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Wrestler, The
Fox Searchlight Pictures

Wrestler, The reviews
Critic Score
Metascore: 81 Metascore out of 100
User Score  
8.2 out of 10
based on 36 reviews
Read critic reviews
How did we calculate this?
based on 118 votes
Read user comments
Rate this movie

MPAA RATING: R for violence, sexuality/nudity, language and some drug use

Starring Mickey Rourke, Marisa Tomei, and Evan Rachel Wood

Back in the late ‘80s, Randy “The Ram” Robinson was a headlining professional wrestler. Now, twenty years later, he ekes out a living performing for handfuls of diehard wrestling fans in high school gyms and community centers around New Jersey. (Fox Searchlight)


GENRE(S): Drama  
WRITTEN BY: Robert D. Siegel  
DIRECTED BY: Darren Aronofsky  
RELEASE DATE: DVD: April 21, 2009 
Theatrical: December 17, 2008 
RUNNING TIME: 109 minutes, Color 
ORIGIN: USA 

What The Critics Said

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...

100
Entertainment Weekly Owen Gleiberman
The Wrestler is like "Rocky" made by the Scorsese of "Mean Streets." It's the rare movie fairy tale that's also a bravura work of art.
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100
Variety Todd McCarthy
Rourke creates a galvanizing, humorous, deeply moving portrait that instantly takes its place among the great, iconic screen performances. An elemental story simply and brilliantly told, Darren Aronofsky's fourth feature is a winner from every possible angle.
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100
Premiere Jenni Miller
Rourke is getting tons of press and award nominations, but Marisa Tomei kicks ass too. Not only does the one-time Oscar winner look amazing and perform her own pole tricks, but she effectively humanizes what could be just another naked chick in a movie.
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100
Boston Globe Ty Burr
The Wrestler is a character study, no more and no less, yet it's open-ended enough to function as many things.
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100
San Francisco Chronicle Mick LaSalle
The movie has the simplicity and confidence of a Johnny Cash song.
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100
Chicago Sun-Times Roger Ebert
This is Rourke doing astonishing physical acting.
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100
Empire Dan Jolin
An emotional smackdown. Rourke's never been better, and the change of pace and texture suits Aronofsky perfectly. "The Raging Bull" of wrestling movies? Oh, go on then.
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91
Portland Oregonian Shawn Levy
It's a raw and honest film, and it keeps its feet firmly on the ground, even as The Ram flies through the air to deliver -- or receive -- another beating in the squared circle of life.
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90
Slate Dana Stevens
The Ram is sometimes--often, even--a manipulative, self-pitying man, but Rourke and Aronofsky paint his portrait with a rigorous dignity.
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90
The New York Times A.O. Scott
Like its hero, the movie has a blunt, exuberant honesty, pulling off even its false moves with conviction and flair.
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90
The New Yorker Anthony Lane
What Rourke offers us, in short, is not just a comeback performance but something much rarer: a rounded, raddled portrait of a good man. Suddenly, there it is again--the charm, the anxious modesty, the never-distant hint of wrath, the teen-age smiles, and all the other virtues of a winner.
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88
ReelViews James Berardinelli
Aronofsky's directorial style is simple and spare. There are no flourishes or attempts to convince us that he is a master of his craft.
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88
New York Post Kyle Smith
The Wrestler offers something to pretty much everyone in the audience. Much like "The Sopranos," it creates a world that might make you feel utterly at home or exhilarated by strange horrors. Maybe both.
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88
Miami Herald Rene Rodriguez
The Wrestler presents a fascinating peek at the workings of the pro wrestling industry (the tenderness and humor the athletes share backstage is the complete opposite of the ferocity they display in the ring).
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88
Chicago Tribune Michael Phillips
The Wrestler works for the same reason "Rachel Getting Married" works. The way they're acted, shot, edited and scored, both films deploy a loose, rough-hewn documentary style to great dramatic advantage. The corn isn't hyped. The performances click without going for the jugular.
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88
Philadelphia Inquirer Steven Rea
It's a haunting, scary, funny, sad portrayal from Rourke.
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88
Rolling Stone Peter Travers
You watch The Wrestler (with a superb title song from Bruce Springsteen) in a state of pure exhilaration. A great actor in a great movie will do that to you.
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88
Charlotte Observer Lawrence Toppman
The film's a little more accessible than "Requiem for a Dream" and a lot easier to understand than "The Fountain," but its low-key grunginess may restrict its appeal to people who have liked professional wrestling and/or Rourke.
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83
Seattle Post-Intelligencer William Arnold
It's bleak, credulity straining and often stomach-turning, but it definitely works as a heart-tugging character study, and Rourke's performance as the has-been title character is golden.
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83
The Onion (A.V. Club) Noel Murray
Mostly though, the movie feeds off Rourke, who plays a genuinely decent guy who never lets his dawning self-awareness interfere with his responsibility to give the fans a show.
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80
New York Daily News Elizabeth Weitzman
Both Rourke and Tomei bring a tender, lived-in honesty to their sad roles.
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80
The Hollywood Reporter Stephen Farber
Bolstered by a career-best performance from Mickey Rourke and outstanding work by Marisa Tomei and Evan Rachel Wood.
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80
Wall Street Journal Joe Morgenstern
Director, Darren Aronofsky, and the writer, Robert D. Siegel, have turned the story of this washed-up faux gladiator into a film of authentic beauty and commanding consequence.
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80
Chicago Reader J.R. Jones
He looks like a truck ran over him, but at 52 he's still ripped enough to get away with the role; in the end the movie is about Rourke's indomitability more than the character's.
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78
Austin Chronicle Josh Rosenblatt
As far as I'm concerned, you can keep your Sean Penns and your Brad Pitts and your Frank Langellas; if there's any justice in the world, this year's best actor Academy Award will be going home with Rourke.
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75
USA Today Claudia Puig
The story has its clichéd and sentimental moments. It's no "Raging Bull," more like "Rocky" shot with a handheld camera. But Rourke's wounded tough guy is undeniably captivating.
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75
The Globe and Mail (Toronto) Liam Lacey
The excesses are easy to forgive, both for the humour and charisma of Rourke's outsized performance and Aronofsky's canny low-key direction, which make for a combination that is irresistible.
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70
Washington Post John Anderson
As good as Rourke is, and as willingly as he throws himself on the figurative hand grenade, his performance constantly begs the question of whether the story would be worth telling without him. Marisa Tomei, as Cassidy the pole dancer, delivers a courageous performance, one nearly as ego-battering as Rourke's.
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70
Film Threat Matthew Sorrento
The Wrestler could have been a groundbreaking drama, one that upturns the sensational genre roots from which it stems. With Rourke in such form, it could have been character-driven to the core – if only Aronofsky trusted his character enough to resist screenwriter Siegel's contrived plot thrusts.
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70
Village Voice J. Hoberman
Present in every scene, if not each shot, Rourke gives a tremendously physical performance that The Wrestler essentially exists to document.
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70
Salon.com Stephanie Zacharek
Whatever Aronofsky did -- or didn't -- do, Rourke's performance comes off beautifully. The Wrestler may not be the "best" Aronofsky movie in any technical sense. But the director clearly feels a great deal of tenderness toward his lead character.
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67
Christian Science Monitor Peter Rainer
A heavy dose of corn syrup. Director Darren Aronofsky's herky-jerky, hand-held camera stylistics have a veneer of verity, but don't be fooled. This pastiche, written by Robert Siegel, is purest Hollywood.
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63
Baltimore Sun Michael Sragow
This movie has an aura of forced tragedy, like a fourth-generation version of "Requiem for a Heavyweight."
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60
New York Magazine David Edelstein
The movie isn't as world-shattering as those bouts: It's a regretful-old-warrior weeper.
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50
Time Richard Corliss
Rourke does strong, sensitive work here, which will cheer his old-time admirers and win him new fans...But the movie itself is pretty bad.
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50
Los Angeles Times Kenneth Turan
The Wrestler doesn't add up. It's constructed with great care around a lead performance that is everything it could possibly be, but the picture itself is off-putting and disappointing.
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What Our Users Said

Vote Now!The average user rating for this movie is 8.2 (out of 10) based on 118 User Votes
Note: User votes are NOT included in the Metascore calculation.

[Anonymous] gave it an8:
Very good, but as good as everyone says. I loved the movie, but I had a problem with the editing, which felt a little more like a documentary style, and the ending, which I had mixed feelings about but didn't hate. Other than that, I loved it. Absolutely loved it.

Mike gave it an8:
A very good movie. The camera work on this film, makes it look like a documentary. Very real. maybe too real?

Alex H gave it a10:
This is utterly the most, gut wrenching, break-out-into-tears, amazing films I have ever had the pleasure of seeing. To date, one of the best movies ever made.

Michael J gave it a9:
I almost didn't bother with this one. A) Not a Rourke fan. B) Not a wrestling fan. But, I gave it a shot...and boy was I mesmerized. I completely forgot it was Rourke. He was amazing. I believed it all. MUST see.

dean g gave it a4:
Lacked character developement.downright too cheesy of beginning. I know it's what it is...butttt.. still too much so. a few good/fair moments. i just couldn't recommend this to anyone other than to see if they agreed with me.

Stuart M gave it a4:
The wrestler took 111 minutes just to tell you that the main guy is a washed up wrestler who can't make anything of his life and will die in the ring. Good movies need to have a balance of character development and plot. Mickie Rourke gave an overrated performance. The movie was too one dimensional and lacked real substance.

hal b gave it a7:
A good, but not great, film. Ty Burr (Boston Globe) sums up the lead performance nicely: "This performance has a gentleness - an almost Zen-like acceptance of collapsed expectations - that comes close to breaking your heart." It's basically a character study, and also a cautionary tale, about clinging to your dreams and self-image long past their expiration dates. Rourke does give an amazing performance, and the ending -- although pretty cliche'd -- definitely touches your heart.

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