- Studio: DreamWorks Distribution
- Release Date: Jan 31, 2003
- Critic Score
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75If you want old-school cool, you go to Laurence Fishburne.
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75A blatant re-spin of ''The Fast and the Furious'' that also happens to be a far better movie.
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70It will all look pretty ridiculous to grown-ups, but to 13-year-old boys (and adults with well-tended inner versions thereof), Biker Boyz will be the perfect testosterone-fueled, flash-edited, music-driven joy ride.
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67For all the testosterone-driven soap opera, this entertainingly confused coming-of-age story is a seductive fantasy, a rare portrait of urban underworld machismo without the violence and the viciousness.
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63Proves two things irrefutably. First, Fishburne doesn't get enough work that tests his acting abilities Second, Luke's breakout performance in "Fisher" was no fluke.
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50All of this is intriguing material, but the movie doesn't do much with it.
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50It's too long and self-consciously progressive to be entertaining, but it's too well-intentioned to be dismissed altogether.
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50The fun of Biker Boyz should be in the racing, and though director Reggie Rock Bythewood throws around a lot of techniques, nothing really ignites.
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50The bad news is that the racing scenes are repetitive and it takes some serious concentration to figure out which character belongs to what club.
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50Never really busts out of second gear.
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40Neither the riveting boy band documentary nor the riveted gay porn its title seems to suggest, Biker Boyz is instead a late-model knockoff of 2001s outlaw auto racing epic The Fast and the Furious, reconfigured with a predominantly black cast and a whole lotta two-wheeled saké.
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40Orlando Jones, buff and commanding, steals the film as Soul Train, a lawyer-biker, while Lisa Bonet, a sexy, enigmatic earth mother, is stranded in a movie that has no idea what to do with her.
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40There's no kick to its bag of tricks...It's a mild one among biker pics, a tricycle only pretending to be a Hog.
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40There's more than a little Oedipal melodrama tossed into the mix. But the movie rarely gets as sappy or as contrived as one keeps expecting.
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38This startlingly lame tale about a young upstart challenging a veteran leader of the pack doesn't update the genre, it simply recasts it.
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38Though it's only 90 minutes, the film drags, making these not-so-easy riders pretty tough to watch.
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38However you pronounce Bythewood -- I assume it's by-the-wood -- his work here is strictly by the numbers.
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30There's not enough fast and even less furious.
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30Could and should have been a giddy, tongue-in-cheek action-comedy romp. Instead, it's a meandering action-drama, in which nearly all of the abundant laughs are unintentional.
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Has the stink of man-musk all over it.
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30This motorcycle melodrama is so stupid that during the press screening my colleagues' laughter threatened to drown out the roar of the engines.
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25Guy flicks can be just as galling as the chick variety. Here's Exhibit A in how to lose an audience in ten minutes.
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Unintentional comedy that will bore even the 15-year-olds at which it is undoubtedly aimed.
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25More "the mild one" than "The Wild One."
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The obvious idea is to stage a motorcycle version of "The Fast and the Furious." Instead we get the flat and the tedious.
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Too bad that when the filmmakers aren't busy accommodating cameo models and comedians, they seem to be dozing off at the handlebars. Luckily, we're watching from a different side of the highway.
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20The movie is so sloppily written and directed that its bits of bluster never cohere.
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