- Studio: New Yorker Films
- Release Date: Apr 6, 2001
- Critic Score
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88Boasts rich texture, sly vision and rueful humor.
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80Farmanara, the actor, brings a real poignancy to the role and, thus, to the story that seems, more than anything, the tale of a man coming to terms with his life.
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78A movie about life and death; its underpinnings are soaked in the perfume of artistic expression.
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75This understated Iranian drama affirms life as vigorously as it provokes thought.
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75The heavy subject is tempered with gentle humor.
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70As somber as much of this deceptively simple yet consistently acute, subtle and observant film is, an effect heightened by a carefully controlled use of color, it is not without hope.
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70Perhaps it's the difference in culture, but the thoughtfulness in Smell of Camphor, Fragrance of Jasmine shows that its creator isn't letting himself or his audience off the hook.
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70Mixes whiffs of Woody Allen and Federico Fellini with Mr. Farmanara's distinctive, mordant wit.
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70A fascinating and entertaining piece of work.
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63Farmanara, a gifted director, seems to be getting his artistic legs again, but he spends far too much time following his protagonist in and out of buildings as he smokes cigarettes and otherwise mopes about.
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63Farmanara bears his soul, and his honesty permeates this work as strongly as the smell of camphor.
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60The voyage is never less than interesting, even when you have no idea where it could possibly go.
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60A humorously death-haunted psychodrama.
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60Resonant with inner harmonies and dark, dark humor.
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58Depression is a fair subject for a movie, but this much moroseness shouldn't come to this little.
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50A feat of droll, refractive, melodramatic self-portraiture.
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50Glacially slow going.
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50At times the picture feels like an affectionate parody of recent Iranian films.
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38Deadly dull.
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