Metascore
37

Generally unfavorable reviews - based on 34 Critics

Critic score distribution:
  1. Positive: 9 out of 34
  2. Negative: 11 out of 34
  1. Most of all, Earhart wanted to be able to fly free as a bird above the clouds, and director Nair and star Swank make her quest not only understandable but truly impressive.
User Score
5.9

Mixed or average reviews- based on 30 Ratings

User score distribution:
  1. Positive: 5 out of 7
  2. Negative: 1 out of 7
  1. Jan 10, 2011
    10
    This movie was superb. Hillary Swank and Richard Gere are terrific. Don't miss it. You will love it; it's low key film-making at its best. Why it received such low scores is beyond me. It is a 10 in my book. Full Review »
  2. ChadS.
    Oct 28, 2009
    3
    Her plane is slow. Amelia Earhart's Lockheed L-10 Elektra doesn't zip in the sky like the crates flown by test pilots in other aviation-heavy films such as Tony Scott's "Top Gun" and Phillip Kaufman's "The Right Stuff". The plane's relative lack of speed doesn't translate well to the screen, but this non-dramatic handicap could easily have been counterbalanced through a clearly delineated rendering of how air travel was far from routine during this era, in which each flight came fraught with the possibility of a crash. To set the stage of Earhart's crowning achievement(her solo flight across the Atlantic), "Amelia" should show, not just tell, about the unsuccessful attempts made by other female aviators, which ended in death. There's not enough midair tension to help illustrate historicity's dual nature of Earhart's piloting career, which ideally would have displayed her heroism, in simultaniety with evidence that backed the claims of her piloting contemporaries who disputed her competence. Since Earhart's professional accomplishments come off as surprisingly dull, the aviatrix's personal life; her marriage to G.P. Putnam(Richard Gere) and affair with Gene Vidal(Ewan McGregor), comes dangerously close to defining her. The sweeping musical score sweeps all the daredevil spirit out of her. It's a soundtrack better suited for a swoony, romantic woman of her times, not an iconoclast with steely ambition. The music turns Amelia into something she probably never was: soft. Childless throughout her marriage to the famed book publisher, the film, perhaps invents a maternal side for the pilot, who is exceedingly nice and motherly to Gene's son. The music reduces this trailblazing woman, as if "Amelia" was about the first stewardess to fly across the Atlantic. Full Review »
  3. WinstonLin
    Oct 28, 2009
    10
    Despite the reviews, Hilary Swank is STILL on my Oscar-watch.