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38Formulaic romantic junk.
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38Overall, Graham and Perabo have so little to do that it's hard to imagine why Maggie has three daughters instead of one; they just clutter up her screen time. As to Perabo, she seems to exist for the sole purpose of making risque remarks, and the family dog has more memorable moments.
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33This slapdash, charmless, baldly boomer-chasing romantic comedy, directed by Michael Lehmann (Heathers) from a clunky, orgasm-obsessed script by Karen Leigh Hopkins and Jessie Nelson, is the lazy studio's answer to a call for more age-appropriate entertainment for "More" magazine readers.
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With a lazy, cliché, rabid plot and paper-thin character development, Because I Said So might as well have been directed by a trained chimpanzee.
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30What the filmmakers try to play for laughs -- a mom and her daughters chatting about orgasms while shoe shopping -- isn't funny, it's creepy.
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30Throughout most of her career Diane Keaton has shown sound instincts, so it's a mystery why she failed to sniff this false, brittle comedy out as a waste of her gifts.
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25The search for true love is the backbone of romantic comedy as well as the lifeblood of match.com, but this film's clumsy, completely inauthentic portrayal of it is handled in a shockingly tedious fashion.
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25Thirty years after "Annie Hall," the beloved actress is scraping below the bottom of the barrel with this desperately unfunny farce, in which she mugs and pratfalls in the worst performance of her entire career.
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25It's a dreadful exercise, tin-eared and sincere, bereft of any truth or inspiration.
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25It's so derivative, unfunny and thuddingly bad that it's one of the more cringe-inducing movies of a genre chock-full of clunkers.
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25A sloppily made bowl of reheated chick-flick cliches.
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25The film drags by, charmlessly, endlessly. Shrieking.
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25A 105-minute cringe-a-thon that reduces the Katharine Hepburn of her generation to a sitcom harpy presiding over a brood of Valley Girl chicks.
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25As close to perfectly unwatchable as it can be.
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25I hope Keaton doesn't begin to make a specialty of these roles. They play into what is least attractive in her repertoire – the loosey-goosey, knockabout side of her that all too swiftly devolves into hysterics.
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25It's hard to imagine how the movie year could possibly produce a more annoyingly stupid movie. It's so witless, broadly played and insulting to anyone's intelligence that it's almost as offensive, in its own way, as "Jackass: The Movie."
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25Watching this movie, with Diane Keaton cast as the ne plus ultra of irritating, overbearing mothers, is roughly the equivalent of listening to fingernails on a chalkboard for nearly two hours.
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20By far the most appallingly cretinous picture in which Keaton has ever appeared.
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20It's tempting to write off Because I Said So as just another dumb, bad comedy, made yesterday and forgotten tomorrow. But no matter how negligible this particular picture is, it's time to look a little deeper. If these are the only kinds of roles we can conceive for actresses who have grown into their faces, as Keaton has, it's no wonder so many younger performers are seeking the knife.
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20Not so much phoned in as it is auto-dialed with a text-to-speech prerecorded message in one of those creepy robotic voices.
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0This film bespeaks a truly startling mistrust of the movie audience, and, what's more, a disrespect for the feature film medium. Yes, of course it was conceived as an unpretentious entertainment pitched mainly to girls and young women. Yet that doesn't explain the nightmarish quality of the finished product.