- Studio: IFC Films
- Release Date: Mar 23, 2012
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75If the end of the world was just hours away, would New Yorkers still be able to get takeout? Yes, if Abel Ferrara's mind-bending 4:44 Last Day on Earth is any indication.
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75The improvised dialogue takes hairpin turns, some less fruitful than others, holding onto just enough traces of structure to sustain the film's brief length.
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65The picture is also weirdly compelling, maybe most notably for the way Dafoe's character - who is, in this respect, perhaps a stand-in for the Bronx-born Ferrara - seems to be grappling less with the idea that the world is ending than that the city is ending.
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60Best of all is the half-surreal, half-touching scene of the couple ordering Chinese delivery - needless to say, the tip is sizable - and inviting the courier to Skype his family one last time and share in a moment of common humanity.
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Mar 22, 201260Dafoe, who also starred in Ferrara's woefully underseen "Go Go Tales," brings a quiet grace to his role, while Leigh has a rough-hewn emotional directness.
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60Your last day - or, as it happens, the whole planet's last day - will be just like every other one. Mr. Ferrara makes this point with ingenuity and characteristic thrift by using found news footage to provide images of apocalypse.
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Mar 20, 201260The use of stock footage eventually approaches overkill in the montage-heavy climax. Much more impressive is the way Ferrara uses his own "documentary" footage of the city.
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50The movie is probably best appreciated by devotees of the cult director, who has made some good films and some interesting ones (and some that are both): "King of New York," "Bad Lieutenant," "The Addiction." "4:44" isn't quite in that company.
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50An hour into Earth and we're waiting for the film to end, not just the planet.
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50One of Dafoe's deadbeat friends observes, ''The world's been ending ever since it started, man,'' and you may think the same thing about this movie.
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50In his 4:44 Last Day on Earth, the auteur imagines the apocalypse from an aging NYC hipster's perspective, hitting melancholy notes that may ring true for a small segment of the art-house audience but, without the compelling presence of Willem Dafoe, would have little hope at the box office.
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50It's only natural that Abel Ferrara's vision of the end of the world should take corporeal form as a quasi-autobiographical hangout movie.
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40Feels stagy and anti-visceral.
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40Let's not make 4:44 Last Day on Earth sound cooler than it is. Compared with Lars von Trier's histrionically doomed "Melancholia," the film lacks any serious attempt to grapple with mortality.