|Sony Pictures Entertainment (SPE) | Release Date: December 6, 2002||CRITIC SCORE DISTRIBUTION|
The trouble with experimental comedies is that it's often impossible to figure out how to end them. But at least this one is intricate fun before it blows itself up. [9 December 2002, p. 142]
Adaptation, like "Being John Malkovich" before it, is far from a well-made film, even on its own flaky terms. But it's a brave, sometimes brilliant one, with a phantasmagoric ending, full of love and hope, that defeats prose description. Never was an adaptation more original.
I'm not turning cartwheels over Adaptation as energetically as my colleagues. Part of me -- and I'm thinking aloud here, I've likely been infected by Kaufman's comic self-consciousness, and also by his meta-comic impulse to draw attention to that self-consciousness, and probably also by his meta-meta-comic impulse to draw attention to drawing attention to his self-consciousness -- that -- that -- Read full review
Even at its best, Adaptation is one of the movie year's most esoteric outings -- more so than even Paul Thomas Anderson's far superior "Punch-drunk Love." Too smart to ignore but a little too smugly superior to like, this could be a movie that ends up slapping its target audience in the face by shooting itself in the foot. Read full review
The real joke is that the picture's most conventional elements, the superbly acted entanglement between the complicated Orlean and the boastful but unexpectedly thoughtful Laroche, would have made a compelling movie all by themselves -- if written by someone other than Charlie Kaufman. Read full review
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