Metascore
93

Universal acclaim - based on 12 Critics

Critic score distribution:
  1. Positive: 11 out of 12
  2. Negative: 0 out of 12
  1. 88
    Except for the Mozart music and Tharp movements around the edges, Amadeus plays like a monument to mediocrity. The movie belongs to Salieri.
  2. Reviewed by: Dave Kehr
    60
    It binds up introductory lessons in music appreciation, Freudian psychology, and fanciful history with a pulp thriller plot.
  3. It still soars, but now it seems richer, more expansive. Amadeus reminds us that movies can be lyrical as well as vulgar, ambitious as well as playful, brilliant as well as down and dirty -- just like Amadeus himself.
  4. 100
    Remains the most popularly successful film ever to render the inner life of an artist.
  5. One of the finest qualities of Amadeus is that it reminds us of those rare occasions when an Oscar sweep is actually merited.
  6. "Amadeus is about as close to perfection as movies get," I wrote in 1984. Now, it's 20 minutes closer.
  7. Reviewed by: Ted Mahar
    83
    The big-screen reissue offers a rare chance to admire the marvelous production details.
  8. In what was indisputably his finest moment as a filmmaker, Forman summoned the absolute best work of his craftsmen -- costumes, makeup, camerawork, production design -- and merged them with his own storytelling sense and his special way with actors to create what has to stand as cinema's most successful musical epic.
  9. Reviewed by: Tasha Robinson
    90
    The superbly edited original version of Amadeus used overlapping sound cues for a lively flow between scenes, and the new version breaks up some of that flow with lengthy, talky interludes. Still, Ondrícek's breathtaking images and Forman's essential craft are best appreciated on the big screen, and another theatrical run for Amadeus is a welcome gift, no matter how much this edition unnecessarily gilds what's already a near-perfect lily
  10. Amadeus needs an additional 20 minutes running time like "The Magic Flute" needs a drum solo. Though the production is gussied up with more frills and decoration than a Viennese dessert trolley, Forman is generally workmanlike in his visual style and very uneven with his handling of actors.
  11. Reviewed by: Staff (Not Credited)
    90
    Loaded with pleasures, the greatest of which derive from the on location filming in Prague, the most 18th century of all European cities.
User Score
8.5

Universal acclaim- based on 223 Ratings

User score distribution:
  1. Positive: 39 out of 45
  2. Negative: 2 out of 45
  1. Dec 14, 2012
    9
    This wonderful piece of historical-fiction brings to the table a variety of entertainment. Milo
  2. chw
    Jul 17, 2014
    7
    Amadeus was alright, although it was three hours. The first hour and a half was good, but the next hour was really boring, and the last half hour was alright, so that's why I rated it a 7. Full Review »
  3. Jun 10, 2014
    7
    Amadeus: 7 out of 10: Brilliantly filmed fictional account of the rivalry between Antonio Salieri (Well deserved Oscar winner F. Murray Abraham) and Wolfgang Amadeus Mozart (Tom Hulce in a daring performance).

    The costumes and settings are spot on as only great Hollywood historical dramas can pull off. (This is one place independent film doesn't hold a candle to Hollywood). With the exception of Elizabeth Berridge as Mozart's wife the supporting cast is excellent (especially Jeffery Jones who plays Emperor Joseph the 2nd like Martin Sheen playing a Kennedy.)

    The plot line of an old Salieri confessing to a priest how he turned his back on God after realizing the almighty gave Mozart not himself this divine talent is a wonderful and emotionally satisfying tool to hang the plot. Salieri is a wonderful protagonist as it is easy to identify with the jealousy one feels towards those to whom talent comes so easy and seems almost squandered.

    Besides Berridge's performance there are a few minor quibbles with the film. The music is very opera heavy and not terrible representative of either Mozart's work or some of the pieces that invariably made him immortal (It's a bit like doing a biopic of Beethoven and leaving out his 5th and 9th symphonies.)

    The movie is also bit long and drags some in the middle. In one scene during the performance of The Marriage of Figaro the Emperor yawns and Salieri goes into great detail how the number of yawns affects how long the opera will run. At 2 hours 40 minutes it saying something that Amadeus only rated one yawn from myself.
    Full Review »