The "uncanny valley" is a robotics/animation term that describes the subtle area between looking human and looking creepy. That's where Glenn Close resides in this film. She plays a woman who lives as a man to make a living in 19th century Ireland, but the peculiar makeup is never convincing. Ironically, Janet McTeeer, who also plays another woman-as-a-man, easily passes. If you look pass this technicality, you'll find a quiet, sad film about a quiet, sad person who's trying to cope with her unusual existence. There's a solid supporting cast and some enjoyable subplots, but the deliberate pacing prevents the film from ever building up much steam. Well-crafted in the "Masterpiece Theatre" style, but insignificant and predictable in the drama.… Expand

When men dress up as women in the movies, it is almost always in a comedy or farce; think Some Like It Hot, The Rocky Horror Picture Show, and Tootsie. However, when the situation is reversed and the film concerns women dressing up as men, the movie is habitually a drama bordering on tragedy: Yentl, Boys Don’t Cry, and Osama. Perhaps men trying to pass themselves off as women are just funnier and more outlandish, but the reasons behind it are usually not as urgent. In Albert Nobbs, Albert (Glenn Close) is the head waiter at an upscale hotel in 19th century Ireland. He appears to be middle-aged and has been passing himself off as a man since he/she was 14. His livelihood and future in the midst of immense unemployment and desperate surroundings depend on maintaining this deception. I use the pronouns ‘he’ and ‘his’ because nothing about Albert is female except for the some well hidden physiology. Albert is extremely adept at passing as a man. When he speaks at all, his voice is low. His hair is short, he is impeccably dressed, his manners are irreproachable, and he does nothing whatsoever to call any attention to himself. As any man-servant should be, he is invisible. Working in the hospitality industry is just a means to end for Albert though. He lives such a spartan lifestyle because he hoards his money underneath his floorboard to one day soon purchase a shop and become a respected tobacconist. He is close; he has identified the vacant shop, has planned its layout, and can almost feel the escape which will come when he is his own boss. Albert knows something is missing in his grand scheme though; he is lonely. In the beginning, he does not recognize he is missing anything important until he is forced to share his room one night with a man, Mr. Hubert Page (Janet McTeer). Through a contrived sequence, Albert is revealed as a female to Mr. Page and only later on learns Mr. Page is also a woman. Using what look like camera tricks and perspective shots, Mr. Page is a towering and bulky workman. He is also married to a woman. This bit of news tremendously confuses poor Albert. How is it possible for two women to be married to one another? It is obvious that Mr. Page and his wife are in a lesbian relationship; however, Albert would not even know what that word means. Albert comes across as asexual. There has never been a chance in his life to conceive of intimacy so all feelings and aspects of that persona just atrophied away. Now that Albert’s eyes are opened to the fact that there are women out in the world who are married to each other, he sets his eyes on the lowly but young and desirable chambermaid Helen (Mia Wasikowska). Helen knows just how pretty she is and becomes smitten by the newly employed handyman Joe (Aaron Johnson). Not only is Albert stunted in the intimacy realm of life, but his social skills are also not as fine tuned as the younger set who now aware of Albert’s infatuation with Helen, may try to use those feelings for their financial gain. While the story of Albert Nobbs is on the weaker side and not particularly engaging, the acting, specifically by Close and McTeer, is fascinating. There is a scene where Albert and Mr. Page try on some dresses and take a walk outside. For Albert, this is the first time he has worn a dress in probably 30 years. The immediate discomfort but growing acceptance and then utter joy on his face is a wonderful scene as he experiences some long repressed feelings while ecstatically running on the beach. McTeer’s performance is equal to Close’s in every way. She/he looks 100% like a man dressed up as a woman when he puts on that dress. The makeup department for this film is spot on, much better than J. Edgar and The Iron Lady. Even though they did not have to age the characters as those aforementioned films did, transforming two women into men so effectively as they do is worth the price of admission alone. Director Rodrigo Garcia, who happens to be the son of novelist Gabriel Garcia Marquez, is becoming known as the go-to filmmaker for involved and complex stories about women. He also directed Things You Can Tell Just by Looking at Her, Nine Lives, and Mother and Child, all recognized as thoughtful films with strong female leads. Glenn Close co-wrote the screenplay and brought with her a long experience of understanding Albert since she played him in the 1982 stage production. I recommend Albert Nobbs to enjoy the performances and to witness the forceful presences of Glenn Close and Janet McTeer and their convincing portrayals of the opposite sex. The story is not as compelling as one would wish for a period piece such as this, but it is nevertheless overshadowed by the acting.… Expand

Claustraphobic. There is a limited richness to this period piece but the film feels claustraphobic. Silas Marner does drag. The worst performance from Glenn Close. An incredible performance by Janet McTeer. Nearly two hours of boredom.

Albert Nobbs feels like a forgotten film, that was dusted off and pulled straight from the 90's (no offense to the 90's). The premise of a woman taking extreme measures to survive in the World is an intriguing one, but the writers, director (and whoever else had creative input) went absolutely no where with it. The love triangle was trite and the film itself was tonally void. The movie starts of well with establishing plot and character, but spirals down to blatant predictability, and something absurdly anti-climatic. Glenn Close seems to be heading for an undeserved Oscar nomination for her stiff performance as Nobbs 'himself', and an even worst nomination for the song she wrote for the film. I must admit McTeer did good work with what she was given, but the movie falls flat. It wasn't necessarily awful, but it was very unimportant, and incredibly ordinary.… Expand

It is designed to be a Glenn Close vehicle but Janet McTeer emerges as the real star. I wouldn't be surprised if, for this film, she becomes the Oscar winner that she should have been for "Tumbleweeds."

The two fascinating things to expect in this movie is the nomination-worthy act of Glenn Close and Janet McTeer, and the Make-up. Otherwise, the story is slightly drugging. You'll keep waiting if Close's character will finally turn into her real gender identity. movienotesbook.blogspot.com

Having for decades disguised herself as a man while working as a butler in a posh 19th-century Dublin hotel, a woman calling herself Albert Nobbs reconsiders her charade when a handsome painter arrives on the scene.

Do not waste your time or money. This sluggish and pointless movie is a waste of all the talents involved. Close gives a very internal and subtle performance, but she just looks odd with the make up and prosthetics

very disappointing movie. Story feels incomplete and unfulfilling. Could have explored era issues of cross dressing,gay marriage and second class women with far more depth and interest., Other plot line also shallow. Glenn Close for oscar Nomination .Not comparable to Meryl Streep in Iron Lady