Mixed or average reviews - based on 8 Critics What's this?

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  • Summary: Martin lives in Paris with Claire. Their relationship is at an impasse. When his mother dies, he must return to America to take care of her estate. But, unable to work through his loss, he flees to Tijuana, where he reunites with Lola, a young Mexican woman he once knew, who was close to his mother. He finds her at the Americano, a club where she dances every night. He quickly learns that to be with Lola is to confront the past. Expand
Score distribution:
  1. Positive: 3 out of 8
  2. Negative: 0 out of 8
  1. Reviewed by: A.O. Scott
    Jun 14, 2012
    Though not explicitly autobiographical, this film is deeply personal, and while the nature of cinema is very much on its mind, it rarely feels insular or self-conscious. Instead, it is wistful and nostalgic, and at the same time full of restless curiosity.
  2. Reviewed by: Peter Debruge
    Jun 12, 2012
    Though Demy's approach breaks no new ground, directorially speaking, Martin's personal journey finds a fresh angle on a universal piece of wisdom. Every mother's son believes he's the star of his own life; Americano captures that humbling moment where one realizes perhaps he has only been a bit player in his parents' story, not the star, as initially believed.
  3. Reviewed by: Farran Smith Nehme
    Jun 15, 2012
    The film's first half has a lovely feel for how bizarre California must seem to foreigners, and there's a piercing sense of the stop-and-start ways that people deal with grief.
  4. Reviewed by: Melissa Anderson
    Jun 12, 2012
    Americano, which Demy also wrote and stars in, is an ambivalent, occasionally touching work of homage to his parents, yet one whose clumsiness only underscores the superiority of their directly quoted films.
  5. Reviewed by: Scott Tobias
    Jun 13, 2012
    Peel away the many layers of reference, and all that's left of Americano is the raw need of a lonely, confused young man who's distant from his family, awash in vague memories, and struggling to find himself. This is less a movie than a patient for pop psychologists.
  6. Reviewed by: David Fear
    Jun 12, 2012
    Becomes a clumsy gringo approximation of something else. In this case, it's the old respectable-man-obsessed-with-fallen-angel cliché, which Demy fils tweaks with broad melodramatic strokes and Freudian flotsam, as well as a complete lack of focus or storytelling chops.
  7. Reviewed by: Joe Neumaier
    Jun 14, 2012
    Scenes of the director as a school-age boy in a Varda film are haunting, but end up simply sparking a desire to see Varda's work.

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Score distribution:
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  2. Mixed: 0 out of
  3. Negative: 0 out of