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Vantage Point
Columbia Pictures (Sony)


5.2

based on 32 reviews
Read critic reviews
How did we calculate this?

based on 102 votes
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MPAA RATING: PG-13 for sequences of intense violence and action, some disturbing images and brief strong language

Starring Dennis Quaid, Matthew Fox, Forest Whitaker, Sigourney Weaver, and William Hurt

In Columbia Pictures' action-packed thriller Vantage Point, eight strangers with eight different points of view try to unlock the truth behind an assassination attempt on the president of the United States. Thomas Barnes and Kent Taylor are two Secret Service agents assigned to protect President Ashton at a landmark summit on the global war on terror. When President Ashton is shot moments after his arrival in Spain, chaos ensues and disparate lives collide in the hunt for the assassin. In the crowd is Howard Lewis, an American tourist who thinks he's captured the shooter on his camcorder while videotaping the event for his kids back home. Also there, relaying the historic event to millions of TV viewers across the globe, is American TV news producer Rex Brooks. As they and others reveal their stories, the pieces of the puzzle will fall into place...and it will become apparent that shocking motivations lurk just beneath the surface. (Columbia Pictures)

GENRE(S):	Drama \| Suspense/Thriller
WRITTEN BY:	Barry L. Levy
DIRECTED BY:	Pete Travis
RELEASE DATE:	DVD: July 1, 2008 Theatrical: February 22, 2008
RUNNING TIME:	90 minutes, Color
ORIGIN:	USA

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...

Seattle Post-Intelligencer William Arnold

Flat-out one of the more exciting and original gut-busters that Hollywood has produced in many a month. It's virtually all action, but the action is never mindless and it is full of marvelous surprises every step of the way.

Charlotte Observer Lawrence Toppman

Three-fourths of a terrific thriller, which in this dreary run of winter movies seemed like clear spring water to this parched traveler. The setup is so riveting, the suspense so carefully prolonged, that I didn't mind when it unraveled into lunacy near the end.

Philadelphia Inquirer Carrie Rickey

Because Vantage Point is really a concept movie, the actors are not much more than pawns on the chessboard: They move one square at a time.

The New Yorker David Denby

Is it art? Not remotely. But, up to the final scenes, it’s a tremendous piece of engineering. After all, the narratives have to synch up visually, which can’t be easy to manage. And the hurtling force of Vantage Point is fun to watch.

Time Richard Corliss

The movie is best seen as straightforward, sometimes harrowing melodrama, packed with mistaken identities, beautiful villains, a kindly tourist who can outrace the bad guys, and a lost little girl whom the film brazenly sends onto a highway full of speeding cars. It's as if Dakota Fanning had wandered onto the streets of Ronin.

Chicago Reader Jonathan Rosenbaum

If you're up for good nihilist entertainment, look no further.

Portland Oregonian Shawn Levy

A slick and exciting film

ReelViews James Berardinelli

It's a fast-paced motion picture that fails the "reality test" but maintains a certain intensity for its entire running length. It's entertaining in the same way that an episode of "24" is entertaining.

Premiere Ryan Stewart

When Vantage Point is staying with Quaid and Fox as they hunt the suspected assassins (including the arrestingly beautiful Israeli actress Ayelet Zurer) it's a perfectly serviceable thriller with high production values and some better-than-average car chases.

Empire Kim Newman

Some okay thrills with good performances and some smarts. But the last reel plunge spoils things. Myth for the new millennium: any average, out-of-shape middle-aged Yank, including the President, can get in a punch-up with a few well-armed, super-trained terrorists, and win.

Entertainment Weekly Owen Gleiberman

Vantage Point starts to slide off the rails when it tracks a tourist (Forest Whitaker) and his trusty camcorder; instead of Zapruder-like intrigue, the episode has him running around like an agent in a rote thriller.

Chicago Tribune Michael Phillips

With a less pedigreed international cast the whole thing would be a disaster, as opposed to a chilly new kind of disaster film.

The Globe and Mail (Toronto) Liam Lacey

Quaid and Whitaker, who serve more or less as the designated humans in this clockwork contraption of a film, are capable in corny roles, but otherwise Vantage Point is as stuffed with cardboard performances and expositional speeches as any seventies disaster flick.

TV Guide Maitland McDonagh

At a certain point, its sheer can you top this excess, and credibility files out the window three's no reason to continue paying attention.

USA Today Claudia Puig

Turns out to be a tepid thriller that promises more than it delivers.

The New York Times Manohla Dargis

This is competent if completely impersonal filmmaking of a familiar type that finds the usual allotment of famous, or at least famous enough, actors.

Baltimore Sun Chris Kaltenbach

An overly gimmicky and fatally repetitive terrorist thriller that quickly wears out its welcome.

The Onion (A.V. Club) Scott Tobias

The loaded cast does what it can with the paper-thin characterizations, but Vantage Point gets hijacked early by its high-concept premise, and it quickly devolves into a by-the-numbers thriller with the numbers out of order.

Christian Science Monitor Peter Rainer

How can we take this doomsday scenario seriously when we keep waiting for Bruce Willis to rise from the ashes?

Los Angeles Times Kenneth Turan

The truth is that two other films with Greengrass' name on them, "The Bourne Supremacy" and "The Bourne Ultimatum," have spoiled us for this kind of thriller filmmaking, and stacked against that, Vantage Point doesn't have a chance.

Rolling Stone Peter Travers

By the end, Vantage Point is such a unholy mess of drooling sentiment and sloppy loose ends that you’ll hate yourself for being suckered in.

Boston Globe Ty Burr

The result is a movie that's both clever and stupid - an interesting feat.

New York Post Kyle Smith

Throws in enough hurtling bodies, screaming bullets and totaled cars that it at least holds your interest, so it passes the worth-watching-if-you're-stuck-on-an-airplane test.

Washington Post John Anderson

Although it was held back by the studio for about a year, someone apparently came to the inevitable conclusion that no amount of ripening time was going to help this gimmicky and ultimately harebrained movie.

Salon.com Stephanie Zacharek

Wears off in about 10.8 minutes.

The Hollywood Reporter Sheri Linden

Straight out of the slice-and-dice school of filmmaking, Vantage Point fractures chronology and perspective in a vain attempt to disguise its flimsiness.

Film Threat Pete Vonder Haar

What you won’t be able to ignore is the ridiculous way Vantage Point’s brings everything to an end.

Village Voice Scott Foundas

Produced by Paul Greengrass, and conceived as something of a companion film to his own "Bloody Sunday," there wasn't a moment in "Omagh" that rang false. There's not a single one in Vantage Point that rings true.

San Francisco Chronicle Mick LaSalle

Vantage Point has nothing going on. There's no artistic, philosophical or even jolly entertainment reason for adopting this strategy. It's just arbitrary, a gimmick.

Austin Chronicle Marc Savlov

If you can work your way past Vantage Point's goofy casting that places a bland, blank-eyed Hurt in the White House, then I suppose you can manage to forgive this "Rashomon" rip-off's other glaring idiosyncrasies, of which there are many.

Wall Street Journal Joe Morgenstern

Why, beating the audience about the ears, eyes and brain with essentially the same sequence of events from eight characters' points of view, none of which adds much more than deafening hysteria and identically dreadful music. The filmmakers seem to have missed the point that each re-enactment in "Rashomon" provides new and conflicting information. It makes you wonder if they studied the wrong movie. Maybe they rented "Rush Hour," or a video on Rosh Hashanah.

Variety Justin Chang

A 23-minute movie dragged out, via some narrative gimmickry, to a punishing hour and a half.

The average user rating for this movie is 5.2 (out of 10) based on 102 User Votes
Note: User votes are NOT included in the Metascore calculation.

D Wc gave it a2:
2 for the engineering of the chase scenes and the syncing of the points of view. Otherwise it would be a zero for the ridiculous plot, freshman-drama-class dialog, cardboard characters, and terrible acting. Worst waste of time I've seen in at least a year.

C C gave it an8:
I don't get why this movie was panned. I thought I would be bored to tears because of the way it was described by the critics, but I found it very interesting and entertaining, enough to want to know how it ends. And it does end satisfactorily, which is something I can't say for a lot of movies lately (Spanglish, Be Kind, Rewind, anyone?) Certainly not worse than most action films.

tank j gave it a4:
Nothing special here. I don't understand how Forrest Whitaker can win an Oscar and then do this junk.

Denise B. gave it a6:
Bearing in mind that I did not pay to see this movie (it was an On Demand feature), I give it a solid 6. My advice: watch the beginning ten minutes or so, in order to get a line on the plot and the players. Then skip forward to the last twenty minutes, which is filled by a fantastic chase scene and implausible but satisfying ending. The middle bits are bloody boring.

Matt G. gave it a5:
This film starts very promisingly but quickly becomes increasingly tedious and unbelievable. There is some entertainment to be had from watching it but ultimately it leaves you feeling unsatisfied.

Meghan K gave it a2:
In spite of the over-promotion, I chose to give this movie a shot; the intrigue of many vantage points hooked me in. I thought "hey, this has the potential to be excellent". The concept was so promising, but its execution flopped dead on my living room floor. Every few minutes, time went backward to 11:59:59 and thought "Here we go again". Yes, there were many vantage points, but unfortunately the perspectives did not present anything new--- at least up until 47:00, when I turned it off, bored, drooling, and needing a nap. The acting was subpar. I laughed at Sigourney, who was downright silly playing her cheap role at the beginning. Forrest's character was sappy and almost soapish, and Dennis's character's paranoia was underdeveloped and overplayed. No depth whatsoever= no riveting movie= sleeping me.

Vasiliki P. gave it a9:
The best movie since '' The Rock '' and '' Heat ''. Surprising and interesting. A good cast and good interpretations. Nice soundtrack.

Vantage Point Columbia Pictures (Sony)

Vantage Point
Columbia Pictures (Sony)