- Studio: Miramax Films
- Release Date: Nov 15, 2002
User Score
7.9
out of 10
Generally favorable reviews- based on 39 Ratings
User score distribution:
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Positive: 32 out of 39
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Mixed: 0 out of 39
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Negative: 7 out of 39
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CraigB.Jul 8, 20048
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HasanH.Jan 5, 20033It is obviuos that the reason that ararat is shot is propaganda and spread hatred.
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JohnC.Nov 30, 200210Perfect. Riveting. I never got up for popcorn.
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IanA.Dec 4, 20029A must see movie. Egoyan deserves an Oscar nomination.
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ChristopherN.Apr 16, 20038Egoyan is a brillant filmmaker, but he gets tangled up in this film. Not his best, and clearly not his worst work. An interesting look at a sordid historical event.
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DanielF.Jan 16, 20040It is a propoganda movie twisting historical facts and an atomic bomb against the dialogue between the turkish and armenian nations. An anti-turkish scandal... On top of all, A diplomat killer terorist is presented a hero. An insult against both nations.
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MouniaC.Jan 16, 20042A horrible propoganda which is made to hurt the feelings of the turkish nation by showing tham as horrible monsters. The historical truths are completely ignored. Ottoman army is shown as invaders in their own land and a rebellion movementin an empire is presented as an invasion. The violance scenes are pumping hatred against a nation which soon overthroned the ottoman empire. Humiliating...
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AnichkaV.Jun 16, 200510Yes, we must remember the past and doesn't matter how sad and devastating it kwas. the Armenians had this loss and let the world know about it.
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BerchP.Nov 15, 20029
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AlexL.Nov 30, 20029
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AnnO.Dec 19, 20029Ararat is a rich, informative, compelling film. It is composed of layers that say much about the effects of global, family, and personal history...and about the six degrees of separation between us. Bravo Mr. Egoyan!
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MartinDec 3, 200210
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PatC.Dec 19, 20037This story needed to be told, and was told proficiently. I can sympathize with the Armenians, but the movie didn't really give me a reason to care about them. And there are ample reasons in their compelling history. I always see Egoyan movies because he always has something to say. Sometimes he could say it better.
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A.W.Feb 22, 20032Unfortunately, this movie is a grave failure. Filmic strategies that worked brilliantly in his early works like Calendar, just leave me bored, insulted and detached from the history, the relationships in the story, etc. A big disapppointment.
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DanielA.May 14, 200310I think this movie is great, because they tells the truth, this happend in 1915.
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DavidK.Jan 16, 20043C'est un film indigne de M. Egoyan. Je suis vraiment decu. Le cote artistique est masquee par le souci de faire la propagande. Les faits qu'on nous presente comme des faits historiques sont manipules par souci de creer un opinion publique. Dommage...
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HeghineK.Dec 8, 200410This movie is not just a movie, It tells the true dramatic story of Armenians_the Genocide of 1915. The world knows that...
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Partev K.Nov 15, 200210Very impressive.
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AngelaA.Nov 15, 200210As an Armenian teenager i am so proud of this movie. it really makes a point to all the turks that took s many inoccent lives in 1915. i give much credit for Egoyan. im proud to say that i am an Armenian. the movie was very touching but full of meaning. i am represent arshag dicranian armenian school and thanks you egoyan for this great film.
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MarcG.Nov 16, 200210Very eye-opening experience! It really relates to our history and what we have gone through. I felt that this movie had a deep meaning and it really touched my heart. It's a must see!
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LeoN.Nov 16, 200210Finally. Thanks a lot to Mr. Egoyan for making this film because it is time for the world to understand the kinf of people Armenians really are, and where they come from... Plus finally let the truth be seen.
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TeniZ.Nov 18, 200210A great film!! It's about time our story was put on the big screen.
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TinaBNov 25, 20027
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TinaBNov 25, 20026
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60Though typically engaging, Ararat occasionally suffers from what's previously been a virtue in Egoyan's filmmaking. His distancing techniques, rather than sharpening his ability to deal with a subject that lends itself to high emotion -- sometimes just seem distancing.
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80Expresses with uncommon power the highly relevant issue of public indifference to genocide, which is especially well dramatized by a scene with Elias Koteas as an actor playing a Turk.
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63Has its moments -- and almost as many subplots.