- Studio: Magnolia Pictures
- Release Date: Sep 19, 2008
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88In observing the reality of this relationship, Wang contemplates the "generation gap" in modern societies all over the world. His film quietly, carefully, movingly observes how these two people of the same blood will never be able to understand each other, and the younger one won't even care to.
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83A spare, controlled study in communication gaps and a piercing sketch of suburban American loneliness.
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80Rich in revealing detail and apt in its use of everyday Spokane settings, A Thousand Years of Good Prayers shows that Wang remains a master explorer of the landscape of the human heart.
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75An intelligent look at family dynamics set in a boring Washington State suburb where Bible-thumping Mormons come knocking on your door.
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Has a jangly, improvisational tone, with nuanced moments of humor and pathos.
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75The movie is almost willfully dull, for its real subject is everything we never say to our parents, or they to us.
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Wang's A Thousand Years of Good Prayers gives the impression of a director reborn, or at least a director who has his mojo back.
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Modest but moving, a finely observed portrait of a father/daughter relationship that will resonate deeply for many viewers.
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There's nothing earth-shattering going on here, but it's a film you'll want to befriend.
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70A gentle, pleasantly unrushed piece of moviemaking. There's a tonic simplicity to how it gets the job done, and if the film comes off as fairly conventional stuff, it nevertheless succeeds on its own modest, middlebrow terms.
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60Very little actually happens, since most of the time Mr. Shi sits alone in Yilan's empty apartment, wondering how to help her. But there's a gentle beauty in these long, anguished silences, and Wang and his actors make the most of it.
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50A quiet work with Ozu-like structure and concerns, but remains more an intellectual exercise than one from the heart.
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May leave you longing for a story to make you care.
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As in most of Wang's films, a memorable cast of characters compensates for a serviceable plot.
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42Most of the film isn't as willing to reach out to viewers, and most won't be willing to do all the work in order to connect with it.
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