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Stars indicate the most critically-acclaimed movies.

67
$9.99
75
24 City
66
Adoration
74
Afghan Star
48
Alien Trespass
56
American Violet
82
Anvil! The Story of Anvil
57
Away We Go
81
Beaches of Agnes, The
62
Big Man Japan
28
Big Shot-Caller, The
78
Boys: The Sherman Brothers' Story, The
55
Brothers Bloom, The
82
Burma VJ: Reporting from a Closed Country
xx
Call of the Wild
63
Cheri
62
Cherry Blossoms
63
Dead Snow
65
Departures
18
Downloading Nancy
58
Easy Virtue
70
End of the Line, The
77
Every Little Step
64
Examined Life
80
Food, Inc.
38
Gigantic
56
Girl from Monaco, The
67
Girlfriend Experience, The
87
Gomorrah
89
Goodbye Solo
63
Great Buck Howard, The
79
Harvard Beats Yale 29-29
xx
Home
82
Hunger
91
Hurt Locker, The
16
I Hate Valentine's Day
81
Il Divo
54
Is Anybody There?
71
Jerichow
58
Julia
74
Lemon Tree
36
Life is Hot in Cracktown
40
Limits of Control, The
42
Little Ashes
64
Lymelife
50
Management
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Merry Gentleman, The
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Moon
35
New York
62
Not Forgotten
xx
Offshore
78
O'Horten
64
Outrage
40
Paris 36
54
Pontypool
71
Pressure Cooker
52
Quiet Chaos
83
Revanche
67
Rudo y Cursi
86
Seraphine
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Sex Positive
70
Shall We Kiss?
77
Sin Nombre
59
Sleep Dealer
74
Song of Sparrows, The
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Stoning of Soraya M., The
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Sugar
84
Summer Hours
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Sunshine Cleaning
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Surveillance
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Tennessee
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Tetro
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Throw Down Your Heart
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Tokyo Sonata
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Tokyo!
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Tony Manero
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Treeless Mountain
88
Tulpan
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Two Lovers
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Tyson
83
U2 3D
60
Under Our Skin
69
Unmistaken Child
69
Valentino: The Last Emperor
22
What Goes Up
45
Whatever Works
57
Youssou Ndour: I Bring What I Love
91
Hurt Locker, The
89
Goodbye Solo
88
Tulpan
87
Gomorrah
86
Seraphine
84
Summer Hours
83
U2 3D
83
Revanche
83
Tyson
82
Burma VJ: Reporting from a Closed Country
82
Sugar
82
Hunger
82
Anvil! The Story of Anvil
81
Il Divo
81
Beaches of Agnes, The
80
Food, Inc.
80
Tokyo Sonata
79
Harvard Beats Yale 29-29
78
Boys: The Sherman Brothers' Story, The
78
O'Horten
77
Every Little Step
77
Sin Nombre
75
24 City
74
Treeless Mountain
74
Afghan Star
74
Two Lovers
74
Song of Sparrows, The
74
Lemon Tree
71
Pressure Cooker
71
Jerichow
70
Shall We Kiss?
70
Tony Manero
70
End of the Line, The
69
Valentino: The Last Emperor
69
Unmistaken Child
67
$9.99
67
Rudo y Cursi
67
Girlfriend Experience, The
66
Adoration
66
Moon
65
Sex Positive
65
Departures
64
Outrage
64
Examined Life
64
Throw Down Your Heart
64
Lymelife
63
Tokyo!
63
Cheri
63
Dead Snow
63
Tetro
63
Great Buck Howard, The
62
Cherry Blossoms
62
Big Man Japan
62
Not Forgotten
61
Sunshine Cleaning
60
Under Our Skin
59
Sleep Dealer
58
Julia
58
Easy Virtue
57
Away We Go
57
Merry Gentleman, The
57
Youssou Ndour: I Bring What I Love
56
Girl from Monaco, The
56
American Violet
55
Brothers Bloom, The
54
Is Anybody There?
54
Pontypool
54
Stoning of Soraya M., The
52
Quiet Chaos
50
Management
48
Alien Trespass
45
Whatever Works
42
Little Ashes
42
Tennessee
40
Limits of Control, The
40
Paris 36
38
Gigantic
36
Life is Hot in Cracktown
35
New York
28
Big Shot-Caller, The
28
Surveillance
22
What Goes Up
18
Downloading Nancy
16
I Hate Valentine's Day
xx
Call of the Wild
xx
Home
xx
Offshore
Stars indicate the most critically-acclaimed movies.
|
Troy
Warner Bros.
FILM:
MPAA RATING: R for graphic violence and some sexuality/nudity
Starring
Brad Pitt,
Eric Bana,
Orlando Bloom,
Diane Kruger,
Peter O'Toole,
Sean Bean,
Saffron Burrows,
and
Julie Christie
Throughout time, men have waged war. Some for power, some for glory, some for honor -- and some for love. (Warner Bros.)
| GENRE(S): |
Action
|
Adventure
|
Drama
|
War
|
| WRITTEN BY: |
David Benioff
Homer (poem The Illiad)
|
| DIRECTED BY: |
Wolfgang Petersen
|
| RELEASE DATE: |
DVD: January 4, 2005
Theatrical: May 14, 2004
|
| RUNNING TIME: |
163 minutes, Color |
| ORIGIN: |
USA |

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
100
Chicago Tribune
Michael Wilmington
In a league with Hollywood's top historical epics, ancient or otherwise. It's stunningly handsome film, with an equally stunning cast and engrossing story.

91
Seattle Post-Intelligencer
William Arnold
An exhilarating piece of epic filmmaking that it pulls you in, sweeps you up and works very much as its own thing.

80
Time
Richard Corliss
In this vigorous, stalwart epic, they blend martial breadth and emotional intimacy, honor and obsession, romance and machismo to show the glamour and folly of war.

80
Newsweek
Jeff Giles
Troy is a fun, energizing piece of summer entertainment, even if it doesn't have the depth or the sustained intensity of "Gladiator."

75
Rolling Stone
Peter Travers
Troy lacks the focus of Gladiator, not to mention that Oscar winner's scrappy wit. But why kick a gift horse when you're in summer-movie heaven?

75
USA Today
Claudia Puig
Entertainingly epic eye candy.

75
Christian Science Monitor
David Sterritt
In sum, this is hardly an "Iliad" adaptation for the ages. But if you're hankering for sand, sandals, and swordplay, this could be the movie for you.

75
Philadelphia Inquirer
Carrie Rickey
When the film focuses on the Trojans, it's splendid. But when Troy attempts to sort out the competing agendas of the Greeks, it drags.

75
New York Daily News
Jack Mathews
A "Ben-Hur"-size epic with beefcake, beauty, outsize heroes, flashy duels and epic battles. There are breathtaking vistas, taut political intrigues, dangerous romantic liaisons and one of the greatest wardrobes ever assembled for a costume drama.

75
Premiere
Sara Brady
Wolfgang Petersen's Troy recalls an age when Hollywood not only gambled on but flourished with grandiose epics and casts of thousands, and brings megawatt star power to what is, at root, a brilliantly told story.

75
San Francisco Chronicle
Mick LaSalle
All Hollywood and no Homer, but within its limits, it's a vigorous, entertaining movie.

70
Washington Post
Stephen Hunter
Far from great, but much farther from awful, Troy offers several popcorn buckets' worth of good old-fashioned time at the movies.

70
The New Republic
Stanley Kauffmann
When a spectacular film rests on at least a minimal armature of character and cogent action, as Troy does, we can just sink back and enjoy. What we enjoy is the sovereignty over time and place and the force of gravity that film has given to the world.

70
Washington Post
Desson Thomson
That's the only way to enjoy Wolfgang Petersen's nearly three-hour epic: as a Pitt vehicle. In a role that requires larger-than-life dimensions, he's pretty terrific.

70
The New Yorker
David Denby
The movie is successful -- harsh, serious, and both exhilarating and tragic, the right tonal combination for Homer. [17 May 2004, p. 107]
63
Miami Herald
Rene Rodriguez
For a movie whose characters are so preoccupied with immortality, Troy is curiously forgettable.

63
Baltimore Sun
Michael Sragow
This handsome and occasionally exciting movie flounders because it confuses Tinseltown glamour with legendary heroism and beauty.

63
ReelViews
James Berardinelli
There are times when Troy is stirring and engaging. However, at least as often, it is flat.

60
Chicago Reader
Jonathan Rosenbaum
It has plenty of visual sweep, fine action sequences, and, thanks especially to Brad Pitt (as Achilles) and Peter O'Toole (as King Priam), a deeper sense of character than one might expect from a sword-and-sandal epic.

60
Film Threat
Pete Vonder Haar
Isnt a bad film, simply an unspectacular one, which might be a more damaging statement.

60
Dallas Observer
Bill Gallo
Homer would be hard-pressed to find any remaining shred of "The Iliad" in this over-the-top entertainment. It has a lot of loud passion but not much poetry, and that's appropriate for a movie that could well be subtitled My Big Fat Greek Bloodletting.

60
New York Magazine
Peter Rainer
Except for a few brilliant flashes, mostly from Peter O'Toole as Hectors father, the Trojans' magisterially woebegone King Priam, Troy is a fairly routine action picture with an advanced case of grandeuritis.

60
Variety
Todd McCarthy
Despite a sensationally attractive cast and an array of well-staged combat scenes presented on a vast scale, Wolfgang Petersen's highly telescoped rendition of the Trojan War lurches ahead in fits and starts for much of its hefty running time, to OK effect.

60
The New York Times
Dana Stevens
For what it is -- a big, expensive, occasionally campy action movie full of well-known actors speaking in well-rounded accents -- Troy is not bad. It has the blocky, earnest integrity of a classic comic book, and it labors to respect the strangeness and grandeur of its classical sources.

60
Empire
Will Lawrence
Bruising battles and some stirring performances make Troy enjoyable, if rather long. But if audiences can forgive the camp, they'll still struggle to empathise with the characters.

58
Portland Oregonian
Karen Karbo
In the end, the battle scenes are elegant and compelling and there are some fine moments when O'Toole, as Priam, summons his inner Lawrence of Arabia and makes us believe that we're actually watching a tragic altercation that brought down great men descended from gods.

50
Chicago Sun-Times
Roger Ebert
The movie sidesteps the existence of the Greek gods, turns its heroes into action movie cliches and demonstrates that we're getting tired of computer-generated armies.

50
Boston Globe
Ty Burr
At its intermittent best, Troy suggests a primitive pro-wrestling smackdown with epochal consequences. At its worst, it's a throwback to the ham-fisted sword-and-sandal international coproductions of the early 1960s: "The 300 Spartans" with better sets. Barely.

50
Los Angeles Times
Kenneth Turan
Given everything, it's no surprise that the verdict on the film has to be a split decision. Troy is a movie you believe in physically...Believing in Troy emotionally, however, presents a greater challenge.

50
Charlotte Observer
Lawrence Toppman
What do you get if you start with the first great narrative of Western civilization, then remove all the psychological complexity and profound characterization? Troy.

50
Village Voice
Michael Atkinson
Hardly gay camp for nothing, sword-and-sandal epics cannot help but teeter on the brink of self-mockery, and Troy, for all its grim seriousness, embraces both the clichés and the beefcake.

50
Entertainment Weekly
Lisa Schwarzbaum
The result is a pageant long but not deep, noisy but not stirring, expensive but not sumptuous.

50
TV Guide
Maitland McDonagh
Even the dramatic heavy hitters, who include Cox, Gleeson, O'Toole and Julie Christie, as Achilles' mother, are powerless in the face of Pitt's yawning hollowness.

50
Slate
David Edelstein
Often plays like what it is: a clunky toga-and-sandals picture, with Hollywood compromises abounding.

50
The Hollywood Reporter
Kirk Honeycutt
A protracted and uninvolving affair in which men battle over issues that audiences may struggle to find compelling, and no central figure emerges to take command of the film.

50
The Globe and Mail (Toronto)
Rick Groen
All costume and scant drama, the result is a curiously flat spectacle, neither offensive nor compelling.

50
Film Threat
Rick Kisonak
Wolfgang Petersen's popcorn epic doesn't fail exactly. It just takes on too much. Modern man is at something of a disadvantage-even aided by his trusty muse, the computer-when presuming to bring the stuff of gods, myths and timeless sacred texts to the big screen.

40
Austin Chronicle
Marc Savlov
Petersen, a director who knows his way around a crane shot better than almost anyone, rallies his troops but can't ignite his actors, and the end result is the sound and fury of Homer undone.

40
Salon.com
Stephanie Zacharek
Troy isn't so much a simplified retelling of "The Iliad" as a re-imagined version of it, told wholly without imagination.

38
New York Post
Jonathan Foreman
What really wrecks Wolfgang Petersen's Troy is some of the worst casting in recent Hollywood history: The lackluster ensemble hired by the director is overwhelmed by the generally impressive sets and crowd scenes, by the task of playing epic heroes and by David Benioff's rambling, tone-deaf screenplay "inspired by Homer's 'Iliad.'"

30
Wall Street Journal
Joe Morgenstern
In Troy, and in overreaching, underachieving productions like it, digital imagery is fast becoming both a Trojan horse and Achilles' heel.
30
The Onion (A.V. Club)
Keith Phipps
Troy does look good--so good, in fact, that it takes a while to reveal itself as a thundering dud with much action but little personality, human drama, or brains.

30
LA Weekly
Scott Foundas
The thunderous clashes between armies of computer-generated Trojans and Mycenaeans, when they do arrive, feel decidedly un-epic, as though we were watching a child's toy-box war between plastic figurines. Which makes them perfectly in line with the rest of Petersen's artless approach.


The average user rating for this movie is 6.4 (out of 10) based on 163 User Votes
Note: User votes are NOT included in the Metascore calculation.
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