- Studio: New Yorker Films
- Release Date: May 3, 2002
- Critic Score
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90Beyond giving a human face to Uganda's crises, Kiarostami attempts to capture the actual place, a swirl of contradictions as vibrant and beautiful as it is troubled.
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90You come away from his film overwhelmed, hopeful and, perhaps paradoxically, illuminated.
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88Lovely, heart-stirring film.
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80Kiarostami shoots Africa with an uncanny verisimilitude, coming close here to his idea of a "poetic cinema" indebted more to poetry and music than the theatrical novelistic storytelling tradition.
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80A gorgeous and surprisingly profound meditation on a place and its people.
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70It's a surprisingly uplifting experience, and in the end, unmistakably a Kiarostami film.
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70The emphasis in this surprisingly cheerful film is on the resilience of the living.
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70The film is only superficially superficial, and it grows in meaning and resonance as it progresses.
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50It's not enough for the film to show us a child's corpse wrapped in cardboard; we've got to step back to see Kiarostami himself shooting the sad sight, so that it becomes a Godardian ironic statement.
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50This documentary fails to grasp AIDS as a theme.
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50This slight but insinuating documentary by Abbas Kiarostami...will do nothing to advance or detract from the reputation of the acclaimed Iranian filmmaker.
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User score distribution:
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Positive: 2 out of 3
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Mixed: 0 out of 3
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Negative: 1 out of 3
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JasonP.9