User Score
8.3

Universal acclaim- based on 44 Ratings

User score distribution:
  1. Positive: 40 out of 44
  2. Negative: 2 out of 44

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  1. Jun 1, 2012
    10
    I loved everything about this movie. It's one of those movies that will confuse you by the end but after you go back and watch it again things start to make sense. It seems to be marketed as a horror movie but I would say it's more of a drama with some horror elements. Touching story, great cinematography, as well as a great musical score. I can't recommend this movie enough.
  2. May 29, 2011
    5
    The film risks a typical basic structure of the drama (the initial time to engage with the characters, and then walk the last of the story, as with the audience caring about what they are seeing). But the result was a flop, since all the first time in connection with the characters is undermined by horror without rhythm and just sprinkled in are mostly long shots, trying to build an atmosphere of tension, however end up leading to frustration. though the picture is beautiful, there are small moments of glory and the eruption of information at the end of the film quench doubts, the final feeling isn't as above average. Expand
  3. Nov 26, 2010
    8
    Beautifully crafted, this story stays with you. It's complicated, and it does take a few watchings, but everytime I was able to find a new clue. The unsettling and emotional ride is worth reading some subtitles.
Metascore
65

Generally favorable reviews - based on 19 Critics

Critic score distribution:
  1. Positive: 13 out of 19
  2. Negative: 1 out of 19
  1. Reviewed by: Derek Elley
    70
    It manages to suspend disbelief without over-taxing the viewer's patience, and boasts at least one terrific performance, by actress Yeom Jeong-ah as a scary stepmom.
  2. Awkward storytelling and spotty exposition reduce it to a string of rude shocks--not even the eventual denouement provides a lucid enough account of where this is all coming from.
  3. Either way, Kim's rather clumsily acted film remains monstrously effective ookiness, with crepuscular cinematography (by the Hollywood-destined Kim Byeong-il) that suggests a nightmare endured from inside a suffocating velvet pillowcase.