- Studio: Metro-Goldwyn-Mayer (MGM)
- Release Date: Jan 26, 2007
- Critic Score
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70Never having read the book, I found Blood and Chocolate to be a lovely surprise, an imaginative and visually lush picture firmly rooted in the tradition of gothic romance and elegiac horror films about misunderstood monsters.
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58Werewolves are tame with overuse, and movies like Blood and Chocolate -- where moments of inspiration vie in vain with Goth cliché -- play like underlit "Charmed" reruns.
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50A far cry from such sneakily subversive werewolf-sex tales as "The Company of Wolves" (1984) or "Ginver Snaps" (2000), this pallid little picture is all "Lost Boys" (1987) posturing by way of the sublimely ridiculous "Covenant" (2006).
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50Entertaining in a B-movie sort of way, and you can't help admiring its earnestness about the philosophical issues it invokes.
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40The lead performers certainly are highly attractive, making this one of the more sensual werewolf pictures in quite a while -- and to their credit, they do manage to keep a straight face throughout. But ultimately, the anemic Blood and Chocolate could have benefited from a little less chocolate and a lot more blood.
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40Not as yummy as it sounds, true, but nowhere near as godawful as "Van Helsing," a small mercy but very much appreciated.
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40Uninvolving and cliché-ridden (even shape-shifters, it seems, deserve a falling-in-love montage), Blood & Chocolate is "Romeo and Juliet" with fewer manners and more exotic dentition.
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40The entire star-crossed scenario is conveyed with the narrative simplicity of a musicvideo, lingering in an almost fetishistic manner on sensual details (boxes of chocolates, a blood-red ribbon) while compressing important elements of the story into clumsy montages.
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Though technically a werewolf movie, the silly Blood and Chocolate is really just a toothless love story about the bad stuff that can happen when two very different people fall in love.
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38Horror fans will be disgusted by the lack of gore. Romance fans will be disgusted by the presence of gore. One is tempted to applaud the filmmakers for trying something this daring, but the result isn't good enough to warrant any acclaim, however lukewarm it might be.
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It's a relentlessly silly horror/fantasy/romance that is merely the latest twist on a tired premise.
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30Good movie roles have generally eluded her (Agnes Bruckner), and she labors in vain to keep this big-studio horror confection alive.
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25Not since "An American Werewolf in London" in 1981 reset the standard for man-to-wolf transformations has anyone tried to get away with special effects as pitiful as the ones in this movie.
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25A romantic triangle between werewolves and humans doesn't sound dull, but director Katja von Garnier seems to determined to drain the life out of it.
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20If you care a thing about your evening's entertainment, you'll walk out of this howler before you ever buy a ticket.
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12As for the script, a wittier director would have spotted the absurd elements and delivered a horror-comedy instead of a straight-faced bore.
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User score distribution:
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Positive: 4 out of 7
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Mixed: 3 out of 7
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Negative: 0 out of 7
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7
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Buddhamind4
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JaredC.10Great plot and great action.