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Tsotsi

Generally favorable reviews
Based on 35 critic reviews
How did we calculate this?
Based on 25 votes
Read user comments
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Movie Info
Genre(s): Crime | Drama | Foreign
Written by:
Gavin Hood
Athol Fugard (novel)
Directed by: Gavin Hood
Release Date:
Theatrical: February 24, 2006
DVD: July 18, 2006
Running Time: 94 minutes, Color
Origin: UK / South Africa
Summary
RATING: R for language and some strong violent content
Starring Presley Chweneyagae, Mothusi Magano, Israel Makoe, Percy Matsemela, Jerry Mofokeng, Benny Moshe, Nambitha Mpumlwana, and Zenzo Ngqobe
Set amidst the bustling townships of Johannesburg and infused with the pumping high-energy Kwaito music of the top South African artist Zola, Tsotsi is an extraordinary portrait of the choies we make in life and the personal triumph that comes from choosing love over rage. (Miramax Films)
Also On Metacritic
FILM: Rendition
Also On The Web: Internet Movie Database View The Trailer Official Studio Site
What The Critics Said
All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
TV Guide Ken Fox
Powerful crime drama does more than just expose the criminal underbelly of South African township life.
Read Full Review >Chicago Reader J.R. Jones
This powerful South African drama turns on the debut performance of young Presley Chweneyagae as the hood, and it's magnificent: a stone-faced killer in the opening scenes, he becomes an open book as the story progresses, as frightened, confused, and needy as the baby he drags around town in a shopping bag.
Read Full Review >San Francisco Chronicle Ruthe Stein
It grabs you from a symbolic opening scene of gang members rolling the dice -- the odds, it soon becomes clear, are stacked against them getting lucky -- and never lets go.
Read Full Review >Washington Post Desson Thomson
As Tsotsi, Chweneyagae turns his face into a living battle mask -- curved, molded and sandpapered into smooth ruthlessness. But as the story unfolds, Tsotsi's mask begins to crack, and his humanity begins to flow through.
Read Full Review >Empire Liz Beardsworth
Hood handles his material so deftly that a conclusion which could have been mawkish and sentimental is instead bittersweet, both painful and quietly affirming.
Read Full Review >Dallas Observer Jean Oppenheimer
Packs an unexpected emotional wallop. Gavin Hood's film tells a story of violence and redemption that's even more remarkable when you consider that neither of the lead performers had ever acted in a movie previously.
Read Full Review >Salon.com Andrew O'Hehir
An explosive wide-screen vision of the street life of Soweto, bursting with music, danger and vitality, and the extraordinary story of a ruthless young criminal known only as Tsotsi.
Read Full Review >LA Weekly Ella Taylor
Made with local talent by a South African director, Tsotsi is lifted above the current slew of movies portraying Africa as a helpless victim of its many problems, redeemable only by sympathetic white Westerners (as in John Boorman’s sermonizing 2004 drama "In My Country," and to a lesser degree "The Constant Gardener"), by its vigorously transcendent spirit of self-help.
Read Full Review >Film Threat Phil Hall
Tsotsi emerges as being among the finest films ever to come out of Africa. It is a brilliant, jolting and altogether powerful blast of energy and emotion.
Read Full Review >The Hollywood Reporter Ray Bennett
Brutal but believable, the film in some ways harks back to early Hollywood, when Jimmy Cagney or Richard Widmark played callow villains out of their depth in everyday life.
Read Full Review >Rolling Stone Peter Travers
Based on a play by Athol Fugard, Tsotsi is South Africa's entry in this year's Oscar race for Best Foreign-Language Film. This remarkable movie means to shake you, and boy does it ever.
Read Full Review >ReelViews James Berardinelli
When a director can take a reprehensible monster and, over the course of a scant 90 minutes, turn audience reaction from distaste to sympathy, that's the mark of an adept filmmaker. This occurs in Tsotsi.
Read Full Review >Premiere Kelly Borgeson
Hood's film, with its bold, beautiful cinematography and hard-thumping kwaito music, brings us into a different world, and then helps us to understand it.
Read Full Review >The Globe and Mail (Toronto) Rick Groen
The result is the kind of feel-bad/feel-good movie that brazenly manipulates our response and leaves us grateful for it -- so relentlessly dark is the premise that, by the end, we just need to believe in the prospect of light.
Read Full Review >Portland Oregonian Marc Mohan
With a predictable and borderline manipulative plot, Tsotsi depends on strong performances for its impact, and its cast delivers.
Read Full Review >Charlotte Observer Lawrence Toppman
To enjoy it, you have to make a leap of faith wide enough to sail over a Grand Canyon of disbelief.
Read Full Review >Miami Herald Rene Rodriguez
Aside from its South African setting and flavor, there isn't a lot in Tsotsi that differs from its legion of similar Hollywood counterparts. But the movie's heart, along with Hood's refusal to sugarcoat the grim reality, wins you over no matter how many times you've seen this story told.
Read Full Review >Philadelphia Inquirer Carrie Rickey
Evocatively shot by cinematographer Lance Gewer in warm browns and reds that make Tsotsi seem all the more chilling, the film records his gradual metamorphosis from id-driven brute into empathic, if crude, care-giver.
Read Full Review >USA Today Claudia Puig
Though the story teeters on easy sentimentality, it doesn't succumb. Though unabashedly emotional, it isn't maudlin. Tsotsi's story feels believable. It is made all the more engaging by a wonderful soundtrack of African Kwaito music.
Read Full Review >Chicago Tribune Michael Phillips
It's compelling material, even if you don't completely buy Tsotsi's transition.
Read Full Review >Boston Globe Ty Burr
It's a solid, earnest drama of moral redemption that places old cliches in an unfamiliar setting.
Read Full Review >The New Republic Stanley Kauffmann
The cast is so good that a kind of counterpoint arises between the riskily lachrymose story and the firm verity of the acting.
Read Full Review >The New York Times Manohla Dargis
To his credit, Mr. Hood's meditation on truth and reconciliation doesn't traffic in the cheap thrills of art-house exploitation, like "City of God"; he wrings tears with sincerity, not cynicism.
Read Full Review >Los Angeles Times Carina Chocano
Whatever its weaknesses, Tsotsi is redeemed by its excellent performances.
Read Full Review >Wall Street Journal Joe Morgenstern
Presley Chweneyagae's Tsotsi makes his presence deeply felt. In a world of heedless children wielding guns, his tale is a heartening one.
Variety Leslie Felperin
Powered by a pounding soundtrack of dance hall Kwaito music, the pic has vital, urban energy similar to the Brazilian crossover "City of God" but with a tauter, more conventional storyline.
Read Full Review >Village Voice Jessica Winter
A widescreen wallow in socially enforced slum nihilism brought to you by Miramax, Tsotsi could be pegged as "City of God" relocated to the Soweto shanties, but it eschews the ironic swagger and strobe-speed action of Fernando Meirelles's lurid jigsaw for a more conventional arc.
Read Full Review >The Onion (A.V. Club) Scott Tobias
In trying to find the decency in a killer, the film anxiously accounts for his every misdeed. It's a little like watching "City Of God" morph into "Three Men And A Baby."
Read Full Review >Entertainment Weekly Lisa Schwarzbaum
More calculated than a Starbucks sampler CD, the picture could win the up-from-hardship award.
Read Full Review >Christian Science Monitor Peter Rainer
Tsotsi never comes across as anything but a brutal cipher, and serious issues such as black-on-black crime in the townships are left unexplored.
Read Full Review >New York Post V.A. Musetto
Ends in a cascade of sentimentality straight out of Hollywood. Not even Chweneyagae's excellent acting or Lance Gewer's dark photography can save the film.
Read Full Review >Austin Chronicle Marjorie Baumgarten
What Tsotsi fails to explain is how the mere introduction of a baby can melt the cruel cycle of criminality and disregard for others.
Read Full Review >What Our Users Said
The average user rating for this movie is 8.0 (out of 10) based on 25 User Votes
Note: User votes are NOT included in the Metascore calculation.
slobodan gave it a10:
Outstanding movie.
Robert I. gave it a7:
Leaves you with a knot in your stomach, for the situation, the people, the grinding poverty, and cruelty of a large segment of human life. affecting performances bring it to life.
Pat C. gave it a7:
A very compelling descent into South Africa's crime scene. Some elements are left hanging, and the ending is more a reaffirmation of incompleteness than of the endearing human qualities alluded to. Still a worthwhile film.
Daniel S gave it an8:
Beautifully crafted and well-acted film about a thug's redemptiom in the shanty towns of South Africa. Some may find this story as glossing over the brutality of the characters' actions, and providing an improbable transformation, but they're missing the finest and subtlest points of the film. It's clear from the on-set this is set in a violent harsh world, and it's captured in breathtaking shots by superb cinematography, editing and direction. This is a compelling film of a young man who needs a moment of humanity to affect him and his future.
MDawg gave it a10:
It has been a month since I've seen the movie and I'm still thinking about the powerful ending. Great movie. Gritty yet poignant.
Susan L. gave it an8:
I took my kids , 11 and 14 to see it. There was just enough of a sense of the poverty and rage as to teach not too much to overwhelm.
thewiseking gave it a9:
a tale of redemption well rendered. on the surface a very simple story which lingers in the mind long afterward. it avoids the usual hollywood cliches and makes no effort to blame the miscreants behavior on the usual/obvious suspects; racism, poverty etc. it is a deeper film, more psychological.we do NOT excuse the Tsotsi for his actions, we are just given more information. great score and cinematography, and considering the competition certainly the best foreign film in the running that year.
