- Studio: Sony Pictures Classics
- Release Date: May 19, 1995
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88Amateur is Hartley heaven, a sharp-witted thriller that takes off into dark and uncharted territory.
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80Just as quirky and idiosyncratic as the Gotham-based writer-director's earlier efforts, this one pushes the spiky humor a bit more to the fore while unfolding a tale loaded with offbeat oppositions and odd character detailing.
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75Amateur is a curious mixture of high art and delicious campiness, and the result is a funny, insightful, and almost-hypnotic motion picture.
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Amateur is a subversive action movie that uses lurid material for its own puckish purposes. [02 Jun 1995]
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Amateur offers the inimitable Hartley style with a harder edge than his earlier films, and while the thriller elements of Amateur prove entertaining on a bigger scale, this entertainment may not endure for viewers not completely committed to Amateur's characters and Hartley's slow-motion storytelling.
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63I found the idea of the plot more interesting than the plot itself, and am finding the movie more fun to write about than to see.
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Hartley gives us quirkiness in place of connection and usually forgets to put the thrill in the thriller, which is precisely what's endearing about this Amateur. [12 May 1995]
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58Amateur, the fourth film of American independent filmmaker Hal Hartley, is by far his best - though, in the wake of "The Unbelievable Truth," "Trust" and "Simple Men," that is, admittedly, not saying much. [05 May 1995]
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50The particulars of the plot don't make a great deal of sense, but Hartley's films have much more to do with style, or rather a philosophical refusal to show emotional involvement.
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40Hartley turns what might have been a lurid pulp thriller into a freeze-dried art thing. He squeezes all the juice out of pulp. [19 May 1995]
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Amateur is curiously monotone: a pulp fiction with all the pulp strained out. [13 Apr 1995]
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38Except for a few coups de style, Amateur is a screenful of cool nothingness. [05 May 1995]
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30If you can swallow one more amnesia plot and one more recycling of favorite bits from Godard's Bande a part, pressed to serve yet another postmodernist antithriller about redemption, this has its compensations.
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25Amateur gives the impression of a sloppy first draft. It begins with a splash, meanders until it reaches feature length, then ends abruptly.
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