Generally favorable reviews - based on 12 Critics What's this?

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Generally favorable reviews- based on 4 Ratings

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  • Summary: Based on Charles Perrault's grisly fairytale, Bluebeard tells the story of young Marie-Catherine, child bride to an aristocratic ogre with a reputation for murdering his wives. Controversial director Catherine Breillat brings her personal touch to this classic tale, a favorite of good little French girls since the 1950's. Princess Marie-Catherine must employ all her cunning to outwit her husband and escape a potentially unpleasant fate. (Strand Releasing) Collapse
Score distribution:
  1. Positive: 9 out of 12
  2. Negative: 0 out of 12
  1. 100
    The most impressive aspect of Breillat’s feature is that it agitates like the best fairy tales, seducing us with otherworldliness before sticking the knife in and permanently inscribing the moral.
  2. Ms. Breillat narrates the fairy tale three ways: in the period story, through the little girls and, finally, through the overall film. None are fully satisfying, but together they offer a sharp, knowing gloss on how our stories define who we were and who we become.
  3. Reviewed by: Sam Adams
    As with Breillat’s 2007 period piece "The Last Mistress," Bluebeard is subdued and unadorned, almost plain.
  4. 75
    Bluebeard revisits themes often found in Breillat's films -- sibling rivalry, pedophilia, gender conflict -- but it remains fresh and new.
  5. Reviewed by: Leslie Felperin
    This offbeat but compelling take on the tale, arguably the first serial-killer yarn, emphasizes sisterly bonds but still gets to the original story's heart of mysterious darkness with impressive results.
  6. Reviewed by: Mark Feeney
    Breillat’s film can seem at times like a far less opaque version of another story set in the 17th century about sex and power: Peter Greenaway’s “The Draughtman’s Contract.’’
  7. 50
    It's too convoluted by half, and turns what ought to be an idiosyncratic, delightful folktale-film into a baffling personal psychodrama with a nasty sting in its tale. Still, Breillat wouldn't be Breillat if she made movies that were easy to like, or to get your head around.

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