- Studio: Screen Gems
- Release Date: Jul 9, 1999
User Score
6.8
out of 10
Generally favorable reviews- based on 12 Ratings
User score distribution:
-
Positive: 10 out of 12
-
Mixed: 1 out of 12
-
Negative: 1 out of 12
Review this movie
-
Your Score10 out of 10
-
Please sign in or create an account before writing a review.
-
-
Submit
-
Check Spelling
-
Characters remaining: 5000 out of 5000
- User score
- Most active
- By date
- Most helpful
- Most Clicked
-
GilbertNov 20, 20028Great thriller - have to take issue with Ebert, the ending is the best thing about it. Probably best if you disengage your brain, or your Brian, but watch it anyway.
-
-
EloiP.Mar 29, 20029Definitely worth seeing. It creeps up on you like few thrillers have done recently.
-
-
JeremySep 29, 20038A criminally underated film that is well-made, realistic, and very well acted. Yet critics panned the film, despite the fact that it was unconvential and took risks: What do they want, more Double Jeopardy's?
-
-
GerronKOct 4, 20048A absolutely visually disturbing film with a horrifying performance by Tim Robbins, this film deals with the issue of terrorism wonderfully. Although its a Hollywood method of terrorism, the ending is spectacular and is probably one of the best endings of this year.
-
-
PaulW.Mar 22, 20081
-
-
GabeT.Mar 27, 20026Despite plot inconsistencies, Mark Pellington's paranoia thriller succeeds by being a smarmy, sneaky little b-thriller. What keeps this above the usual genre trash is a strong turn by the reliable Jeff Bridges and creepy performances from Tim Robbins and Joan Cusack.
-
-
KeithC.Jan 28, 200610Very well written. You think the hero may actually save the day and they pull the rug right out from under you...Incredible twist.
-
prev
next
Page:
- 1
-
70Though a thematically ambitious and deftly acted thriller, the film is also shockingly coldblooded and not a little reactionary.
-
80An intelligent, insidiously plotted Hitchcockian thriller directed in souped-up, modern expressionistic style.
-
70If you don't ponder too much the script's muddled, self-serving influences, Arlington Road succeeds at discomforting a viewer and making one apt to look over one's shoulder for a day or two.