- Studio: New Line Cinema
- Release Date: Apr 4, 2003
- Critic Score
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70Diesel makes a violent bid to align himself with the Clint Eastwood-Charles Bronson-Steve McQueen tradition, but he lacks the charisma, emotional strength and humor to do so.
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63Yes, there's a hastily added new ending - an ending that doesn't make sense when you think about it. Not that it's worth the effort
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63Effectively paced and nicely choreographed, the fundamental letdown of the ending results in a mild sense of dissatisfaction.
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50The screenplay tries to paper over too many story elements that needed a lot more thought. This movie has been filmed and released, but it has not been finished.
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50Just another bloody cop thriller.
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50It's all fast and furious up to its draggy finale, and yes, it could spark a sequel. Prepare yourself for coming dread in 18 months: "A Man Together."
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50Directed by F. Gary Gray and written by Christian Gudegast and Paul T. Scheuring, the movie isn't even worthy of former NFL linebacker turned straight-to-video action figure Brian Bosworth.
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50A paint-by-numbers vigilante movie with the usual rogue cop, murdered wife and trail of vengeance.
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50Standard-bore action stuff, in which a macho stud superstar blows away lots of bad guys while struggling to make the world a better place.
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50Arnold Schwarzenegger, move over: Your dramatic replacement has arrived.
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50Diesel is good in the movie. He gets to dance, cry, romanticise…things we’ve rarely see him do in other movies. There are actually hints of a real actor there.
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50There's not a single moment when you wonder what might happen next or when the spectacle simply leaps off the screen. You've seen it all before.
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50Though it wasn't planned this way, it's an amusing exercise to view A Man Apart as an allegory for the war in Iraq.
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50While you're enduring the usual formulaic yada yada -- at least there are yuks to enjoy.
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The script for this action vehicle is like something you'd find under the cushions of Steven Seagal's couch, but Diesel, to his credit, digs into his role as if it were Hamlet.
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40The film works best when it's sticking to the guns and poses conventions of macho crime pictures. When it reaches for emotional resonance, the results range from unconvincing to ludicrous.
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40The problem with A Man Apart”is that there is just too much badass going on.
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40The film falls just shy of both Diesel and Gray's mark.
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40A Man Apart isn't awful, but it is almost reflexively rote, evoking countless other outlaw-cop films that are smarter, tighter and more fun.
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40A film that sometimes suggests "Traffic" remade as a brainless action thriller.
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38Sometimes, you can use a smaller devil to catch the Devil, the movie suggests. But in this case, the entire movie goes to hell in record time.
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38Violent and unoriginal actioner.
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As limited as Diesel's movie persona may be, the actor has been notable for projecting a certain gentleness and warmth. That, along with logic and any sense of urgency, gets lost here amid the longueurs of a tired vengeance plot.
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30Standard revenge shenanigans ensue, with more boo-hoo numbers from Vin, who ain't up to it -- he hasn't been this lame since, uh, ever.
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30A series of gun battles follow, none staged with quite enough verve or imagination to break through the pervasive torpor.
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It really should be arrested for impersonating an interesting movie.
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25It's a little early for self-parody in the career of Vin Diesel. But he's a calamitous cliché in A Man Apart.
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25It will be interesting to see whether audiences embrace Mr. Diesel's barely controlled vigilante as warmly as they embraced Clint Eastwood's swaggering "Dirty Harry" and Charles Bronson's nasty "Death Wish" characters a few decades ago.
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25Raises a few questions -- like just what were they thinking?
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25The film would be totally unwatchable without the very real charisma of Diesel.
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Sour, sadistic, and stale from sitting on the shelf since the pre-''XXX'' era -- an era I'm starting to miss.
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25There's a huge subplot that makes absolutely no sense at all and, in the end, the only thing the movie has going for it is Diesel's Neanderthal charm.
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User score distribution:
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Positive: 8 out of 17
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Mixed: 0 out of 17
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Negative: 9 out of 17
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Matt9underrate film from F. Gary Gray.. Tight action and suspence keep this film a cut abouve the rest