- Studio: MGM Distribution
- Release Date: Jan 17, 2003
- Critic Score
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70Gets off to a rocky start as you try to rationalize Lees place in the plot, but it soon has enough surprises and funny moments to keep you watching to the end.
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63Never going to be remembered as a tying-the-knot screwball classic (it probably won't be remembered past March), but one could do worse.
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63Actually is a bit of a hoot.
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In her role as Becky the half-assed tiki girl, Stiles's left-footedness can finally be named, only one of the many pleasures tugging this girl-snatches-guy-from-altar comedy a notch above standard.
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58While it displays precious little originality or ingenuity, A Guy Thing is less graceless than most of its ilk and benefits from a likable cast.
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50Sometimes funny, often strained comedy.
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50You could do far worse in the current marketplace.
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50The formulaic mechanical plot machinations benefit greatly from the presence of the vivacious Stiles, gravely beautiful Blair and personable Lee, who radiates fundamental decency without seeming like a sap.
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40Transcends its video-box-shelf-filler pedigree only when it's actually indulging in guy stuff, mostly of the frat-boy, beer-commercial variety.
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40Does get slightly better as it goes along.
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I didn't buy half of the movie's scattershot gags, but the leads are sharp and the supporting cast sturdy.
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38The stars have little opportunity to engage their characters. The gang-written screenplay and Chris Koch's artless direction turn their scenes into a series of broad, overplayed comic sketches.
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38A pleasant, thin, hammerlocked movie about the pleasures of breaking free - it's the Cliff Notes version of anarchic classics like ''Bringing Up Baby'' or ''What's Up, Doc?'' Should you want to take the graduate course, you'll find those films at your video store.
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38You might believe that a movie comedy requires no visual rhythm, and that entire scenes -- especially those big set-pieces -- benefit greatly from a shooting style devoid of imagination and unremittingly flat. If so, A Guy Thing is surely your thing. Enjoy.
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30As middling comedies go, this is neither as smart as it ought to be nor as dumb as you'd expect.
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30Stumbles along laboriously, its jokes following one after another in a sloppy, flat-footed walk.
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30The three leads go through the motions with goofy geniality, and director Chris Koch has enlisted some consummate character actors -- to help hold up the sagging jokes and story line.
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25If you ever admired Julia Stiles, Selma Blair and Jason Lee -- and who didn't? -- don't watch them crush their careers in this laugh-free romantic comedy.
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25The bad thing about A Guy Thing isn't the talent of its stars but the warmed-over triteness of the material they're forced to work with.
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25There is humor in the familiar just waiting to be rehashed for new generations, and A Guy Thing surely isn't the last stupid leave-'em-at-the-altar film we're likely to see.
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25A childish, empty effort.
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25If ever a romantic comedy is going to fail at the box office, this is it. The movie isn't a guy's thing, a girl's thing, or anybody else's thing.
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25Jason Lee seems to have been bitten by a vampire who sucked out all his prickly charisma. You see the promise of stardom dribbling through his fingers.
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20Perhaps Lee took a look at the script -- saw all the jokes about diarrhea, pubic lice, drunk old ladies, and drugged gravy, and thought, "Why bother?" Looking at the final results, it's hard to feel any other way.
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20Most of the meager charms of the chaotic romantic farce A Guy Thing spring from the deft comic contortions of Hollywood's ultimate nerdy sidekick, Jason Lee.
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16Chris Koch exhibits little flair for comedic direction and, though this isn't saying much, you'd be better served watching his previous film, "Snow Day." Ouch.
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10For about 10 minutes, it works.
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10Tries desperately to lower the bar for scatological gags, rank sexual humor and cheap physical shots.
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0Designed as a disposable commodity, it's a film I'd dispose of with no further ado, except for what it says about minimum standards in a certain tacky niche of the movie business, as well as for what it suggests, in its lunkheaded way, about the perils that marriage may pose.
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