Now Playing
Critics & Publications
Archives: A-Z Index
Advanced Search

Upcoming Release Calendar
Weekend Box Office
Film Awards & Top 10s By Year
All-Time High Scores
All-Time Low Scores
How Metascores Are Calculated
Discuss Film In Our Forums

sort by name

sort by score

26 Babylon A.D.
19 Bangkok Dangerous
15 College
82 Dark Knight, The
42 Death Race
15 Disaster Movie
36 Fly Me to the Moon
54 Get Smart
49 Hancock
34 Happening, The
78 Hellboy II: The Golden Army
71 Horton Hears a Who!
55 House Bunny, The
61 Incredible Hulk, The
65 Indiana Jones and the Kingdom of the Crystal Skull
79 Iron Man
57 Journey to the Center of the Earth 3D
73 Kung Fu Panda
52 Longshots, The
24 Love Guru, The
51 Mamma Mia!
43 Meet Dave
35 Mirrors
31 Mummy: Tomb of the Dragon Emperor, The
64 Pineapple Express
53 Rocker, The
53 Sex and the City: The Movie
63 Sisterhood of the Traveling Pants 2, The
36 Space Chimps
35 Star Wars: The Clone Wars
51 Step Brothers
47 Swing Vote
60 Traitor
71 Tropic Thunder
70 Vicky Cristina Barcelona
93 WALL-E
64 Wanted
47 X-Files: I Want to Believe, The
54 You Don't Mess with the Zohan

Stars indicate the most critically-acclaimed movies.

sort by name

sort by score

85 Alexandra
40 America the Beautiful
66 American Teen
74 Anita O'Day: The Life of a Jazz Singer
65 August Evening
xx Bachna Ae Haseeno
62 Baghead
58 Beautiful Losers
xx Beer for My Horses
47 Before the Rains
80 Bigger, Stronger, Faster*
56 Bottle Shock
75 Boy A
55 Bra Boys
61 Brick Lane
64 Brideshead Revisited
47 Burn After Reading
61 Bustin' Down the Door
49 Children of Huang Shi, The
54 CSNY: Déjà Vu
xx Cthulhu
86 Edge of Heaven, The
66 Elegy
52 Elsa & Fred
80 Encounters at the End of the World
26 Everybody Wants to Be Italian
64 Fall, The
86 Flight of the Red Balloon, The
82 Frozen River
71 Girl Cut in Two, A
62 Girls Rock!
xx Goal II: Living the Dream
73 Gonzo: The Life and Work of Dr. Hunter S. Thompson
54 Hamlet 2
25 Hell Ride
44 Henry Poole is Here
76 I Served the King of England
72 I.O.U.S. A
63 In Search of a Midnight Kiss
46 Jack Brooks: Monster Slayer
67 Jellyfish
62 Kabluey
63 Kit Kittredge: An American Girl
78 Last Mistress, The
50 Last Stop for Paul
70 Love Songs
61 Man Named Pearl, A
89 Man on Wire
62 Mister Foe
85 Momma's Man
74 Mongol
46 My Mexican Shivah
80 Order of Myths, The
66 Patti Smith: Dream of Life
54 Ping Pong Playa
77 Pool, The
72 Priceless
61 Red
71 Roman de gare
78 Roman Polanski: Wanted and Desired
51 Savage Grace
55 Save Me
73 Secret, A
57 Sixty Six
58 Sukiyaki Western Django
xx Surfer, Dude
83 Tell No One
56 Then She Found Me
71 To the Limit
72 Transsiberian
81 Trouble the Water
83 U2 3D
86 Up the Yangtze
79 Visitor, The
61 Wackness, The
54 What We Do Is Secret
66 When Did You Last See Your Father?
67 XXY
54 Year of the Fish
xx Young People F**king
75 Young@Heart

Stars indicate the most critically-acclaimed movies.

Tsotsi
Miramax Films


8.3

based on 35 reviews
Read critic reviews
How did we calculate this?

based on 24 votes
Read user comments
Rate this movie

FILM:

Rendition

MPAA RATING: R for language and some strong violent content

Starring Presley Chweneyagae, Mothusi Magano, Israel Makoe, Percy Matsemela, Jerry Mofokeng, Benny Moshe, Nambitha Mpumlwana, and Zenzo Ngqobe

Set amidst the bustling townships of Johannesburg and infused with the pumping high-energy Kwaito music of the top South African artist Zola, Tsotsi is an extraordinary portrait of the choies we make in life and the personal triumph that comes from choosing love over rage. (Miramax Films)

GENRE(S):	Crime \| Drama \| Foreign
WRITTEN BY:	Gavin Hood Athol Fugard (novel)
DIRECTED BY:	Gavin Hood
RELEASE DATE:	DVD: July 18, 2006 Theatrical: February 24, 2006
RUNNING TIME:	94 minutes, Color
ORIGIN:	UK / South Africa
LANGUAGE(S):	Zulu / Xhosa / Afrikaans

Nominated, Best Foreign Language Film of the Year (South Africa), 78th Annual Academy Awards; People's Choice Award, 2005 Toronto International Film Festival

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...

100

TV Guide Ken Fox

Powerful crime drama does more than just expose the criminal underbelly of South African township life.

100

Chicago Sun-Times Roger Ebert

What a simple and yet profound story this is.

100

Chicago Reader J.R. Jones

This powerful South African drama turns on the debut performance of young Presley Chweneyagae as the hood, and it's magnificent: a stone-faced killer in the opening scenes, he becomes an open book as the story progresses, as frightened, confused, and needy as the baby he drags around town in a shopping bag.

100

San Francisco Chronicle Ruthe Stein

It grabs you from a symbolic opening scene of gang members rolling the dice -- the odds, it soon becomes clear, are stacked against them getting lucky -- and never lets go.

Washington Post Desson Thomson

As Tsotsi, Chweneyagae turns his face into a living battle mask -- curved, molded and sandpapered into smooth ruthlessness. But as the story unfolds, Tsotsi's mask begins to crack, and his humanity begins to flow through.

Empire Liz Beardsworth

Hood handles his material so deftly that a conclusion which could have been mawkish and sentimental is instead bittersweet, both painful and quietly affirming.

Dallas Observer Jean Oppenheimer

Packs an unexpected emotional wallop. Gavin Hood's film tells a story of violence and redemption that's even more remarkable when you consider that neither of the lead performers had ever acted in a movie previously.

Salon.com Andrew O'Hehir

An explosive wide-screen vision of the street life of Soweto, bursting with music, danger and vitality, and the extraordinary story of a ruthless young criminal known only as Tsotsi.

LA Weekly Ella Taylor

Made with local talent by a South African director, Tsotsi is lifted above the current slew of movies portraying Africa as a helpless victim of its many problems, redeemable only by sympathetic white Westerners (as in John Boorman’s sermonizing 2004 drama "In My Country," and to a lesser degree "The Constant Gardener"), by its vigorously transcendent spirit of self-help.

Film Threat Phil Hall

Tsotsi emerges as being among the finest films ever to come out of Africa. It is a brilliant, jolting and altogether powerful blast of energy and emotion.

The Hollywood Reporter Ray Bennett

Brutal but believable, the film in some ways harks back to early Hollywood, when Jimmy Cagney or Richard Widmark played callow villains out of their depth in everyday life.

Rolling Stone Peter Travers

Based on a play by Athol Fugard, Tsotsi is South Africa's entry in this year's Oscar race for Best Foreign-Language Film. This remarkable movie means to shake you, and boy does it ever.

ReelViews James Berardinelli

When a director can take a reprehensible monster and, over the course of a scant 90 minutes, turn audience reaction from distaste to sympathy, that's the mark of an adept filmmaker. This occurs in Tsotsi.

Premiere Kelly Borgeson

Hood's film, with its bold, beautiful cinematography and hard-thumping kwaito music, brings us into a different world, and then helps us to understand it.

The Globe and Mail (Toronto) Rick Groen

The result is the kind of feel-bad/feel-good movie that brazenly manipulates our response and leaves us grateful for it -- so relentlessly dark is the premise that, by the end, we just need to believe in the prospect of light.

Portland Oregonian Marc Mohan

With a predictable and borderline manipulative plot, Tsotsi depends on strong performances for its impact, and its cast delivers.

Charlotte Observer Lawrence Toppman

To enjoy it, you have to make a leap of faith wide enough to sail over a Grand Canyon of disbelief.

Miami Herald Rene Rodriguez

Aside from its South African setting and flavor, there isn't a lot in Tsotsi that differs from its legion of similar Hollywood counterparts. But the movie's heart, along with Hood's refusal to sugarcoat the grim reality, wins you over no matter how many times you've seen this story told.

Philadelphia Inquirer Carrie Rickey

Evocatively shot by cinematographer Lance Gewer in warm browns and reds that make Tsotsi seem all the more chilling, the film records his gradual metamorphosis from id-driven brute into empathic, if crude, care-giver.

USA Today Claudia Puig

Though the story teeters on easy sentimentality, it doesn't succumb. Though unabashedly emotional, it isn't maudlin. Tsotsi's story feels believable. It is made all the more engaging by a wonderful soundtrack of African Kwaito music.

New York Daily News Jami Bernard

Tense, fiercely optimistic movie.

Chicago Tribune Michael Phillips

It's compelling material, even if you don't completely buy Tsotsi's transition.

Boston Globe Ty Burr

It's a solid, earnest drama of moral redemption that places old cliches in an unfamiliar setting.

The New Republic Stanley Kauffmann

The cast is so good that a kind of counterpoint arises between the riskily lachrymose story and the firm verity of the acting.

The New York Times Manohla Dargis

To his credit, Mr. Hood's meditation on truth and reconciliation doesn't traffic in the cheap thrills of art-house exploitation, like "City of God"; he wrings tears with sincerity, not cynicism.

Los Angeles Times Carina Chocano

Whatever its weaknesses, Tsotsi is redeemed by its excellent performances.

Wall Street Journal Joe Morgenstern

Presley Chweneyagae's Tsotsi makes his presence deeply felt. In a world of heedless children wielding guns, his tale is a heartening one.

Variety Leslie Felperin

Powered by a pounding soundtrack of dance hall Kwaito music, the pic has vital, urban energy similar to the Brazilian crossover "City of God" but with a tauter, more conventional storyline.

Village Voice Jessica Winter

A widescreen wallow in socially enforced slum nihilism brought to you by Miramax, Tsotsi could be pegged as "City of God" relocated to the Soweto shanties, but it eschews the ironic swagger and strobe-speed action of Fernando Meirelles's lurid jigsaw for a more conventional arc.

The Onion (A.V. Club) Scott Tobias

In trying to find the decency in a killer, the film anxiously accounts for his every misdeed. It's a little like watching "City Of God" morph into "Three Men And A Baby."

Entertainment Weekly Lisa Schwarzbaum

More calculated than a Starbucks sampler CD, the picture could win the up-from-hardship award.

Christian Science Monitor Peter Rainer

Tsotsi never comes across as anything but a brutal cipher, and serious issues such as black-on-black crime in the townships are left unexplored.

New York Post V.A. Musetto

Ends in a cascade of sentimentality straight out of Hollywood. Not even Chweneyagae's excellent acting or Lance Gewer's dark photography can save the film.

Seattle Post-Intelligencer Bill White

A confused and improbable redemption song.

Austin Chronicle Marjorie Baumgarten

What Tsotsi fails to explain is how the mere introduction of a baby can melt the cruel cycle of criminality and disregard for others.

The average user rating for this movie is 8.3 (out of 10) based on 24 User Votes
Note: User votes are NOT included in the Metascore calculation.

Robert I. gave it a7:
Leaves you with a knot in your stomach, for the situation, the people, the grinding poverty, and cruelty of a large segment of human life. affecting performances bring it to life.

Pat C. gave it a7:
A very compelling descent into South Africa's crime scene. Some elements are left hanging, and the ending is more a reaffirmation of incompleteness than of the endearing human qualities alluded to. Still a worthwhile film.

Daniel S gave it an8:
Beautifully crafted and well-acted film about a thug's redemptiom in the shanty towns of South Africa. Some may find this story as glossing over the brutality of the characters' actions, and providing an improbable transformation, but they're missing the finest and subtlest points of the film. It's clear from the on-set this is set in a violent harsh world, and it's captured in breathtaking shots by superb cinematography, editing and direction. This is a compelling film of a young man who needs a moment of humanity to affect him and his future.

MDawg gave it a10:
It has been a month since I've seen the movie and I'm still thinking about the powerful ending. Great movie. Gritty yet poignant.

Susan L. gave it an8:
I took my kids , 11 and 14 to see it. There was just enough of a sense of the poverty and rage as to teach not too much to overwhelm.

thewiseking gave it a9:
a tale of redemption well rendered. on the surface a very simple story which lingers in the mind long afterward. it avoids the usual hollywood cliches and makes no effort to blame the miscreants behavior on the usual/obvious suspects; racism, poverty etc. it is a deeper film, more psychological.we do NOT excuse the Tsotsi for his actions, we are just given more information. great score and cinematography, and considering the competition certainly the best foreign film in the running that year.

Janean P. gave it a3:
Worse than Crash; between this and Joyeux Noel, I've lost faith in any Oscar nominee being worth watching.

Tsotsi Miramax Films

Tsotsi
Miramax Films