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Oct 7, 201150Throughout 1911 the sense of dutiful intentions blocks any building momentum. When an English-speaking character appears to declare that history is being made, it only underlines the obvious.
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Oct 7, 201150Sweeping, if exhausting, historical epic set at the turn of the 20th century.
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50If 1911 doesn't impress as historical spectacle, neither does it rank high as a Jackie Chan film.
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Oct 6, 201150Chan, though, is very good in an all-dramatic role as a rebel general. There's lots of battle scenes, well-filmed, but only one martial arts scene. It seems out of place, but is most welcome nonetheless.
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50What should be rousing stuff - a republic is born! the chains of feudalism thrown off! - remains a kind of lavishly illustrated history lesson. Even the irrepressible Mr. Chan (this is his 100th film) seems subdued.
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40This drama, as traditional as its subject was epochal, is earnest and studious to a fault. Rarely has a film about upheaval felt more like a textbook.
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Oct 6, 2011401911 isn't propaganda but more a relentless, serious, fiercely nationalistic bit of historical mythmaking.
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40The star and co-director appears hopelessly out of place, trapped in a variety of awkward-fitting uniforms while forced to offer up laughably obvious battlefield advice ("Avoid gunfire!").
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Oct 4, 201140Chan has not injected any of his playful charm or physical virtuosity into Wang Xingdong's and Chen Baoguang's insipid, poorly structured screenplay.
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38Adhering to what is apparently a formula for national superproductions, 1911 throws dates and names on the screen with unceasing speed and frequent irrelevance -- gratuitously identifying a walk-on as "German diplomat."
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38It swoops, it pans, it noses around. The camerawork is almost as agitated as the editing. The directors seem to be trying to compensate for all the speechifying with as much random motion as possible.
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30Resulting mish-mash of exposition and speechifying opts to summarize rather than dramatize; one spends nearly as much time reading indigestible lumps of onscreen text as one does listening to the often distractingly post-dubbed dialogue.
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30If the success of epic storytelling were determined by the sheer number of unnecessary on-screen name tags, 1911 would be a masterpiece. But the small matters of characterization, audience identification, and scene-making are entirely absent here.