning.

75
Seattle Post-Intelligencer
William Arnold
The only downside is that Bier's vision of upper-middle-class America does not always seem authentic.

75
USA Today
Claudia Puig
The movie makes some missteps, most of them in pacing and length, and the story veers occasionally into melodrama, but it is saved by the powerful performance of Benicio Del Toro.

75
Chicago Tribune
Michael Phillips
Things We Lost in the Fire finds Bier at an interesting juncture, half-Dogmatic, half traditionalist.

75
Rolling Stone
Peter Travers
Del Toro is the movie's force field. This is a performance you will not forget.

70
Chicago Reader
J.R. Jones
Bier is one of the cinema's most acute observers of intimate relations, her Scandinavian reserve muting the inherent melodrama of her material, and she draws piercing, modestly scaled performances from Duchovny, Del Toro, Alison Lohman, and John Carroll Lynch.

67
The Onion (A.V. Club)
Nathan Rabin
Well-acted yet strangely inert, Fire explores the messy human emotions of grief, but it'd be a lot more resonant if the guy everyone's mourning weren't so fatally perfect, so unforgivably superhuman.

63
The Globe and Mail (Toronto)
Liam Lacey
Apart from the mobile camera and a moderately challenging time-jumping script, this is weepy women's cable-television fare of the tears-and-cuddles variety.

63
Philadelphia Inquirer
Carrie Rickey
Susanne Bier is a bomb thrower. The explosives in the films by the Danish director are emotional and provoke torrents of tears, richly earned.

63
Boston Globe
Wesley Morris
Were there such a thing as a low-carb melodrama, Things We Lost in the Fire would be it - all the tears, half the guilt.

60
Los Angeles Times
Kenneth Turan
Things are sporadically troublesome about the film. The story goes in and out of being self-consciously earnest and ponderous, a situation that numerous tight close-ups of people's eyes does nothing to help.

60
Wall Street Journal
Joe Morgenstern
Mr. Del Toro is a fearless actor, and his Jerry, a heroin addict lurching toward redemption, is the heart and soul, as well as the haunted, rubbery visage, of a story of grief and loss that would be fairly lifeless without him.

60
Variety
Todd McCarthy
A live-wire performance by Benicio Del Toro sparks an otherwise morose study of loss, addiction and catharsis.

58
Entertainment Weekly
Lisa Schwarzbaum
No matter what panache Bier adds, Things We Lost is still a TV-scaled tear-duct drama about a beautiful woman who pushes past sadness in her House & Garden home.

50
LA Weekly
Julia Wallace
Benicio del Toro’s a squinty-eyed genius, and the only reason this film is halfway worth seeing.

50
The Hollywood Reporter
Kirk Honeycutt
An unstable mix of a tearjerker, junkie-recovery story and odd-couple pairing. The film marks the American debut of Danish filmmaker Susanne Bier, whose European films show a strong affinity for stories of human frailties and of families unraveling.

50
Baltimore Sun
Michael Sragow
This movie asks us to "accept the good" in life - not a bad message. But to overpraise Things We Lost in the Fire would be to accept the mediocre.

40
The New York Times
Stephen Holden
Although neither Ms. Berry nor Mr. Del Toro can be faulted in their scenery-chewing moments, these star turns make you uncomfortably aware that they are Oscar-conscious auditions for the Big Prize. Their naked ambition subtly contaminates a movie that, despite its fine acting, has the emotional impact of a general anesthetic.

38
New York Post
Kyle Smith
Made to win awards, and I'm here to present it with one: the Cliché of the Year honors, otherwise known as the Hackney.

30
Washington Post
Stephen Hunter
Del Toro will probably get an Oscar nod for his Jerry, because the film is so full of Oscar moments, including a cold-turkey detox bit. He rumbles and shivers and screeches and bangs his head on the wall and takes a shower in his clothes. I never believed a second of it.


The average user rating for this movie is 8.2 (out of 10) based on 19 User Votes
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