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80Brave and admirable for the trust that it puts in a viewer's intuition and willingness in going along with it right through to its rewarding finish.
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78One glance at the cast should be enough of a recommendation for any film lover -- it's Winger's first time on the screen in seven years, and Howard deserves a nod or two if only for getting his wife back in front of the camera where she so clearly belongs.
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75There's a sass and bite to Winger's acting, a grinning intelligence, unabashed sexiness and total immersion that make her one of the movies' few hipster female stars.
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75It's an impressive movie, pointing to Howard as a promising new director.
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75Too long (and it sure ain't taut), but it brims with passion.
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75It's messy, but in the end satisfying, a film worth making, a journey worth taking.
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70It's made with an accurate and loving, but also wary and squinty-eyed, view of the South. If only the movie hung together better overall.
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70Constantly touching, surprisingly funny, semi-surrealist exploration of the creative act.
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67It's frustrating and still oddly likable.
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60Held together by the blues -- Brown's prose and Howard's performance, Big Bad Love is a mess, but it's a sincere mess, beautifully shot by Paul Ryan and faithfully adapted by screenwriter James Howard.
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60A flawed and overlong but ultimately affecting account of one man's struggle to regain control of his life.
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58Howard luxuriates in writerly misery as Barlow, and the participation of the filmmaker's real-life wife, Debra Winger, as Barlow's ex gives the scenes between the two of them an unfakeable erotic charge.
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50It all comes down to whether you can tolerate Leon Barlow. I can't. Big Bad Love can, and is filled with characters who love and accept him, even though he is a full-time, gold-plated pain in the can.
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50Has a secret weapon in Winger, whose part is small but crucial. Looking a bit older and with redder hair than previously, she brings an earthiness to a movie that could use a lot more of that quality.
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Brown, is a good enough actor and director to keep the film afloat for long stretches.
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50The cast is so oddly interesting you wish you could see them doing something less wasteful
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50The film's few saving graces include Dickinson's sardonic southern belle; Winger's welcome return to the screen after a five-year absence; and Howard's voice-over readings of Brown's powerful prose, which ultimately saves the film from itself.
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50Beneath its stylistic and structural quirks, Big Bad Love -- is a self-indulgent celebration of self-indulgence.
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40I don't know if Howard had fun directing, writing, and starring in this thing; but he had to have gotten more masochistic pleasure out of it than the audience does.
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40Howard lacks the sense of film rhythm --required to make such an exercise work. Just about the only clear triumph here is an underplayed performance by Angie Dickinson, though Winger and Rosanna Arquette also provide welcome relief from Howard and Le Mat's self-indulgent carousing.
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30The only reason to check out Big Bad Love is Debra Winger, last seen onscreen in 1995.
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30The junk-shop surrealism ultimately gets the better of everyone's good intentions.
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30Brown's saga, like many before his, makes for snappy prose but a stumblebum of a movie.
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25If the point of this umpteenth posttraumatic stress drama is that war is hell, even years after it's over and you're sitting in a movie theater, Big Bad Love makes it.
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Positive: 3 out of 3
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Mixed: 0 out of 3
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Negative: 0 out of 3
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BradS.9