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58
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54
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53
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53
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51
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49
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47
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47
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46
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45
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43
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43
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43
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41
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39
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37
Miracle at St. Anna
36
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36
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36
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35
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35
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35
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34
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|
Tosca
Avatar Films
FILM:
MPAA RATING: Not Rated
Starring
Angela Gheorghiu,
Roberto Alagna,
Ruggero Raimondi,
David Cangelosi,
Sorin Coliban,
Enrico Fissore,
Maurizio Muraro,
and
Gwynne Howell
One of Giacomo Puccini's greatest operas has been magically transposed to film in this stirring and wonderfully performed production featuring Angela Gheorghiu and Roberto Alagna as the star-crossed lovers. (Avatar Films)
| GENRE(S): |
Musical
|
| WRITTEN BY: |
Giuseppe Giacosa (libretto)
Luigi Illica (libretto)
Victorien Sardou (play La Tosca)
|
| DIRECTED BY: |
BenoƮt Jacquot
|
| RELEASE DATE: |
Theatrical: July 12, 2002
|
| RUNNING TIME: |
117 minutes, Color |
| ORIGIN: |
France / Germany / Italy / UK |
| LANGUAGE(S): |
Italian (with English subtitles) |

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
100
New York Magazine
Peter Rainer
A rare example of first-rate filmed opera.

90
Village Voice
Elizabeth Zimmer
Two hours fly by -- opera's a pleasure when you don't have to endure intermissions -- and even a novice to the form comes away exhilarated.

83
Entertainment Weekly
Lisa Schwarzbaum
Conveys the heaving passion of Puccini's famous love-jealousy-murder-suicide fandango with great cinematic innovation.

80
Los Angeles Times
Daniel Cariaga
Altogether, this is successful as a film, while at the same time being a most touching reconsideration of the familiar masterpiece.

80
The New York Times
Dana Stevens
For the most part, it works beautifully as a movie without sacrificing the integrity of the opera.

80
The Onion (A.V. Club)
Keith Phipps
Using a single set for each act and cutting minimally, Jacquot seems to recognize his limited ability to make the opera cinematic.

75
Christian Science Monitor
David Sterritt
The result is a fine production with splendid singing by Angela Gheorghiu, Ruggero Raimondi, and Roberto Alagna. It joins the very short list of first-rate opera films.

75
Miami Herald
Marta Barber
Watching a film about an opera can never be as moving as watching the real thing in a great opera house. Musical purists may object to certain details, and film buffs may find the concept unappealing. Yet, for this film and opera lover, Jacquot's Tosca is a treat.

75
San Francisco Chronicle
Mick LaSalle
Glorious moments aplenty despite director who's just in the way.

70
Slate
David Edelstein
It's so exciting to have a perfectly sung and acted Tosca (Avatar) on film that I'm prepared to forgive the new movie, directed by Benoit Jacquot, almost everything. But I sure wish Jacquot hadn't bungled the look and feel.

67
Seattle Post-Intelligencer
R. M. Campbell
The result is arty but pointless. The sets are unreal looking and so huge the characters drown in their vast spaces.

63
Chicago Tribune
John von Rhein
You would be better off investing in the worthy EMI recording that serves as the soundtrack, or the home video of the 1992 Malfitano-Domingo production.

63
New York Daily News
Elizabeth Weitzman
For the broader audience, this seems both suffocating and confusing -- True opera buffs, however, are more likely to feel thrilled, as if they're privy to a private production of the highest caliber.

60
New Times (L.A.)
Gregory Weinkauf
Audiences are advised to sit near the back and squint to avoid noticing some truly egregious lip-non-synching, but otherwise the production is suitably elegant, a fine retreat from summer cinema overkill.

60
TV Guide
Maitland McDonagh
The performance sequences are in color, while the recording sequences are in B&W. Jacquot's strategy allows his cast the benefit of being able to give full performances (Raimondi is a particularly good film actor) while demonstrating vividly that the beauty and power of the opera reside primarily in the music itself.

50
Chicago Reader
Ted Shen
The sets are like islands floating in a void, juxtaposed with sepia shots of Rome and extraneous video clips of the singers and orchestra in a recording studio; the technique purposely draws attention to the movie's artifice, but the performances pull us into the story's elemental emotions.

50
New York Post
Megan Lehmann
Purists will probably have a conniption at the mere idea of messing with the form, but the worst thing about Jacquot's post-modern treatment is that its incongruity wrenches you out of the story.

40
LA Weekly
This filmed Tosca -- not the first, by the way -- is a pretty good job, if it's filmed Tosca that you want. I'll stay with the stage versions, however, which bite cleaner, and deeper.


The average user rating for this movie is 8.3 (out of 10) based on 3 User Votes
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