- Studio: Magnet Releasing
- Release Date: May 15, 2009
- Critic Score
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88Very funny in an insidious way.
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80Hysterically funny CGI fight sequences, which pit the chubby superhero against a series of creatures so bizarre they'd keep Hieronymus Bosch awake at night.
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67The effects are reasonably well-created, though hardly transparent. The last 15 minutes of the film spins out into unimaginable realms. Fans of this kind of stuff will leave smitten; those accompanying them to the theatre will have a pretty good time too.
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50At nearly two hours, Big Man Japan is clever (in a sick sort of way) but overlong. It needs judicious editing -- more mockumentary, fewer superhero antics.
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40Matsumoto isn't the first Japanese director to go all meta on the superhero tradition (consider also Takashi Miike's 2004 "Zebraman"), but this work of improbable lunacy may well max out the genre.
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40When a movie is this strange, it's gotta count for something.
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80The most impressive special effect here is Mr. Matsumoto's hilariously restrained performance, a tour de force of comedic concision in a movie bloated by increasingly surreal developments.
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But the film written, directed and starring stand-up comic Hitoshi Matsumoto has, like most superheroes, a tragic flaw: It isn't funny.
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70Awfully funny, with surprisingly potent social commentary just underneath the quirkiness.
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I hurt myself laughing at this amazingly inventive mockumentary, and because it's so good, I refuse to give away much more than an insistent recommendation.
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90Decidedly odd, even by Japanese standards, this mockumentary about an electrically charged, skyscraper-high superhero saddled with misfortune, bad press and even worse TV ratings is tears-down-the-face funny and a genuine, jaw-dropping oddity.
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The film has slow sections that test the viewer's patience. But it also touches on themes of family, heroism and nationalism, and the finale, which has plenty of surprises and rewarding references for fans of the genre, is worth the wait.
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40Between such shots of inspiration, Matsumoto’s mock-doc framework seems a lazy stock device, interviews playing more dead than deadpan and failing to exceed an over-familiar comic-pathetic attitude toward the lives of functionaries.
User score distribution:
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Positive: 5 out of 8
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Mixed: 1 out of 8
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Negative: 2 out of 8
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BillyJoeBob10It really is that funny and sad and bizarre favorite of the year.
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jonC10Very trippy indeed. watch it when you're high.