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To End All Wars
Goldcrest Films

To End All Wars reviews
Critic Score
Metascore: xx Metascore out of 100
User Score  
8.7 out of 10
based on 3 reviews
Read critic reviews
How did we calculate this?
based on 35 votes
Read user comments
Rate this movie

MPAA RATING: R for war violence and brutality, and for some language

Starring Robert Carlyle, Kiefer Sutherland, Ciarán McMenamin, Mark Strong, Sakae Kimura, Masayuki Yui, James Cosmo, and John Gregg

A true story about four Allied POWs who endure harsh treatment at the hands of their Japanese captors during World War II while being forced to build a railroad through the Burmese jungle. Ultimately they find true freedom by forgiving their enemies. (Argyll Films)


GENRE(S): Drama  
WRITTEN BY: Brian Godawa
Ernest Gordon (book)
 
DIRECTED BY: David L. Cunningham  
RELEASE DATE: DVD: June 15, 2004 
Video: June 15, 2004 
Theatrical: December 6, 2002 
RUNNING TIME: 117 minutes, Color 
ORIGIN: USA / Thailand / UK 

Best Supporting Actor (Kimura), 2002 Method Fest

What The Critics Said

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...

50
Los Angeles Times Kevin Thomas
It is solidly crafted enough from inherently powerful true-life material, however, that WWII buffs and religiously inclined audiences won't be disappointed.
Read Full Review
50
LA Weekly Chuck Wilson
The dialogue and voice-over narration (by Gordon) are homily-heavy, and the staging sometimes awkward. The prison extras in particular are often left to stare blankly at the gut-wrenching action before them, with many, including Sutherland, looking awfully fit for men who've been starving for years.
Read Full Review
30
Variety Dennis Harvey
Grim in theme yet seldom effective or convincing in execution.
Read Full Review

What Our Users Said

Vote Now!The average user rating for this movie is 8.7 (out of 10) based on 35 User Votes
Note: User votes are NOT included in the Metascore calculation.

Nariman gave it a10:
Great movie. No wonder hollywood, left media, and other secularists don't like it. This is about true core meaning of Christianity - forgiveness and love. That's what truly ends all wars and gives such freedom, freedom to choose life and morality.

Amy R. gave it a10:
Outstanding movie! It amazes me that this movie did not receive more critical acclaim.

Steve gave it a9:
Powerful film with a religious focus. That will turn the hollywood critics off. Much better film than half the drivel that the critics love like Brokeback mountain.

Bernardo D. gave it a6:
This movie is based on a true story and covers very similar material to that in "Bridge on The River Kwai". The latter movie is excellent in many ways, especially thanks to its cast, Alec Guinness in particular. This movie which seems to follow a similar plot structure is actually based on a book written by Ernest Gordon, one of the POW's. The set-up between Japanese and Allied POWs covers familiar ground - principally about the Japanese army's disregard for Rules of War (Geneva and Hague Convention), lack of humanity and out and out war crimes. But, unfortunately, this movie doesn't seem to capture the essence of the tensions that existed in those camps. It tries by using voice-over explanations and interchanges among the soldiers. There are some attempts to show torture and other horrors - and as bad as they may be, they don't seem to connect. The daily fear of not knowing whether one will live or die at any time does not come across with any particular effectiveness. Its talked about - but, the fear is hardly conveyed ... I'm not sure why this is so .... ... This movie does not capture the true horror and crimes committed by the Japanese. It presents a broad-brush paint-by-numbers approach. There is never a feeling that these POWs are in true life-despairing danger, although the portrayal of the danger is the crux of the story. The ability to portray the true fear and inhumanity is not any easy one - two examples of movies where this was truly accomplished are Sophie's Choice, Schindler's List and more recently The Grey Zone. To End All Wars hardly achieves that sort of level - as much as it tries. These criticisms aside, this movie is well worth seeing. There are some strong, powerful performances particularly those of Ciaran McMenamin, James Cosmo and Yugo Saso(the translator). In fact, the combined cast performances are all standouts despite the predictable plot development. In summary - this is a movie worth seeing - for the subject matter - for the production values - and for the strong cast. The weaknesses aren't so evident - there is no sense of time passing - some 3 years or so ... feels like a couple of days .... despite the effort to portray the POWs as suffering - they seem too strong, too quick to recover, and not really suffering as the real Ernest Gordon did ... the use of voice-over tends to be tiresome - and the noble message of forgiveness is absurd .... Japanese war criminals running those prison camps often exceeded the bounds of any humanity ... and regretfully, to this day, there has been no justice and no retribution .... the Japanese guards in this movie are fairly nice - with occasional outbursts of angry behaviour ... maybe that's the failing of the movie .... The director says that he didn't want to be perceived as anti_Japanese .... well, by doing so - the impact becomes limiting .... almost cartoonish in some aspects... Bottom line - this is a flawed movie, interesting to watch - a good history lesson for those not familiar with the facts of those terrible years - and a very strong cast.

David gave it a10:
THis may be the most profound movie I have ever seen. I was not able to speak for about 15 minutes after the credits rolled.

Nuno M. gave it a10:
Outstanding.

Norm G. gave it a2:
If you took all of the movie clichés from every prisoner of war film since the 1930’s and string them together, you’d get a film slightly better than "To End All Wars." Carlyle and Sutherland do as well as can be expected with mediocre dialogue, but the voiceover drove me nuts as it continually chimed in to state the obvious . . . maybe because the director suspect we might not be paying attention.

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