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Stars indicate the most critically-acclaimed movies.

67
$9.99
75
24 City
66
Adoration
74
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48
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56
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82
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Away We Go
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Beaches of Agnes, The
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Big Man Japan
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Boys: The Sherman Brothers' Story, The
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Brothers Bloom, The
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Burma VJ: Reporting from a Closed Country
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Cherry Blossoms
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58
Easy Virtue
70
End of the Line, The
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Every Little Step
64
Examined Life
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Food, Inc.
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Gigantic
56
Girl from Monaco, The
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Girlfriend Experience, The
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89
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Great Buck Howard, The
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Harvard Beats Yale 29-29
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New York
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Paris 36
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Pontypool
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Pressure Cooker
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Revanche
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Rudo y Cursi
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Seraphine
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Sex Positive
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Shall We Kiss?
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Sin Nombre
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Sleep Dealer
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Song of Sparrows, The
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Sugar
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U2 3D
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Under Our Skin
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Unmistaken Child
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Valentino: The Last Emperor
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What Goes Up
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Whatever Works
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Youssou Ndour: I Bring What I Love
91
Hurt Locker, The
89
Goodbye Solo
88
Tulpan
87
Gomorrah
86
Seraphine
84
Summer Hours
83
U2 3D
83
Revanche
83
Tyson
82
Burma VJ: Reporting from a Closed Country
82
Sugar
82
Hunger
82
Anvil! The Story of Anvil
81
Il Divo
81
Beaches of Agnes, The
80
Food, Inc.
80
Tokyo Sonata
79
Harvard Beats Yale 29-29
78
Boys: The Sherman Brothers' Story, The
78
O'Horten
77
Every Little Step
77
Sin Nombre
75
24 City
74
Treeless Mountain
74
Afghan Star
74
Two Lovers
74
Song of Sparrows, The
74
Lemon Tree
71
Pressure Cooker
71
Jerichow
70
Shall We Kiss?
70
Tony Manero
70
End of the Line, The
69
Valentino: The Last Emperor
69
Unmistaken Child
67
$9.99
67
Rudo y Cursi
67
Girlfriend Experience, The
66
Adoration
66
Moon
65
Sex Positive
65
Departures
64
Outrage
64
Examined Life
64
Throw Down Your Heart
64
Lymelife
63
Tokyo!
63
Cheri
63
Dead Snow
63
Tetro
63
Great Buck Howard, The
62
Cherry Blossoms
62
Big Man Japan
62
Not Forgotten
61
Sunshine Cleaning
60
Under Our Skin
59
Sleep Dealer
58
Julia
58
Easy Virtue
57
Away We Go
57
Merry Gentleman, The
57
Youssou Ndour: I Bring What I Love
56
Girl from Monaco, The
56
American Violet
55
Brothers Bloom, The
54
Is Anybody There?
54
Pontypool
54
Stoning of Soraya M., The
52
Quiet Chaos
50
Management
48
Alien Trespass
45
Whatever Works
42
Little Ashes
42
Tennessee
40
Limits of Control, The
40
Paris 36
38
Gigantic
36
Life is Hot in Cracktown
35
New York
28
Big Shot-Caller, The
28
Surveillance
22
What Goes Up
18
Downloading Nancy
16
I Hate Valentine's Day
xx
Call of the Wild
xx
Home
xx
Offshore
Stars indicate the most critically-acclaimed movies.
|
World, The
Zeitgeist Films
FILM:
MPAA RATING: Not Rated
Starring
Taisheng Chen,
Zhong-wei Jiang,
Jue Jing,
Yi-qun Wang,
and
Tao Zhao
Acclaimed Chinese director Jia Zhangke casts a compassionate eye on the daily loves, friendships and desperate dreams of the twenty-somethings from China’s remote Provinces who come to live and work at Beijing’s World Park. (Zeitgeist Films)
| GENRE(S): |
Drama
|
Foreign
|
| WRITTEN BY: |
Zhang Ke Jia
|
| DIRECTED BY: |
Zhang Ke Jia
|
| RELEASE DATE: |
DVD: February 14, 2006
Theatrical: July 1, 2005
|
| RUNNING TIME: |
143 minutes, Color |
| ORIGIN: |
China / Japan / France |
| LANGUAGE(S): |
Mandarin (with English subtitles) |
Original title "Shijie"; Nominated, Golden Lion, 2004 Venice Film Festival

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
100
Christian Science Monitor
David Sterritt
This is a brilliant, if challenging, film.

100
Entertainment Weekly
Lisa Schwarzbaum
A film of wonderful looseness and innovation. Set free to film fakes, the director is the real thing.

100
Chicago Tribune
Michael Wilmington
With rich irony, The World juxtaposes the teasing, grand images of the outside world's wonders with the insular community and the mundane lives of the park employees.

100
Washington Post
Desson Thomson
A movie with the visual expanse of a John Ford western and the ensemble grandeur and long takes of a Robert Altman picture. The movie is definitely Chinese in content, but it exudes American style and spirit.

100
Chicago Reader
Jonathan Rosenbaum
The title of Jia Zhang-ke's 2004 masterpiece, The World -- a film that's hilarious and upsetting, epic and dystopian -- is an ironic pun and a metaphor.

100
San Francisco Chronicle
G. Allen Johnson
A heartbreaking, beautiful movie that gains strength from its deep characterizations.

90
LA Weekly
Scott Foundas
The comic, tragic and monumentally beautiful new film by writer-director Jia Zhangke (Platform).

90
Los Angeles Times
Kenneth Turan
A remarkable film.

89
Austin Chronicle
Marrit Ingman
It's a magnificent film – thoughtful but not distant, aesthetically and technically sophisticated but staged with restraint and delicacy.

88
Boston Globe
Wesley Morris
The director is becoming a master of blending the political and the personal with eloquence and deceptive lightness.

83
Seattle Post-Intelligencer
Sean Axmaker
Jia's compassion for the drifting souls struggling to create a life for themselves in such a transitory existence makes the metaphor resonant.

80
Village Voice
Dennis Lim
On a first viewing, the movie seemed a dilution of the formal strategies Jia had perfected-at once less dispassionate and less empathetic. After a repeat viewing, it still strikes me as Jia's fourth-best film (that it's one of the year's best says plenty about the level at which he's working), but it's more apparent that The Worl d's muffled emotional impact should be understood as a function of its setting.

80
TV Guide
Ken Fox
Maverick Chinese director Jia Zhangke examines the rapidly changing face of China as its economy edges further toward a modified form of market capitalism with yet another complex, multicharacter masterpiece.

80
Salon.com
Andrew O'Hehir
If a movie can be stark and rapturous at the same time, this is that movie.

80
The Hollywood Reporter
Andrew Sun
It's a splendid microcosm of contemporary China's aspirations and shortcomings.

75
Chicago Sun-Times
Roger Ebert
The movie is long and slow. Either you will fall into its rhythm, or you will grow restless.

70
Wall Street Journal
Joe Morgenstern
It's a fine film, full of small epiphanies.
70
Variety
David Rooney
While the film feels overlong at two hours 20 minutes, there's a seductive stillness to its enveloping mood.

70
The New York Times
Manohla Dargis
Loosely constructed, The World drifts along pleasantly for much of its two-and-a-half-hour running time. Mr. Jia has a terrific eye and an almost sculptural sense of film space (especially in close quarters), and he brings texture and density to even the most nondescript rooms.

63
New York Post
V.A. Musetto
Jia's message is that globalization has failed to help the Chinese masses. We hear you, dude, but did you really need 143 minutes to get your point across?

50
New York Daily News
Jack Mathews
The World has a pokey pace, but it presents a uniquely powerful look at the new big kid in the global economy.

50
The Onion (A.V. Club)
Noel Murray
The World's dull weave of frustrated romances and worker exploitation is far too obvious, and Jia can only relieve the tedium so many times.

50
Film Threat
Stina Chyn
One of the oddest and surely the longest cinematic experiences you may ever encounter.


The average user rating for this movie is 9.0 (out of 10) based on 4 User Votes
Note: User votes are NOT included in the Metascore calculation.
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