- Studio: Roadside Attractions
- Release Date: Apr 13, 2012
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83For all its low-key charms, the coming-of-age story risks being too Christian for secular audiences and too secular and colorful for Christian audiences: Like its spiritual seeker of a protagonist, it's caught between worlds.
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Apr 13, 201275Taylor's film is never boring, and it has some beautiful, thought-provoking moments. In a genre in which preaching to the choir seems to be the norm, this film is a welcome entry.
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63Just earnest enough to blend its religious theme with a beer-chugging hero for a surprisingly contemporary look at faith.
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63Without being parodistic, it manages to poke fun at the air of privilege and strenuous political correctness common to lefty, liberal arts schools, while retaining a certain affection for their heartfelt quirks.
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Apr 10, 201263Blue Like Jazz charts a typical existential coming-of-age tale, yet remains atypical by being hip while also treating religion fairly.
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50As for the title, it's a nod to the jazz music that Don's off-the-grid dad shares with his more buttoned-up son. But, like most everything else here, it feels more contrived than authentic.
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Apr 13, 201250Steve Taylor's direction is unexciting but solid, relying on the beauty of Portland and his spirited young cast for most of the visual interest.
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50It does give believers and those tottering on the edge something to chew on, and it steadfastly refuses to demonize everybody else.
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Apr 10, 201250One only has so much patience, though, for watching Communion-wafer-thin characters caught in a liberal-arts cartoon.
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50Remains as tame in its presentation as its target audience would expect. Students drink beers on occasion, but no one is shown having sex, taking mind-altering substances or using language that would jeopardize a PG-13 rating. On the plus side, the film also abstains from any overt message-mongering.
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42The potential for an interesting story is high. Unfortunately, Miller's autobiographical tale, as told in Blue Like Jazz, squanders this potential by failing to take place in a recognizably real world.
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40Through it all Mr. Allman, who played the skeevy Tommy on "True Blood," is a pleasant presence but blank. And Don's crisis of faith, which should be the movie's core and engine, is never really convincing. It's spelled out but dramatically inert, lost among the yuks of the Reed kookiness.
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30The primary problem with Blue Like Jazz is that there is no believable character development.
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20The movie adaptation's version of religion may be more nuanced than the usual Left Behind fire-and-brimstone sermonizing you find in much contemporary pro-Christian cinema, but it still leaves behind a sulfuric stink.
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9This review contains spoilers, click full review link to view.