User Score
7.3 out of 10

Generally favorable reviews- based on 18 Ratings

User score distribution:
  1. Positive: 15 out of 18
  2. Negative: 2 out of 18

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  1. TracyR
    Mar 7, 2005
    5
    Too fluffy. And honestly, as good as Bening is here, I started to feel badly for her. Too much work for too little reward.
  2. [Anonymous]
    Apr 30, 2005
    8
    Solid performances and great script.
  3. MariaE.
    Feb 3, 2005
    2
    Bening's laugh all the through the movie even at really inappropriate times was really, really annoying. The movie didn't go anywhere. It was tiresome.
  4. SergeM.
    Nov 15, 2004
    9
    I really enjoyed this movie.. wonderful acting by annette bening.. she is a delight to watch in this one (reminds me of her great role in american beauty)... at the same time the adaptation of the somerset maugham novel is quite well done (very faithful to the novel)...the sets are really well done.. i think this one was filmed in hungary and it really does work in taking you back to pre WWII england...the climactic scene (you'll know it when you see it) is absolutely spectacular. highly recommended. Expand
  5. JeffL.
    Nov 28, 2004
    9
    Annette Bening gives a glorious, Oscar-worthy performance in this smart, witty, and very entertaining adaptation of W. Somerset Maugham's novel "Theater," about an aging British actress (Bening) in 1930's London who finds a new lease on life after falling into an affair with a manipulative young American (Shaun Evans). But even as she discovers his true colors, Julia is determined to have the upper hand. Ronald Harwood, who wrote two other fine films about performers (The Dresser and The Pianist), adds another distinguished script to his list of credits, while Hungarian director Istvan Szabo (Mephisto, Sunshine) purportedly was inspired by the work of the great Ernst Lubitsch (The Shop Around the Corner, Ninotchka, To Be or Not to Be, among numerous works of genius). The supporting cast is also terrific, especially charming Jeremy Irons as Bening's husband ("the handsomest man in England") and the criminially underrated Juliet Stevenson (Truly Madly Deeply, Bend It Like Beckham) as her hilariously tart-tongued yet devoted dresser. But make no mistake, this is Bening's film from the start. She can be bitchy, sexy, vain, pathetic, vulnerable, and vengeful, often in wonderful combinations. In some ways, she is a warmer variation on Margo Channing, the character played by Bette Davis in the matchless stage drama All About Eve. Bening has done spectacular work throughout her career (The Grifters, Bugsy, American Beauty), but this may be her finest-ever moment on the silver screen. Aspiring actors and all theater buffs should find special joy therein. Expand
  6. MarkB.
    Feb 19, 2005
    9
    Pure, sinful deliciousness from beginning to (near) end. Ronald Harwood's uncommonly witty account of the personal, professional and romantic challenges of an aging stage star in the 1930s, stylishly directed by Istvan Szabo and given a ravishing production that rivals the stunning period work in The Aviator and Kinsey, this plays like All About Eve would've if Margo Channing had been pulling all the strings. While leaving room for plenty of terrific moments for its entire cast, especially Jeremy Irons as the spouse with whom Julia has, let's say, an "agreement" with, Miriam Margoyles as a patron with, let's say, more than a professional interest in Julia, and the wonderful Juliet Stevenson as Julia's critical but loving assistant, Being Julia gives Annette Bening the role of a lifetime (no small accomplishment considering that said lifetime includes perfect performances in Bugsy, American Beauty and much more). She responds with the performance of her and many other performers' lifetime; gloriously over the top but always recognizably, touchingly human, her Julia is alternately and simultaneously calculating, shrewd, vain, ruthlessly manipulative, hugely vulnerable and tremendously sympathetic. When her career and personal life are threatened, you feel for her and want to stand up and cheer (I nearly did, but controlled myself) when she starts to regain control, and yet she carries out her objectives with such singleminded focus that it's almost possible to feel sorry for her adversaries for even daring to think they could cross her path. (ALMOST, I said.) I won't complain at all if Hilary Swank achieves her second Best Actress KO against Bening; I loved Million Dollar Baby and she's terrific in it, but she's playing somebody you're almost immediately predisposed to like and admire; Bening has the far greater challenge pulling off a character who encapsulates every possible color and shade in the spectrum. Besides, in an industry where Harrison Ford, Sean Connery and Michael Douglas can pull down obscenely huge paychecks for playing action or romantic leads year after year until they reach George Burns' age, despite notorious box office flops for each of them, and Kathleen Turner is relegated to Baby Geniuses after one or two career missteps, a victory for Bening (partially due to the nature of her role and what it says about women in show business, now as then) would, along with Virginia Madsen's incredibly gratifying comeback in Sideways, be a hugely welcome triumph for ALL older actresses. Whether this occurs or not, Bening and Being Julia are wonderfully sophisticated fun marred only by the tiniest unnecessary note of uncertainty and ambiguity in the final seconds. C'mon, Ronald and Istvan: why do or say anything to question what a marvelous thing it truly is to be Julia? Expand
  7. EgyC.
    Dec 15, 2006
    10
    That's one of the greatest films I've ever seen. Annette Bening is excellent and we can't forget that Szabo Istvan is anexceptional director.
  8. MMiddle
    Aug 15, 2006
    2
    tedious, utterly implausible farce, irritating even as a period piece.
Metascore

Generally favorable reviews - based on 38 Critics

Critic score distribution:
  1. Positive: 28 out of 38
  2. Negative: 0 out of 38
  1. Suggests a cross between "Sunset Boulevard" and "All About Eve." The suggestion, alas, doesn't go very far, but Bening's performance approaches the pantheon.
  2. 50
    Hungarian director Istvan Szabo (Sunshine) overplays his hand and traps Bening in a role that's all emoting, no emotion.
  3. Reviewed by: Todd McCarthy
    60
    A minor affair, a confection based on dalliances and the way a set of sophisticated theater people handle them, that lacks true distinction.