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Stars indicate the most critically-acclaimed movies.

67
$9.99
75
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66
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48
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82
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Beaches of Agnes, The
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Girl from Monaco, The
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Rudo y Cursi
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Seraphine
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Sex Positive
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Song of Sparrows, The
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60
Under Our Skin
69
Unmistaken Child
69
Valentino: The Last Emperor
22
What Goes Up
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Whatever Works
57
Youssou Ndour: I Bring What I Love
91
Hurt Locker, The
89
Goodbye Solo
88
Tulpan
87
Gomorrah
86
Seraphine
84
Summer Hours
83
U2 3D
83
Revanche
83
Tyson
82
Burma VJ: Reporting from a Closed Country
82
Sugar
82
Hunger
82
Anvil! The Story of Anvil
81
Il Divo
81
Beaches of Agnes, The
80
Food, Inc.
80
Tokyo Sonata
79
Harvard Beats Yale 29-29
78
Boys: The Sherman Brothers' Story, The
78
O'Horten
77
Every Little Step
77
Sin Nombre
75
24 City
74
Treeless Mountain
74
Afghan Star
74
Two Lovers
74
Song of Sparrows, The
74
Lemon Tree
71
Pressure Cooker
71
Jerichow
70
Shall We Kiss?
70
Tony Manero
70
End of the Line, The
69
Valentino: The Last Emperor
69
Unmistaken Child
67
$9.99
67
Rudo y Cursi
67
Girlfriend Experience, The
66
Adoration
66
Moon
65
Sex Positive
65
Departures
64
Outrage
64
Examined Life
64
Throw Down Your Heart
64
Lymelife
63
Tokyo!
63
Cheri
63
Dead Snow
63
Tetro
63
Great Buck Howard, The
62
Cherry Blossoms
62
Big Man Japan
62
Not Forgotten
61
Sunshine Cleaning
60
Under Our Skin
59
Sleep Dealer
58
Julia
58
Easy Virtue
57
Away We Go
57
Merry Gentleman, The
57
Youssou Ndour: I Bring What I Love
56
Girl from Monaco, The
56
American Violet
55
Brothers Bloom, The
54
Is Anybody There?
54
Pontypool
54
Stoning of Soraya M., The
52
Quiet Chaos
50
Management
48
Alien Trespass
45
Whatever Works
42
Little Ashes
42
Tennessee
40
Limits of Control, The
40
Paris 36
38
Gigantic
36
Life is Hot in Cracktown
35
New York
28
Big Shot-Caller, The
28
Surveillance
22
What Goes Up
18
Downloading Nancy
16
I Hate Valentine's Day
xx
Call of the Wild
xx
Home
xx
Offshore
Stars indicate the most critically-acclaimed movies.
|
XXY
Film Movement
MPAA RATING: Not Rated
Starring
Ines Efron,
Martin Piroyanski,
Ricardo Darín,
Valeria Bertuccelli,
and
Carolina Pelleritti
For just about everybody, adolescence means having to confront a number of choices and life decisions, but rarely any as monumental as the one facing 15-year-old Alex, who was born an intersex child. As Alex begins to explore her sexuality, her mother invites friends from Buenos Aires to come for a visit at their house on the gorgeous Uruguayan shore, along with their 16-year-old son, Alvaro (Martin Piroyanski). Alex is immediately attracted to the young man, which adds yet another level of complexity to her personal search for identity and forces both families to face their worst fears. (Film Movement)
| GENRE(S): |
Drama
|
| WRITTEN BY: |
Sergio Bizzio (short story "Cinismo")
Lucia Puenzo
|
| DIRECTED BY: |
Lucia Puenzo
|
| RELEASE DATE: |
Theatrical: May 2, 2008
|
| RUNNING TIME: |
86 minutes, Color |
| ORIGIN: |
Argentina / France / Spain |
| LANGUAGE(S): |
Spanish |

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
100
San Francisco Chronicle
David Wiegand
As finely crafted as a great work of literature.

88
Chicago Sun-Times
Roger Ebert
The shots are beautifully composed, the editing paces the process of self-discovery, the dialogue is spare and heartfelt, the performances are deeply human -- especially by Efron.

83
Portland Oregonian
Marc Mohan
The word "hermaphrodite" is never actually uttered, for instance, and the whole topic is revealed obliquely, mostly through the puzzled eyes of Alvaro. Most impressively, a tale that could have been handled with condescending simplicity becomes a testament to the flawed but noble humanity of both parents and children.

75
New York Post
V.A. Musetto
Ines Efron and Martin Piroyanski give strong performances as Alex and Alvaro, respectively. Debuting director Lucia Puenzo, who co-scripted, tackles a dicey subject with sensitivity and taste.

75
TV Guide
Ken Fox
Efron's remarkable performance as a wild child who seems to truly exist somewhere betwixt and between is riveting.

75
Chicago Tribune
Michael Phillips
The acting is uniformly strong, the visual approach self-effacingly honest.

70
Chicago Reader
J.R. Jones
Moody and thoughtful.

70
Washington Post
Michael O'Sullivan
XXY is, in the best possible sense of the word, an awkward film.

70
The New York Times
Stephen Holden
If XXY is imagistically too programmatic (a scene of carrots being sliced is typical of its Freudian heavy-handedness) and devoid of humor, it never seems pruriently exploitative. It sustains an unsettling mood of ambiguity that lingers long after the final credits.

70
The Hollywood Reporter
Richard James Havis
The story of a young hermaphrodite who's not sure if she's emotionally a boy or a girl manages to be both raw-edged and moving.

70
Variety
Jonathan Holland
Picture has more in common with standard child-parent conflict dramas than it would probably care to admit, but its sensitive treatment of an equally sensitive theme elevates it into something memorable.

63
Boston Globe
Wesley Morris
The grown-ups in Lucia Puenzo's XXY are a glum lot.

50
Entertainment Weekly
Owen Gleiberman
It's set at a beach house, but we see only gray skies, and though Efron has a wary and cutting intelligence (it matches that of the fine actor Ricardo Darin, who plays her father), the effect is tepid and damp.

50
Village Voice
Nick Pinkerton
It takes a controlling hand to chisel something more contoured than monotony out of this dense angst, and director Lucía Puenzo doesn't have it, though Inés Efron, as Alex, gives a committed centerpiece performance with a nice, slightly lupine grin.

30
Los Angeles Times
Kevin Thomas
The genitally ambiguous as well as transsexuals and gay people deserve more than XXY's good intentions.


The average user rating for this movie is 7.8 (out of 10) based on 5 User Votes
Note: User votes are NOT included in the Metascore calculation.
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