- Studio: Warner Bros. Pictures
- Release Date: Jun 5, 1998
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Andrew Davis, the director of "The Fugitive," one of the best thrillers of recent years, has added pace and heat and explicit sexuality to the material without whipping up phony excitement.
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80It has been sexed up, opened out, and finished off with a disappointing bang-bang climax, but it's still good fun.
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75I think it works like a nasty little machine to keep us involved and disturbed; my attention never strayed, and one of the elements I liked was the way Paltrow's character isn't sentimentalized.
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70The story has enough nasty twists and tantalizing clues for its ingenious mechanics to remain engaging.
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67I've seen far worse thrillers than A Perfect Murder, but the movie is ultimately more competent than pleasurable.
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63By the head-scratching dénouement, the "perfect" in the title seems particularly misplaced. How about Dial M for Muddle.
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60If the roller-coaster plot twists lose you, there's always the satisfaction of Douglas's take on a script rife with amusing double entendres.
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60A Perfect Murder begins better than it ends, and the pleasures it offers turn out to be more of a transitory nature.
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50There's nothing about this thriller to prevent it from soon becoming enmeshed in the memory with others in which Michael Douglas wears a starched collar and grits his teeth.
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Tasteful, chilly, and polite, it is foul play at its traditional best: Anglo-Saxon, urban, and upper class.
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50A Perfect Murder is more like a handful of anemic ice cubes floating in a lukewarm puddle.
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50Andrew Davis ("The Fugitive," "Steal Big Steal Little") has made a technically competent thriller that's not only thrill-less, but dull.
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50The dilemma in this Perfect Murder is its singular failure at creating a rooting interest for a character or situation.
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50The unsatisfying thriller A Perfect Murder is a triumph of style over substance, with style in this case winning only by default.
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50This is simply efficient, routine storytelling with a high gloss but an undernourished sense of character.
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40This film once again proves that Hollywood has apparently run out of original ideas and is forced to remake another classic film and, like most Hollywood remakes -- big surprise -- it SUCKS.
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40The trouble is, we don't really much care about this philandering billionaire glamour puss, who seems perfectly capable of taking care of herself. We don't care about her husband or lover either.
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38What the film lacks is suspense, surprise (the new ending is a dud) and passion.
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38A Perfect Murder has inexplicably managed to eliminate almost everything that was worthwhile about "Dial M for Murder," leaving behind the nearly-unwatchable wreckage of a would-be '90s thriller.
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30The picture's biggest problem is that no one is sympathetic.
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I HATE to whine, but if Michael Douglas is half as tired of playing yuppie scum as I am of watching him do it, then he must be napping on a regular basis by now.
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20All the surprises strenuously cooked up by screenwriter Patrick Smith Kelly and director Andrew ("The Fugitive") Davis can't overcome the movie's inability to make us care about any of its paper-thin characters.
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