- Studio: New Yorker Films
- Release Date: Feb 14, 2007
- Critic Score
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100As demonstrated in his previous film, a plangent snapshot of subsistence called "Waiting for Happiness," Sissako is a poet, and the filmmaking in this new picture is stuff of a deserving laureate.
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100The serious accusations are leavened by the moments of brimming, illogical, intimate neighborly dailiness the filmmaker also captures with warmth and infectious high spirits.
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100One reason Bamako feels like a blast of sanity is that the theoretical debates about the state of the world, particularly Africa and more particularly Mali, are only half of its agenda. The other half, broadly speaking, is the life of everyday Africans.
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90Bamako is something different: a work of cool intelligence and profound anger, a long, dense, argument that is also a haunting visual poem.
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88Sissako has an unusual camera eye, patient and alert to the ebb and flow of both the courtroom sequences and the outside scenes. The music is wonderful as well.
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88Never mind Hollywood's big-star, big-budget hand-wringing about Africa - Bamako is the real thing.
User score distribution:
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Positive: 2 out of 3
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Mixed: 1 out of 3
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Negative: 0 out of 3
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KenG4
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AndrewB.6
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ChristosT.10