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Stars indicate the most critically-acclaimed movies.

67
$9.99
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Hurt Locker, The
89
Goodbye Solo
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Tulpan
87
Gomorrah
86
Seraphine
84
Summer Hours
83
U2 3D
83
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83
Tyson
82
Burma VJ: Reporting from a Closed Country
82
Sugar
82
Hunger
82
Anvil! The Story of Anvil
81
Il Divo
81
Beaches of Agnes, The
80
Food, Inc.
80
Tokyo Sonata
79
Harvard Beats Yale 29-29
78
Boys: The Sherman Brothers' Story, The
78
O'Horten
77
Every Little Step
77
Sin Nombre
75
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74
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74
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74
Two Lovers
74
Song of Sparrows, The
74
Lemon Tree
71
Pressure Cooker
71
Jerichow
70
Shall We Kiss?
70
Tony Manero
70
End of the Line, The
69
Valentino: The Last Emperor
69
Unmistaken Child
67
$9.99
67
Rudo y Cursi
67
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66
Adoration
66
Moon
65
Sex Positive
65
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64
Outrage
64
Examined Life
64
Throw Down Your Heart
64
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63
Tokyo!
63
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63
Dead Snow
63
Tetro
63
Great Buck Howard, The
62
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62
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62
Not Forgotten
61
Sunshine Cleaning
60
Under Our Skin
59
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58
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58
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57
Away We Go
57
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57
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56
Girl from Monaco, The
56
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55
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54
Is Anybody There?
54
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54
Stoning of Soraya M., The
52
Quiet Chaos
50
Management
48
Alien Trespass
45
Whatever Works
42
Little Ashes
42
Tennessee
40
Limits of Control, The
40
Paris 36
38
Gigantic
36
Life is Hot in Cracktown
35
New York
28
Big Shot-Caller, The
28
Surveillance
22
What Goes Up
18
Downloading Nancy
16
I Hate Valentine's Day
xx
Call of the Wild
xx
Home
xx
Offshore
Stars indicate the most critically-acclaimed movies.
|
Zoo
THINKFilm
FILM:
MPAA RATING: Not Rated
Starring
John Paulsen,
Ken Kreps,
Richard Carmen,
James Chu,
Paul Eenhoorn,
Forest Fousel,
Conor Gormally,
and
Malayka Gormally
Zoo is an extraordinary glimpse into the life of a seemingly normal Seattle man whose secret sexual appetites led to his shocking death. (ThinkFilm)
| GENRE(S): |
Documentary
|
Drama
|
| WRITTEN BY: |
Robinson Devor
Charles Mudede
|
| DIRECTED BY: |
Robinson Devor
|
| RELEASE DATE: |
DVD: September 18, 2007
Theatrical: April 25, 2007
|
| RUNNING TIME: |
80 minutes, Color |
| ORIGIN: |
USA |
Nominated, Grand Jury Prize (Documentary), 2007 Sundance Film Festival

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
100
TV Guide
Ken Fox
Bold and unforgettable meditation on a truly bizarre incident that pokes at the very heart of one of our culture's biggest taboos.

90
Variety
Scott Foundas
A breathtakingly original nonfiction work by Seattle-based filmmaker Robinson Devor (whose "Police Beat" was among the highlights of Sundance's 2005 dramatic competition).

90
Village Voice
Nathan Lee
The beautiful and beguiling new film by Robinson Devor meditates on the Enumclaw incident through a hypnotic blend of original reporting, staged reenactment, testimony of involved parties (both zoophiles and local law enforcement), and pervasive, somewhat precious lyricism.

83
Portland Oregonian
Shawn Levy
The result is an immersive experience that never forgets the basic facts of the story but attempts with a level head and open mind to understand how in the world it might happen.

80
The Hollywood Reporter
Kirk Honeycutt
Whether meaning to or not, Devor and his accomplished crew expand our concept of the documentary film, which relegates this documentary to art houses, not porn theaters.

75
Seattle Post-Intelligencer
Gianni Truzzi
The surprise of this locally produced, stylized documentary is that it could leave you wishing it had told a little bit more.

75
Boston Globe
Wesley Morris
Devor's sympathy for both the men and the animals is humane, yet his movie is palpably sad. A sense of shame cuts through all the ambiguity. You know less about what you've watched when Zoo is over than you did when it started. And that's what makes the movie so hard to shake.

75
San Francisco Chronicle
Neva Chonin
Compelling.

70
Slate
Dana Stevens
It would have been easy to focus on the eroticism of horses, who, let's face it, are beautiful creatures to look at even for the nonzoophilically inclined, but Devor shows the animals only sparingly. For him, what's most interesting is what the horses represent to the men who (gulp) love them: the wildness and purity of nature itself.

70
Los Angeles Times
Kenneth Turan
Zoo is a cool sensibility married to a hot topic, a poetic film about a forbidden, unsettling subject. Elegantly made and eerily lyrical, it deals with what director Robinson Devor has accurately called "the last taboo, the boundary of something comprehensible."

70
Salon.com
Andrew O'Hehir
Quiet, sensitive, resolutely unsensational documentary about virtually the most sensational subject you can imagine.

63
Chicago Tribune
Michael Phillips
To what degree does Zoo test our limits of tolerance? In the end, not much, which is why Devor's strange, carefully composed objet d'art is a limited achievement.

60
New York Magazine
David Edelstein
Devor doesn't endorse horse-on-man sex, but he does attempt--with sympathy--to account for the appeal.

60
Newsweek
David Ansen
Zoo avoids any taint of exploitation, but it errs on the opposite extreme. I came away from it wanting a little less Art and a lot more simple reportage.

60
The New York Times
Manohla Dargis
Paradoxically, it is precisely because Mr. Devor refuses to acknowledge the murkiness that clings to every frame in his film, because he refuses to engage with the world beyond that of the zoophiles, that they seem like creatures from some never-ending night.

50
Premiere
Glenn Kenny
Constructing the narrative (made up mostly of dramatic reenactments, although given the static nature of many of the scenes, the word "dramatic" is pushing it) obliquely, Devor and co-writer Charles Mudede weave in the thread concerning the individual referred to as "Mr. Hands" into the film almost casually.

50
Entertainment Weekly
Owen Gleiberman
You could wander into this poetic documentary willing to be sympathetic toward its subject -- men who have sex with horses -- and still find Zoo cryptic and borderline bogus.

50
Chicago Reader
Staff (Not credited)
Interviewees are too busy excusing themselves to offer much illumination into their desires, and Devor's moody style (silhouettes, reenactments, an ominously throbbing score) only heightens the sleazy Dateline NBC feel.

40
Austin Chronicle
Marjorie Baumgarten
Time and again, Devor sabotages his own attempt to bring "zoos," literally and figuratively, into the light.

38
New York Post
Lou Lumenick
A bizarre quasi-documentary that more or less tries to rationalize bestiality as a harmless quirk.


The average user rating for this movie is 5.2 (out of 10) based on 4 User Votes
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