- Studio: Columbia Pictures
- Release Date: Dec 9, 1985
- Critic Score
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88This is one of the most intelligent and compelling movie musicals in a long time - and the most grown up.
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75A classic play has been reduced a decent movie. It's a shame it couldn't be as good as the play; it's a small pleasure that it's as entertaining as it is. [20 Dec 1985]
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70Chorus often seems static and confined, rarely venturing beyond the immediate. Attenborough merely films the stage show as best he could.
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63Richard Attenborough's film version of the long-running Broadway musical hit A Chorus Line not only avoids the disaster that many had predicted for it, but is often surprisingly effective and enjoyable, transcending its troubled history. [20 Dec 1985]
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60Richard Attenborough's direction achieves that balance of impersonality and brisk pacing we've come to recognize as "professionalism," and he doesn't clog up the dancing with too many stylistic gimmicks.
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Attenborough has done what nobody thought possible - recreate a classic without raping and pillaging the original, though Chorus Line purists will find plenty to moan about. [20 Dec 1985]
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50Director Attenborough's film version has a couple of pleasant numbers which serve as oases amidst the dullness.
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50The film, though, lies dormant in its own decency.
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40In this stately and fairly slavish representation, directed by Richard Attenborough, what pokes through with the pain of a broken bone is how thin the material really is. [12 Dec 1985]
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38The stagebound setting gets boring; the action doesn't build a steady momentum; and the characters do far too much hanging around until the camera's ready to point at them again.
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30A Chorus Line is less a movie than an expensive souvenir program.
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25On film, Bennett's bouncing brainchild is Richard Attenborough's Workout Tape, love story attached; the specificity is gone. The 16 auditioning dancers could be any people or all people. [11 Dec 1985]
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10When director Richard Attenborough isn't mangling dance numbers, he's focusing on a love story expressed almost entirely by means of close-ups of moony faces and teary eyes. [12 Dec 1985]
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