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Stars indicate the most critically-acclaimed movies.

67
$9.99
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66
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Hurt Locker, The
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Goodbye Solo
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Tulpan
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Gomorrah
86
Seraphine
84
Summer Hours
83
U2 3D
83
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83
Tyson
82
Burma VJ: Reporting from a Closed Country
82
Sugar
82
Hunger
82
Anvil! The Story of Anvil
81
Il Divo
81
Beaches of Agnes, The
80
Food, Inc.
80
Tokyo Sonata
79
Harvard Beats Yale 29-29
78
Boys: The Sherman Brothers' Story, The
78
O'Horten
77
Every Little Step
77
Sin Nombre
75
24 City
74
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74
Afghan Star
74
Two Lovers
74
Song of Sparrows, The
74
Lemon Tree
71
Pressure Cooker
71
Jerichow
70
Shall We Kiss?
70
Tony Manero
70
End of the Line, The
69
Valentino: The Last Emperor
69
Unmistaken Child
67
$9.99
67
Rudo y Cursi
67
Girlfriend Experience, The
66
Adoration
66
Moon
65
Sex Positive
65
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64
Outrage
64
Examined Life
64
Throw Down Your Heart
64
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63
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63
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63
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63
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63
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62
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62
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62
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61
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60
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59
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58
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57
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57
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57
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56
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56
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55
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54
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54
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54
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52
Quiet Chaos
50
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48
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45
Whatever Works
42
Little Ashes
42
Tennessee
40
Limits of Control, The
40
Paris 36
38
Gigantic
36
Life is Hot in Cracktown
35
New York
28
Big Shot-Caller, The
28
Surveillance
22
What Goes Up
18
Downloading Nancy
16
I Hate Valentine's Day
xx
Call of the Wild
xx
Home
xx
Offshore
Stars indicate the most critically-acclaimed movies.
|
U.S. Marshals
Warner Bros.
MPAA RATING: PG-13 for some scenes of violence and brief language
Starring
Tommy Lee Jones,
Wesley Snipes,
Robert Downey Jr.,
Joe Pantoliano,
Daniel Roebuck,
Tom Wood,
LaTanya Richardson,
and
Kate Nelligan
A fugitive on the run -- and tenacious marshal Sam Gerard in pursuit! Tommy Lee Jones reprises his Oscar-winning role from The Fugitive hunting the elusive Wesley Snipes to deliver a big-event heartpounder that thunders suspense, action and daring twists. (Warner Bros.)
| GENRE(S): |
Action
|
Crime
|
Drama
|
Suspense/Thriller
|
| WRITTEN BY: |
John Pogue
Roy Huggins (characters)
|
| DIRECTED BY: |
Stuart Baird
|
| RELEASE DATE: |
DVD: February 3, 2004
Video: April 2, 2002
Theatrical: March 6, 1998
|
| RUNNING TIME: |
131 minutes, Color |
| ORIGIN: |
USA |

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
75
Christian Science Monitor
David Sterritt
Like its precursor, U.S. Marshals has lots of action and the Jones groupies are likeable. Though the overall picture isn't as fine-tuned or character driven, it still delivers what moviegoers want to see - a fast-paced and entertaining chase.

70
Washington Post
Desson Thomson
Although this film doesn't have the classy quality of The Fugitive, it certainly goes down like an action milkshake. And Jones, one of the most enjoyable actors on the screen, plays himself to the hilt.

70
The New York Times
Stephen Holden
A movie that knows how to pace its audience. Watching it is like going for a long and satisfying jog.

67
Entertainment Weekly
Owen Gleiberman
Efficient, uninspired sequel.

63
ReelViews
James Berardinelli
The action sequences were often nail-biters, the lead characters were well-developed, and the dialogue was intelligent.

63
San Francisco Examiner
Barbara Shulgasser
I like that Sheridan's girlfriend works at Starbucks. Snipes plays the part with the kind of high energy that large doses of caffeine would explain.

63
Chicago Sun-Times
Roger Ebert
The result is unconvincing and disorganized. Yes, there are some spectacular stunts and slick special effects sequences. Yes, Jones is right on the money, and Snipes makes a sympathetic fugitive. But it's the story that has to pull this train, and its derailment is about as definitive as the train crash in the earlier film.

63
The Globe and Mail (Toronto)
Liam Lacey
Who really wants to go to an escape movie and have to work this hard to figure it out?

50
USA Today
Mike Clark
You don't get the sense that too many enthusiasts are hanging up wanted posters for the ho-hum-ish U.S. Marshals. [6 March 1998, pg. 04.D]
50
Austin Chronicle
Russell Smith
Ironically, the problem may lie in Baird and screenwriter John Pogue's over-eagerness to give us what they think we want.

50
New York Daily News
David Kehr
Tommy Lee Jones seems to have misplaced the flinty resolve, gruff charm and fatherly concern that defined his earlier outing. [6 March 1998, p. 48]
50
The Onion (A.V. Club)
John Krewsom
It isn't so much a bad action movie as a symptom of the greater problem with most action movies: Audiences tire of sitting through the same fitful, unfulfilling formula, no matter how much terse language and gunfire is tossed in.

50
Los Angeles Times
John Anderson
Go see it. But you'll feel cheap in the morning.

40
TV Guide
Maitland McDonagh
To make the package look fresh, there's a pile of complications.

40
Variety
Emanuel Levy
Stuart Baird's new thriller is inferior to the Andrew Davis movie in every respect: script, acting, rhythm and even tech credits.

40
Washington Post
Stephen Hunter
By the time it winds down, U.S. Marshals has all but destroyed itself. It's gone pffft! in the night.

40
Empire
Kevin Murphy
Generic, uninspired and devoid of suspense.

40
Chicago Reader
Jonathan Rosenbaum
Not so much a sequel to "The Fugitive" as a lazy spin-off that imitates only what was boring and artificially frenetic about that earlier thriller; the little that kept it interesting.

25
San Francisco Chronicle
Mick LaSalle
Going after one innocent man was bad enough. Going after another constitutes a pattern. This marshal isn't a hero. He's a menace.

20
LA Weekly
Manohla Dargis
It's impossible to find an iota of aesthetic worth or an ounce of pleasure in this sludge.


The average user rating for this movie is 7.5 (out of 10) based on 2 User Votes
Note: User votes are NOT included in the Metascore calculation.
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