User Score

Generally favorable reviews- based on 214 Ratings

User score distribution:
  1. Negative: 45 out of 214

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  1. Apr 3, 2012
    Dumb movie. The ending was hilariously stupid. Tom Hanks and that hair deserve to be thrown away. I could care less about this complex piece of dung. No angels could save this disaster of a movie.
  2. Nov 16, 2013
    Angels & Demons is pure hell to watch.
    A very poor adaption of a good book. The plot holes are painfully prevalent, and Tom Hanks can't save the terrible script he is handed. The movie has artificial suspense leaving viewers without a care for whats going on. By the ending you will have no idea why or how any of the prior events happened, and for that reason the film fails.
  3. Feb 4, 2014
    This is the only film I have ever walked out of. Sat there confused by what the hell was going on we struggled to keep up with it and had to keep turning to each other to ask why and what had just happened. We walked out just as a helicopter exploded. It was the final straw in a ridiculous and hideous film.
  4. Feb 19, 2012
    This review contains spoilers, click expand to view. I have read the book and I was excepting a thrilling movie. I am completely disappointed, I wanted more I got less. So many basic elements have been skipped. They tried to give action and rush but for me they totally failed. The movie has no pace. I wouldn't recommend this movie. Expand
  5. Mar 30, 2012
    Angels and Demons is not comparable to The Da Vinci Code. Everything that made the Da Vinci Code good was lost in Angels and Demons. The story was incomprensible with acting that seem that they were going through the motions. Huge disappointment.
  6. Jun 15, 2014
    This review contains spoilers, click expand to view. Angels and Demons: 3 out of 10: Clearly something bad has happened to Ron Howard. I don't know what exactly, but something has gone very wrong.

    Howard has always been a decent workman director. While he will never be mistaken for an artistic savant both Cinderella Man and Apollo 13 were excellent films, Parenthood was pretty good and even Angels and Demons prequel/sequel The Da Vinci Code was a fun romp. In addition none of his films have been downright awful. (Note I have seen neither How the Grinch Stole Christmas nor his newest film Heidi Montag Says No to Plastic.) Whats more Howard managed to hold this quality is such devise genres as star driven Oscar bait (A Beautiful Mind), star driven costume drama (Far and Away), star driven revenge fantasy (Ransom) and comedies about prostitution and mermaids (Night Shift, Splash).

    Angels and Demons is at its center a poorly directed and shot film. Scenes are too dark, camera angles are all wrong, the actors block each others shots and the whole affair is often out of focus. This makes the telling of an already confusing story even more muddled.

    Dan Brown gets picked on a lot but I found The Da Vinci Code a fun readable romp (so sue me). The movie version of the Da Vinci code kept the same where are they going to next vibe of the book and added an attractive cast and attractive location shooting.

    Angels and Demons however takes place in the claustrophobic confines of Vatican City and since Howard wasn't allowed to film in many of the real locations we end up with a lot of running around a CGI back lot. The entire film is as if Rick Steves did a Vatican City special and instead of actually visiting the Holy City and pointing his camera, Rick had to use Lego bricks and a second hand art book with all the **** erased.

    While the Da Vinci code had what I still think is an intriguing central mystery (again sue me), Demons and Angels story consists of a plot by the Illuminati (roll eyes now) to destroy the Vatican. Their idea was to take positions in schools for the deaf around the world and raping every student in the ass repeatedly. Oops my bad; apparently the Vatican doesn't need any help on that one.

    Anyway their plan is to infiltrate Europe's Large Hadron Collider, kill the head priest, and steal three vials of Anti-matter. This begs more than a few questions. Can the Hadron Collider create anti-matter? Can you capture the anti-matter once created? Why is the EU collecting it? (Perhaps they fear a Godzilla attack?). Why is the head of Anti-matter gathering a Vatican priest? Now once they get the anti-matter they are going to use its incredible destructive power to take over the world… no just kidding; unfortunately the Illuminati haven't quite grasped that Pinky and the Brain level of sophistication just yet. Instead the current pope has just died and it's conclave time. The top seeded cardinals for the final four pope tournament are all kidnapped and the Illuminati are killing them one by one Seven style. They being good sports however are leaving clues at every murder like some Latin themed Riddler. Oh and the last kidnapped Cardinal has the anti-matter and if he isn't found in time Rick Steves will have to go straight to Venice next year to see decent frescoes. If only there was some Latin themed Batman to save the day…? Okay the story is truly awful and it is poorly told, but maybe this is one of those films saved by great performances. A true character study… (Okay you know where this is going). Tom Hanks gives an incredibly wooden performance and simply looks awful (he is also to old to play the character by about twenty years. ) his love interest Israeli actress Ayelet Zurer has zero chemistry with either Hanks or the screen. Ewan Macgregor plays the Pope's personal assistant/cabana boy as an Irish man who looks like he is about to break into a musical number at any moment providing no one steals his Lucky Charms.

    On the plus side Stellan Skarsgård puts in a fine turn as head of Vatican Security and as far as we know no deaf children were raped during the making of this film which puts it ahead of its Vatican critics in at least one area.

Mixed or average reviews - based on 36 Critics

Critic score distribution:
  1. Positive: 10 out of 36
  2. Negative: 3 out of 36
  1. Reviewed by: Deborah Young
    Plucking the same violent, occult strings as "Da Vinci" while avoiding its leadenness, Angels keeps the action coming for the best part of 139 minutes.
  2. Reviewed by: Todd McCarthy
    Less turgid and aggravating than its predecessor, this cleverly produced melodrama remains hamstrung by novelist's Dan Brown's laborious connect-the-dots plotting and the filmmakers' prosaic literal-mindedness in the face of ripe historical antagonisms, mystery and intrigue.
  3. Reviewed by: Kim Newman
    More entertaining than "The Da Vinci Code," but still tosh.