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82
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73
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72
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71
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70
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65
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64
Nick and Norah's Infinite Playlist
63
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62
Burn After Reading
60
Traitor
58
City of Ember
58
Body of Lies
57
Express, The
57
Journey to the Center of the Earth 3D
57
Flash of Genius
55
House Bunny, The
54
Quarantine
54
Get Smart
53
Rocker, The
53
Lucky Ones, The
52
Longshots, The
51
Mamma Mia!
49
Family That Preys, The
47
Swing Vote
47
X-Files: I Want to Believe, The
46
Lakeview Terrace
45
Blindness
43
Meet Dave
43
Death Race
43
Eagle Eye
41
Beverly Hills Chihuahua
39
Nights in Rodanthe
37
Miracle at St. Anna
36
Space Chimps
36
Righteous Kill
36
Fly Me to the Moon
35
How to Lose Friends & Alienate People
35
Star Wars: The Clone Wars
35
Mirrors
34
My Best Friend's Girl
27
Women, The
26
Babylon A.D.
24
Bangkok Dangerous
20
American Carol, An
15
Disaster Movie
15
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Stars indicate the most critically-acclaimed movies.

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83
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82
Tell No One
82
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82
Rachel Getting Married
81
Ballast
80
Encounters at the End of the World
80
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79
Visitor, The
78
Last Mistress, The
76
Pool, The
73
Girl Cut in Two, A
73
Obscene
73
Gonzo: The Life and Work of Dr. Hunter S. Thompson
72
Secret, A
72
Transsiberian
72
I Served the King of England
71
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68
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68
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66
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66
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65
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64
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63
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63
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63
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63
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63
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62
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62
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61
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61
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57
Towelhead
57
Amazing Truth About Queen Raquela, The
57
Sixty Six
57
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56
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55
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55
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55
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55
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53
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53
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53
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52
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51
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50
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49
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47
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44
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43
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41
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40
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37
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31
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28
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26
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xx
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xx
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xx
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Lower Learning
Stars indicate the most critically-acclaimed movies.
|
Walker, The
THINKFilm
 |
|
FILM:
MPAA RATING: R for language, some violent material and nude images
Starring
Woody Harrelson,
Kristin Scott Thomas,
Lily Tomlin,
Lauren Bacall,
Willem Dafoe,
Ned Beatty,
Moritz Bleibtreu,
and
Mary Beth Hurt
A contemporary drama set in Washington, DC, The Walker centers around Carter Page (Harrelson), a well-heeled and popular socialite who serves as confidant, companion, and card partner to some of the capital's leading ladies. These pampered women are married to the most powerful men in America, and when their husbands are too busy running the country to attend to their wives, the wives turn to their "gay best friend," Carter, for warmth, wit, and wisdom. Carter's loyalty is tested when his dearest friend (Scott Thomas) finds herself on the brink of a scandal that could destroy her reputation and her husband's career. Offering to cover for her, Carter suppresses incriminating evidence, only to find himself the chief suspect in a criminal investigation. Suddenly, this well-connected man-about-town is a pariah, hounded by the police and forced to find the true culprit and clear his name. More importantly, he must reexamine whether it is important to be accepted by a society based on betrayal, hypocrisy, and corruption. A tale of moral redemption that takes the form of a mystery-thriller, The Walker is the third part of Schrader's "lonely man" trilogy, which began with American Gigolo (1980) and also includes Light Sleeper (1992). (THINKFilm)
| GENRE(S): |
Drama
|
| WRITTEN BY: |
Paul Schrader
|
| DIRECTED BY: |
Paul Schrader
|
| RELEASE DATE: |
DVD: May 27, 2008
Theatrical: December 7, 2007
|
| RUNNING TIME: |
108 minutes, Color |
| ORIGIN: |
USA / UK |

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
75
ReelViews
James Berardinelli
This is not Schrader's finest work. The script is not tight, the ending disappoints, and there's a little too much drawn from "American Gigolo." But there are some great one-liners, compelling actors, and well-developed characters.

75
Chicago Sun-Times
Roger Ebert
A quietly enthralling film because it contains the murder and the investigation within Carter's smooth calm.

75
San Francisco Chronicle
G. Allen Johnson
Has a wicked sense of humor.

70
Variety
Leslie Felperin
Even if this isn't Schrader's best, it's hardly his worst.

63
TV Guide
Maitland McDonagh
Though ultimately flawed, the film's depiction of velvet-gloved cruelty and matter-of-fact betrayal is surprisingly potent, and it's pure pleasure to watch Bacall prowling the corridors of power, tossing her golden mane and tossing off world-weary observations in a voice pitched somewhere between a purr and a growl.

63
New York Post
Lou Lumenick
Harrelson's charming flamboyance - seen to great effect in "No Country for Old Men" - is a great fit for Carter, who carries no small amount of self-loathing under his carefully coifed toupee.

63
New York Daily News
Jack Mathews
Schrader's main interest is not in the mystery, per se, but in the political intrigue of incestuous Washington, where conflicts of interest are the norm and morality is indeed relative. The points are well-taken, but Harrelson's performance often gets in their way.

60
Village Voice
J. Hoberman
This is a serious movie and, gliding around the center of power, a stylish one. But, like its protagonist, The Walker is unable to close the deal.

60
The Hollywood Reporter
Kirk Honeycutt
While it can be labeled a thriller or a murder mystery, the film is talky, unhurried, contains little action and shows more interest in how characters think and behave than in its plot.

58
Entertainment Weekly
Lisa Schwarzbaum
The brittle, very ''written'' catty quips meant to characterize Washington hypocrisy sound perfunctory; the story of an aging, self-hating homosexual who goes home alone to his lacquered town house feels ancient as well as uncomfortable for the writer-director. (Harrelson seems both game and ill at ease.)

50
The New York Times
Stephen Holden
By the end of The Walker a movie that begins as a dazzling round of charades has deteriorated into a plodding game of Clue.

50
Los Angeles Times
Carina Chocano
The whole thing feels fusty and forced.

50
Portland Oregonian
Marc Mohan
While it's hard to dismiss his intention or effort, Harrelson's one-note performance sinks the film.

50
Chicago Reader
Jonathan Rosenbaum
The main compensation is Harrelson's well-judged and finely shaded performance; the secondary ones are the ladies he hangs out with -- Lauren Bacall, Lily Tomlin, and Kristin Scott Thomas. But the rest of this mainly drifts.

42
Seattle Post-Intelligencer
Paula Nechak
A mystery that isn't mysterious, a thriller that's barely thrilling.

40
Austin Chronicle
Josh Rosenblatt
Guilty of the most mortal of all movie sins: It's dull.


The average user rating for this movie is 7.5 (out of 10) based on 4 User Votes
Note: User votes are NOT included in the Metascore calculation.
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