- Studio: Pathé Contemporary Films
- Release Date: Nov 30, 2001
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90Because Bay of Angels reveals rather than moralizes, because its concerns are character and psychology, it's a potent showcase for Moreau's gifts.
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80Most of all, it's an early chapter of Demy's courtship with the provincial France of his youth, with the most bewitching generation of French actresses, and with movies.
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75Seen through Demy's eyes (and Raoul Coutard's shimmering black-and-white photography), their extravagance is so effortlessly cool, you feel somehow lucky just to be there with them.
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75Great pleasures.
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70Demy's films are often described in terms of music; this one is more like a tango in which one person leads and refuses to forfeit the position.
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50The title of the film is most unfortunate because it gives no indication of the film's stark theme. Moreau is good as the disenchanted woman, but Mann is less effective.