- Studio: Metro-Goldwyn-Mayer Distributing Corporation (MGM)
- Release Date: Mar 1, 2000
- Critic Score
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0Reeks as badly as it sounds.
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10For every jab at hypocrisy in law enforcement or in the media's crime coverage...there's a scene's worth of uninflected scatology or misogyny.
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25Most of the humor is aimed at 14-year-olds.
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33Empty jokes hang heavy.
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20Could have afforded to be a little loftier and still be quite funny. Instead, it's a waste.
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0Three strikes maybe, but no stars and no thumbs up (except the one way, way up its own ass).
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The bad news is that it's also vile, not to mention sophomoric and unfunny.
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31It's a chilling piece of legal hysteria, and ripe for nasty farce. But Pooh plays it all for buffoonish pratfalls and fart jokes.
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0This needlessly vulgar exercise in overuse of the n-word bills itself as a comedy. Even the outtakes over the closing credits don't live up to that.
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25A criminally slow, all-but-laughless blaxploitation comedy.
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10A dumb and sloppy movie.
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25This is a sloppy hash of a movie, poorly directed and plotted in a way that looks as if it were improvised on the spot.
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Feels like a very long late-night comedy sketch that occasionally veers beyond tastelessness toward something worse.
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30This picture is just shapeless and shrill. It's disposable, forgettable and aimed at an audience that doesn't care.
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38Interspersed between the misogyny and flatulence jokes apparently left over from Pooh's co-written script for "Friday," there's a story about an ex-con.
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20Exuberantly rude and crude, but generally more frantic than genuinely funny.