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Stars indicate the most critically-acclaimed movies.

67
$9.99
75
24 City
66
Adoration
74
Afghan Star
48
Alien Trespass
56
American Violet
82
Anvil! The Story of Anvil
57
Away We Go
81
Beaches of Agnes, The
62
Big Man Japan
28
Big Shot-Caller, The
78
Boys: The Sherman Brothers' Story, The
55
Brothers Bloom, The
82
Burma VJ: Reporting from a Closed Country
xx
Call of the Wild
63
Cheri
62
Cherry Blossoms
63
Dead Snow
65
Departures
18
Downloading Nancy
58
Easy Virtue
70
End of the Line, The
77
Every Little Step
64
Examined Life
80
Food, Inc.
38
Gigantic
56
Girl from Monaco, The
67
Girlfriend Experience, The
87
Gomorrah
89
Goodbye Solo
63
Great Buck Howard, The
79
Harvard Beats Yale 29-29
xx
Home
82
Hunger
91
Hurt Locker, The
16
I Hate Valentine's Day
81
Il Divo
54
Is Anybody There?
71
Jerichow
58
Julia
74
Lemon Tree
36
Life is Hot in Cracktown
40
Limits of Control, The
42
Little Ashes
64
Lymelife
50
Management
57
Merry Gentleman, The
66
Moon
35
New York
62
Not Forgotten
xx
Offshore
78
O'Horten
64
Outrage
40
Paris 36
54
Pontypool
71
Pressure Cooker
52
Quiet Chaos
83
Revanche
67
Rudo y Cursi
86
Seraphine
65
Sex Positive
70
Shall We Kiss?
77
Sin Nombre
59
Sleep Dealer
74
Song of Sparrows, The
54
Stoning of Soraya M., The
82
Sugar
84
Summer Hours
61
Sunshine Cleaning
28
Surveillance
42
Tennessee
63
Tetro
64
Throw Down Your Heart
80
Tokyo Sonata
63
Tokyo!
70
Tony Manero
74
Treeless Mountain
88
Tulpan
74
Two Lovers
83
Tyson
83
U2 3D
60
Under Our Skin
69
Unmistaken Child
69
Valentino: The Last Emperor
22
What Goes Up
45
Whatever Works
57
Youssou Ndour: I Bring What I Love
91
Hurt Locker, The
89
Goodbye Solo
88
Tulpan
87
Gomorrah
86
Seraphine
84
Summer Hours
83
U2 3D
83
Revanche
83
Tyson
82
Burma VJ: Reporting from a Closed Country
82
Sugar
82
Hunger
82
Anvil! The Story of Anvil
81
Il Divo
81
Beaches of Agnes, The
80
Food, Inc.
80
Tokyo Sonata
79
Harvard Beats Yale 29-29
78
Boys: The Sherman Brothers' Story, The
78
O'Horten
77
Every Little Step
77
Sin Nombre
75
24 City
74
Treeless Mountain
74
Afghan Star
74
Two Lovers
74
Song of Sparrows, The
74
Lemon Tree
71
Pressure Cooker
71
Jerichow
70
Shall We Kiss?
70
Tony Manero
70
End of the Line, The
69
Valentino: The Last Emperor
69
Unmistaken Child
67
$9.99
67
Rudo y Cursi
67
Girlfriend Experience, The
66
Adoration
66
Moon
65
Sex Positive
65
Departures
64
Outrage
64
Examined Life
64
Throw Down Your Heart
64
Lymelife
63
Tokyo!
63
Cheri
63
Dead Snow
63
Tetro
63
Great Buck Howard, The
62
Cherry Blossoms
62
Big Man Japan
62
Not Forgotten
61
Sunshine Cleaning
60
Under Our Skin
59
Sleep Dealer
58
Julia
58
Easy Virtue
57
Away We Go
57
Merry Gentleman, The
57
Youssou Ndour: I Bring What I Love
56
Girl from Monaco, The
56
American Violet
55
Brothers Bloom, The
54
Is Anybody There?
54
Pontypool
54
Stoning of Soraya M., The
52
Quiet Chaos
50
Management
48
Alien Trespass
45
Whatever Works
42
Little Ashes
42
Tennessee
40
Limits of Control, The
40
Paris 36
38
Gigantic
36
Life is Hot in Cracktown
35
New York
28
Big Shot-Caller, The
28
Surveillance
22
What Goes Up
18
Downloading Nancy
16
I Hate Valentine's Day
xx
Call of the Wild
xx
Home
xx
Offshore
Stars indicate the most critically-acclaimed movies.
|
Wrestler, The
Fox Searchlight Pictures
MPAA RATING: R for violence, sexuality/nudity, language and some drug use
Starring
Mickey Rourke,
Marisa Tomei,
and
Evan Rachel Wood
Back in the late ‘80s, Randy “The Ram” Robinson was a headlining professional wrestler. Now, twenty years later, he ekes out a living performing for handfuls of diehard wrestling fans in high school gyms and community centers around New Jersey. (Fox Searchlight)
| GENRE(S): |
Drama
|
| WRITTEN BY: |
Robert D. Siegel
|
| DIRECTED BY: |
Darren Aronofsky
|
| RELEASE DATE: |
DVD: April 21, 2009
Theatrical: December 17, 2008
|
| RUNNING TIME: |
109 minutes, Color |
| ORIGIN: |
USA |

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
100
Entertainment Weekly
Owen Gleiberman
The Wrestler is like "Rocky" made by the Scorsese of "Mean Streets." It's the rare movie fairy tale that's also a bravura work of art.

100
Variety
Todd McCarthy
Rourke creates a galvanizing, humorous, deeply moving portrait that instantly takes its place among the great, iconic screen performances. An elemental story simply and brilliantly told, Darren Aronofsky's fourth feature is a winner from every possible angle.

100
Premiere
Jenni Miller
Rourke is getting tons of press and award nominations, but Marisa Tomei kicks ass too. Not only does the one-time Oscar winner look amazing and perform her own pole tricks, but she effectively humanizes what could be just another naked chick in a movie.

100
Boston Globe
Ty Burr
The Wrestler is a character study, no more and no less, yet it's open-ended enough to function as many things.

100
San Francisco Chronicle
Mick LaSalle
The movie has the simplicity and confidence of a Johnny Cash song.

100
Chicago Sun-Times
Roger Ebert
This is Rourke doing astonishing physical acting.

100
Empire
Dan Jolin
An emotional smackdown. Rourke's never been better, and the change of pace and texture suits Aronofsky perfectly. "The Raging Bull" of wrestling movies? Oh, go on then.

91
Portland Oregonian
Shawn Levy
It's a raw and honest film, and it keeps its feet firmly on the ground, even as The Ram flies through the air to deliver -- or receive -- another beating in the squared circle of life.

90
Slate
Dana Stevens
The Ram is sometimes--often, even--a manipulative, self-pitying man, but Rourke and Aronofsky paint his portrait with a rigorous dignity.

90
The New York Times
A.O. Scott
Like its hero, the movie has a blunt, exuberant honesty, pulling off even its false moves with conviction and flair.

90
The New Yorker
Anthony Lane
What Rourke offers us, in short, is not just a comeback performance but something much rarer: a rounded, raddled portrait of a good man. Suddenly, there it is again--the charm, the anxious modesty, the never-distant hint of wrath, the teen-age smiles, and all the other virtues of a winner.

88
ReelViews
James Berardinelli
Aronofsky's directorial style is simple and spare. There are no flourishes or attempts to convince us that he is a master of his craft.

88
New York Post
Kyle Smith
The Wrestler offers something to pretty much everyone in the audience. Much like "The Sopranos," it creates a world that might make you feel utterly at home or exhilarated by strange horrors. Maybe both.

88
Miami Herald
Rene Rodriguez
The Wrestler presents a fascinating peek at the workings of the pro wrestling industry (the tenderness and humor the athletes share backstage is the complete opposite of the ferocity they display in the ring).

88
Chicago Tribune
Michael Phillips
The Wrestler works for the same reason "Rachel Getting Married" works. The way they're acted, shot, edited and scored, both films deploy a loose, rough-hewn documentary style to great dramatic advantage. The corn isn't hyped. The performances click without going for the jugular.

88
Philadelphia Inquirer
Steven Rea
It's a haunting, scary, funny, sad portrayal from Rourke.

88
Rolling Stone
Peter Travers
You watch The Wrestler (with a superb title song from Bruce Springsteen) in a state of pure exhilaration. A great actor in a great movie will do that to you.

88
Charlotte Observer
Lawrence Toppman
The film's a little more accessible than "Requiem for a Dream" and a lot easier to understand than "The Fountain," but its low-key grunginess may restrict its appeal to people who have liked professional wrestling and/or Rourke.

83
Seattle Post-Intelligencer
William Arnold
It's bleak, credulity straining and often stomach-turning, but it definitely works as a heart-tugging character study, and Rourke's performance as the has-been title character is golden.

83
The Onion (A.V. Club)
Noel Murray
Mostly though, the movie feeds off Rourke, who plays a genuinely decent guy who never lets his dawning self-awareness interfere with his responsibility to give the fans a show.

80
New York Daily News
Elizabeth Weitzman
Both Rourke and Tomei bring a tender, lived-in honesty to their sad roles.

80
The Hollywood Reporter
Stephen Farber
Bolstered by a career-best performance from Mickey Rourke and outstanding work by Marisa Tomei and Evan Rachel Wood.

80
Wall Street Journal
Joe Morgenstern
Director, Darren Aronofsky, and the writer, Robert D. Siegel, have turned the story of this washed-up faux gladiator into a film of authentic beauty and commanding consequence.

80
Chicago Reader
J.R. Jones
He looks like a truck ran over him, but at 52 he's still ripped enough to get away with the role; in the end the movie is about Rourke's indomitability more than the character's.

78
Austin Chronicle
Josh Rosenblatt
As far as I'm concerned, you can keep your Sean Penns and your Brad Pitts and your Frank Langellas; if there's any justice in the world, this year's best actor Academy Award will be going home with Rourke.

75
USA Today
Claudia Puig
The story has its clichéd and sentimental moments. It's no "Raging Bull," more like "Rocky" shot with a handheld camera. But Rourke's wounded tough guy is undeniably captivating.

75
The Globe and Mail (Toronto)
Liam Lacey
The excesses are easy to forgive, both for the humour and charisma of Rourke's outsized performance and Aronofsky's canny low-key direction, which make for a combination that is irresistible.

70
Washington Post
John Anderson
As good as Rourke is, and as willingly as he throws himself on the figurative hand grenade, his performance constantly begs the question of whether the story would be worth telling without him. Marisa Tomei, as Cassidy the pole dancer, delivers a courageous performance, one nearly as ego-battering as Rourke's.

70
Film Threat
Matthew Sorrento
The Wrestler could have been a groundbreaking drama, one that upturns the sensational genre roots from which it stems. With Rourke in such form, it could have been character-driven to the core – if only Aronofsky trusted his character enough to resist screenwriter Siegel's contrived plot thrusts.

70
Village Voice
J. Hoberman
Present in every scene, if not each shot, Rourke gives a tremendously physical performance that The Wrestler essentially exists to document.

70
Salon.com
Stephanie Zacharek
Whatever Aronofsky did -- or didn't -- do, Rourke's performance comes off beautifully. The Wrestler may not be the "best" Aronofsky movie in any technical sense. But the director clearly feels a great deal of tenderness toward his lead character.

67
Christian Science Monitor
Peter Rainer
A heavy dose of corn syrup. Director Darren Aronofsky's herky-jerky, hand-held camera stylistics have a veneer of verity, but don't be fooled. This pastiche, written by Robert Siegel, is purest Hollywood.

63
Baltimore Sun
Michael Sragow
This movie has an aura of forced tragedy, like a fourth-generation version of "Requiem for a Heavyweight."

60
New York Magazine
David Edelstein
The movie isn't as world-shattering as those bouts: It's a regretful-old-warrior weeper.

50
Time
Richard Corliss
Rourke does strong, sensitive work here, which will cheer his old-time admirers and win him new fans...But the movie itself is pretty bad.

50
Los Angeles Times
Kenneth Turan
The Wrestler doesn't add up. It's constructed with great care around a lead performance that is everything it could possibly be, but the picture itself is off-putting and disappointing.


The average user rating for this movie is 8.2 (out of 10) based on 118 User Votes
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