- Studio: Columbia Pictures
- Release Date: Nov 13, 2009
- Critic Score
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100There's something to be said for a formula picture done almost to perfection. In 2012, Emmerich gives you everything you expect, but gives it to you bigger.
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1002012 takes the disaster movie -- once content simply to threaten the Earth with a comet, or blow up the White House -- to its natural conclusion, the literal end of the world.
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88The mother of all disaster movies (and the father, and the extended family) spends half an hour on ominous set-up scenes (scientists warn, strange events occur, prophets rant and of course a family is introduced) and then unleashes two hours of cataclysmic special events hammering the Earth relentlessly.
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802012 isn't a bad movie that, out of sheer boredom, you might snicker at once or twice; it's a two-and-a-half hour laugh riot that plays on our expectations of the genre by anticipating and exceeding them.
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80The visual effects are pretty sensational, delivering the cutting-edge CGI goods auds want and expect. It will be hard to watch "Earthquake'' ever again after this one.
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75For visual noise by the ton, Emmerich is my kind of hack, the pluperfect blend of leaden self-seriousness and accidental-on-purpose self-satirist.
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75As you might suspect, the 2012 dialogue is pure Velveeta.
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75For all of its faults, ends up being relentlessly watchable as well, a summertime popcorn spectacle plopped down in the middle of the fall movie season.
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75God forgive me, but I enjoyed the nerve-racking silliness of this newest, loudest exercise in destruction.
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Eye-popping special effects ensure that this movie will be a smash hit, and while it's entertaining for most of its excessive running time, the cheesy script fails to live up to the grandeur of the physical production.
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70Any sentient viewer will be able to predict every lumpy twist of this ludicrous, fitfully enjoyable movie.
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Spectacular CGI disasters.
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63This film that imagines the end of the world not as a whimper but as an implosion is a preposterously diverting, instantly forgettable, big-screen video game.
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63This long, ludicrous soap opera is also a mighty spectacle, a new standard in disengaged destruction.
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50The last 40 minutes test your patience -- and intelligence -- in a way the rest of this big, dumb, crazy movie never does:
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50The movie is an undeniable visual spectacle, but just as unequivocally a cheesy, ridiculous story.
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50The result is a state-of-the-art multiplex three-ring circus whose special effects stagger the senses and play like a video game, whose human drama aims for the cosmic and lands waist-deep in the Big Silly.
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50Doomsday views are a knockout, but the script is a real disaster.
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50If characters with more than one dimension, a plausible story and some sort of viewpoint are moviegoing musts, you may leave 2012 feeling a tad shortchanged.
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50Although 2012 is what they call "critic-proof," it's not immune to analysis. It depicts a world where no one, man or God, has much say in what happens to the planet, and where the survival of one family outweighs the deaths of billions.
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502012 is totally, certifiably nuts, without being quite as off-the-wall kitschy as Emmerich's last special-effects extravabanzoo, "10,000 BC."
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The two-hour-and-40-minute 2012 is overstuffed with special-effects, but the Curtis clan's mad dash out of town is the closest the movie gets to actually being fun.
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50As far as the new disaster film 2012 is concerned, the world will end with both a bang and a whimper, the bang of undeniably impressive special effects and the whimper of inept writing and characterization. You pays your money, you takes your chances.
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45Say this for Roland Emmerich's latest movie: It IS a disaster.
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42It occurred to me that Emmerich and Co. might be playing this whole thing for laughs. It probably occurred to them, too.
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40The set pieces are grand-gloriously dumb and never realistic enough to make you wince at the fact that billions of microscopic souls are dying before your eyes. Rather, you wince at everything else.
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40Where else are you going to get a chance to see the aircraft carrier USS John F. Kennedy drift down the side of a mile-high tsunami and take out the White House? Big. Dumb. Fun.
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40Despite the frenetic action scenes, the movie sags, done in by multiple story lines that undercut one another and by the heaviness of its conceit.
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38Perhaps the strangest thing about 2012 is that the bad parts of the film are among the most enjoyable, because they're so over-the-top ridiculous that it's impossible not to break out laughing.
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30Operates in a dead zone roughly equidistant between parody and idiocy. You do get the connection between tongue and cheek, but much of the humor still goes thud.
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30Emmerich's main achievement is to take a bunch of excellent actors, including Danny Glover, Thandie Newton, Chiwetel Ejiofor, and Woody Harrelson, and to prevent all of them--with the exception of Oliver Platt and a pair of giraffes--from giving a decent performance.
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25Beware 2012, which works the dubious miracle of almost matching "Transformers 2" for sheer, cynical, mind-numbing, time-wasting, money-draining, soul-sucking stupidity.
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25As always in Emmerich's rollicking Armageddons, the cannon speaks with an expensive bang, while the fodder gets afforded nary a whimper. Of course, that's just part of disaster's simple recipe: Blow us up, then blow us off.
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252012 is ultimately only about finding new ways to topple monoliths. Only they don't feel that new.
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User score distribution:
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Positive: 89 out of 190
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Mixed: 30 out of 190
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Negative: 71 out of 190
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This review contains spoilers, click full review link to view.
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WilliamB10