- Studio: Sony Pictures Classics
- Release Date: Jul 8, 2011
- Critic Score
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100Poignant and powerful, complex and melancholy, the film ends with rehearsals for yet another money-grubbing comeback tour.
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Jul 5, 201190Despite the passive-aggressive bickering, Beats, Rhymes & Life is not, thankfully, hip-hop's "Some Kind of Monster."
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88The best material, however, keeps returning to the unstable power dynamic between Q-Tip and Dawg.
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83Showing the uneasiness of a first-time documentarian, Rapaport has a difficult time exploring the drama. That has extended beyond the movie itself and into a long-running media dispute with Q-Tip, who has refused to plug the movie.
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83Beats is a welcome blast of '90s nostalgia, taking us back to a time - and a sound - that pulsates with optimism.
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Aug 6, 201180Thanks to a particularly even-handed job by director Michael Rapaport, the story emerges as compelling, even for non-fans in the audience.
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Jul 13, 201180Like "Anvil!," Sacha Gervasi's 2008 documentary about two lovable, bickering metalheads, Beats, Rhymes & Life is a music documentary with a buddy-movie heart.
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Jul 9, 201180The actor Michael Rapaport (Brad Pitt's roommate in "True Romance"), in his feature directorial debut, does an admirable job recounting the group's formation and dissecting its dissolution.
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80Even those who never joined the cult of A Tribe Called Quest will find this clear-eyed chronicle of their career irresistible.
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Jul 7, 201180It is at its most vibrant when re-creating the energy of Tribe's original moment in the late '80s and early '90s, when the musicians brought a spirited, playful artfulness to the sometimes drearily self-serious world of hip-hop.
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75Despite accusations of nearly succumbing to spotlighting beefs over beats, the film comes off as an honest representation of a great group that's not to be forgotten.
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75A combination of timing, access, a visual aesthetic that reflects ATCQ's Afrocentric "surface philosophy" (as the crew's look is described) and, most importantly, story-conscious editing elevates the doc above the norm.
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Jul 21, 201175The lines are drawn early on in "Beats," which is surprisingly tense and combative given the overwhelmingly positive and playful music in the band's catalogue. But that makes what could have been a sappy, fanboy loveletter a compelling look at the group's inner workings.
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75On the one hand, welcome to the music business. On the other, if A Tribe Called Quest can't stay together who can? It's a worry that eventually gets at the eccentricity of both the music and the movie.
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75Tribe superfan Rapaport doesn't fawn, but he juggles too much, and the ending feels pat. It's still an outstanding effort, and one of the more honest band biopics in recent years.
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Jul 14, 201170Rapaport keeps things lively with a hip-hop-tinged aesthetic, shuffling rhythmically between old and new footage. However engaging, though, the visuals have little to say about Tribe's legacy when compared with the original score, contributed by the great producer Madlib.
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67White couldn't stay away, and neither can the band's legions of fans, who bop up and down in sold-out arenas at the reunion tour that provides the film's hopeful coda.
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65Perhaps because he's an actor, Rapaport prefers drama to analysis. And this story has plenty of conflict.
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63It continuously feels less like straight-up reportage and more like a fan film, one built on equal parts idol worship and wishful thinking.
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63A must for hip-hop heads. Others will either be won over or left wondering what all the fuss is about.
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63Even as an "18 months later" epilogue ensures us that everything's hunky dory, this is one surprisingly grim celebration of a group Rapaport obviously loves.
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Jul 2, 201160Though it may not have much of an audience beyond the band's fan base, it offers enough context to serve as a primer on the hugely influential Native Tongues clique and should have life on home-vid.
User score distribution:
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9
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A good watch for someone who doesnâ
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8