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100The film feels like a natural successor to "The Wedding Singer's" strange blend of humor and humanity, a gently silly comedy that's actually romantic without making anyone sick in the process. And that just might be a first.
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80As corny as it is, there’s a lot of heart to 50 First Dates. But this happens more in spite of Adam Sandler than because of him. The heart comes from Drew Barrymore, really, and some of the supporting cast.
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80Charming and effective feel-good fare.
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75The movie doesn't have the complexity and depth of "Groundhog Day" (which I recently saw described as "the most spiritual film of our time"), but as entertainment it's ingratiating and lovable.
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75Perhaps the biggest surprise of all is that the film doesn't resort to an easy cheat at the end. It plays things straight, and still manages to satisfy, making this one of Sandler's most appealing outings to date.
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75Funny, sweet and only mildly offensive.
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75As a comedy, 50 First Dates is standard Sandler, but as a love story it left me pleasantly buzzed, if not quite punch-drunk.
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70The unlikely sweetness of the story carries the day. What is most astonishing is the confidence with which the filmmakers push their premise to its logical conclusion, turning an ending that could have been either laughable or appalling into something so effortlessly heartfelt as to be nearly sublime.
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70Wing and director Peter Segal and Sandler and Barrymore have built a comedy around the thrill of first attraction, the sadness that comes from knowing it can't last, and the challenge of finding something in the heart to hang onto.
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70A chick flick for guys, with a pH balance in perfect equilibrium between the crass and the sweet.
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63A terrible movie by all reasonable standards -- yet it leaves a sweet taste.
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63I don't think 50 First Dates is a great movie, or a particularly funny one, but I admired its romanticism and its gentle plea for the acceptance of difference. Of how many romantic comedies can you say they are sweet and disturbing?
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63The plot -- it's inspired and ridiculous at the same time -- is best described as "Groundhog Day" meets "Memento."
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63For all the irrelevant silliness, though, the movie never loses sight of its romantic center, and the script doesn't cop out with phony miracles or sudden changes of direction.
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58A sweet but weightless and witless romantic comedy, Sandler is not only deeply unfunny, he's deliberately unfunny.
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50Although its goofy high-concept premise won't bear much scrutiny, it offers a less predictable ride than their first pairing, and lush Hawaiian locations to boot.
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50It's a kick to see the adorably sexy Barrymore back in relaxed form again after the "Duplex" debacle and that calamitous "Charlie's Angels" sequel. Right now, she's the closest thing to sunshine you'll find at the movies.
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50The movie's sole selling point turns out to be its sweetness. Sandler, Segal and writer George Wing obviously like all of the characters despite the constant ribbing, and Sandler and Barrymore are as cuddly as a pair of love-struck walruses. But only a sucker would get too close.
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50You can tell they're desperate when they unashamedly resort to showcasing cutesy sea-creature behavior. Sandler is a funny guy. Let him work for his own laughs. He doesn't need a puking walrus to prop him up.
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50The film repeatedly disappoints because Sandler and his director...have so little faith in focusing on the two characters' plight that they interrupts the romance repeatedly for vulgar, Farrelly brothers-style sexual and ethnic jokes that are so relentlessly unfunny they may not even rouse Sandler's core constituency of 12-year-old males.
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50A mildly pleasing romantic comedy, a trifle held together by Drew Barrymore's charm and a decent high-concept gimmick.
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5050 First Dates is working awfully hard to be romantic and not hard enough to be a comedy.
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50At each stage of the romance, the movie digresses with a series of swing-and-miss gags, often with an abusive twist.
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50Sandler's shtick is the main thing dragging down this otherwise pleasant romantic comedy, but he's come a long way since the crude, juvenile "Billy Madison" (1995).
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50So unself-conscious and breezy that you find yourself sailing along with it; its flaws become as negligible as harmless barnacles nestled well below the water line.
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50Dull and sappy, though anyone who finds Sandler dreamy should love it.
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50If you've never seen a Sandler movie, however, this isn't the one to start with. Proceed only if you're sure you like the guy.
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50Possesses an undeniable heart. The bad news is that it will still be buried underneath layers of stale Sandlerisms tomorrow, and the next day, and the next.
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42Sandler and Barrymore generate some believable, if low-voltage, chemistry: they're both so shallow and conceited and dingy that you think -- yes! -- in real life, these two people probably would go for each other in a second.
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40What do you get when you mix Adam Sandler with SPAM gags, a trained vomiting walrus, a wall-to-wall soundtrack of calypso covers of 1980s pop hits, and Rob Schneider in native-Islander brownface? You get a pretty crappy movie, but for one major mitigating factor: Drew Barrymore.
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40Schneider hams it up as a paunchy middle-aged Hawaiian stoner in an eyebrow-raising ethnic caricature that more than once calls to mind Mickey Rooney's unfortunate Japanese turn in "Breakfast at Tiffany's."
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40As Adam Sandler vehicles go, this isn't quite as dire as "Eight Crazy Nights," but any movie that has to fall back on Rob Schneider rubbing his nipples has some serious script issues.
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30Oscillating gracelessly between the coarse and the merely saccharine, 50 First Dates, directed with zero visual or comedic flair by Peter Segal (Anger Management, Tommy Boy), showcases Sandler's cuddlier side as it reprises the tepid chemistry that he and Barrymore road-tested in "The Wedding Singer."
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25It's hard to enjoy this when you're barraged by bathroom humor, animal stunts, and gags about a character whose memory loss is so bad he's called Ten-Second Tom.
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20The barf stream of gay jokes, pussy jokes, fat wife jokes, more gay jokes, and walrus penis jokes ends up making you pine for Lucy's gift of forgetting.
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20Has nothing going for it -- and much going against it.
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20The creepy subtext of his (Sandler's) behavior is something this crude, mirthless comedy tries not to notice.
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20Adam Sandler's 50 First Dates isn't just slovenly and smarmy but creepy.