Metascore
36 out of 100

Generally unfavorable - based on 27 Critics

Critic score distribution:
  1. Positive: 5 out of 27
  2. Negative: 13 out of 27
  1. If you want old-school cool, you go to Laurence Fishburne.
  2. A blatant re-spin of ''The Fast and the Furious'' that also happens to be a far better movie.
  3. 70
    It will all look pretty ridiculous to grown-ups, but to 13-year-old boys (and adults with well-tended inner versions thereof), Biker Boyz will be the perfect testosterone-fueled, flash-edited, music-driven joy ride.
  4. For all the testosterone-driven soap opera, this entertainingly confused coming-of-age story is a seductive fantasy, a rare portrait of urban underworld machismo without the violence and the viciousness.
  5. Proves two things irrefutably. First, Fishburne doesn't get enough work that tests his acting abilities… Second, Luke's breakout performance in "Fisher" was no fluke.
  6. 50
    All of this is intriguing material, but the movie doesn't do much with it.
  7. 50
    It's too long and self-consciously progressive to be entertaining, but it's too well-intentioned to be dismissed altogether.
  8. The fun of Biker Boyz should be in the racing, and though director Reggie Rock Bythewood throws around a lot of techniques, nothing really ignites.
  9. Reviewed by: Angel Cohn
    50
    The bad news is that the racing scenes are repetitive and it takes some serious concentration to figure out which character belongs to what club.
  10. Reviewed by: Robert Koehler
    50
    Never really busts out of second gear.
  11. 40
    Neither the riveting boy band documentary nor the riveted gay porn its title seems to suggest, Biker Boyz is instead a late-model knockoff of 2001’s outlaw auto racing epic The Fast and the Furious, reconfigured with a predominantly black cast and a whole lotta two-wheeled saké.
  12. 40
    Orlando Jones, buff and commanding, steals the film as Soul Train, a lawyer-biker, while Lisa Bonet, a sexy, enigmatic earth mother, is stranded in a movie that has no idea what to do with her.
  13. There's no kick to its bag of tricks...It's a mild one among biker pics, a tricycle only pretending to be a Hog.
  14. There's more than a little Oedipal melodrama tossed into the mix. But the movie rarely gets as sappy or as contrived as one keeps expecting.
  15. This startlingly lame tale about a young upstart challenging a veteran leader of the pack doesn't update the genre, it simply recasts it.
  16. Reviewed by: Claudia Puig
    38
    Though it's only 90 minutes, the film drags, making these not-so-easy riders pretty tough to watch.
  17. 38
    However you pronounce Bythewood -- I assume it's by-the-wood -- his work here is strictly by the numbers.
  18. Reviewed by: Jeff Stark
    30
    There's not enough fast and even less furious.
  19. 30
    Could and should have been a giddy, tongue-in-cheek action-comedy romp. Instead, it's a meandering action-drama, in which nearly all of the abundant laughs are unintentional.
  20. Has the stink of man-musk all over it.
  21. 30
    This motorcycle melodrama is so stupid that during the press screening my colleagues' laughter threatened to drown out the roar of the engines.
  22. 25
    Guy flicks can be just as galling as the chick variety. Here's Exhibit A in how to lose an audience in ten minutes.
  23. Reviewed by: Kevin M. Williams
    25
    Unintentional comedy that will bore even the 15-year-olds at which it is undoubtedly aimed.
  24. 25
    More "the mild one" than "The Wild One."
  25. Reviewed by: C.W. Nevius
    25
    The obvious idea is to stage a motorcycle version of "The Fast and the Furious." Instead we get the flat and the tedious.
  26. Reviewed by: Nat Johnson
    20
    Too bad that when the filmmakers aren't busy accommodating cameo models and comedians, they seem to be dozing off at the handlebars. Luckily, we're watching from a different side of the highway.
  27. The movie is so sloppily written and directed that its bits of bluster never cohere.