Bringing Out the Dead


Generally favorable reviews - based on 34 Critics

Critic score distribution:
  1. Positive: 25 out of 34
  2. Negative: 0 out of 34
Watch On
  1. 78
    This is Martin Scorsese, and in the end, it's his town, and his show.
  2. 75
    Filled with so much heartbreaking beauty, Bringing Out the Dead might be best described as an artist's sketchbook, a series of tableaux and ideas that provide a telling glimpse of a director whose work is always evolving.
  3. Reviewed by: Jay Carr
    While heartfelt and beautifully crafted, Bringing Out the Dead is too freighted with its protagonist's failed savior complex and is surprisingly lacking in primal impact.
  4. 80
    A text that provokes thought more than directs it, which should fascinate new and repeat viewers for a long time.
  5. 100
    To look at Bringing Out the Dead --to look, indeed, at almost any Scorsese film--is to be reminded that film can touch us urgently and deeply.
  6. Blazes up constantly with a stunning, off-kilter brilliance, an incandescent force that sometimes explodes the space between us and the screen.
  7. Equally fascinated by the afflictions of life and the usually squandered opportunities these afford for courage and self-sacrifice.
  8. Despite moments of gritty greatness that rival Scorsese's best, the movie is severely hampered by please-everyone syndrome, especially in the editing and choice of music.
  9. 67
    Works more in your head than on the screen.
  10. Reviewed by: Tom Keogh
    Certainly one of his (Scorsese's) most profound works.
  11. Reviewed by: Ernest Hardy
    We don't really care about this everyman's moral dilemna and spiritual crisis because -- for all the poetic insights he offers in his philosophical voice-over -- he never transcends the details to become an engrossing character.
  12. Reviewed by: John Hartl
    Doesn't seem to have anything to say.
  13. 60
    (Cage's) performance feels embalmed in the accumulated shtick of an actor trapped in excess.
  14. Dances on the edge of flat-lining just like the DOAs that are Frank's stock-in-trade.
  15. 50
    A relentless descent into a psychedelic hell, a rambunctious feel-bad epic.
  16. Reviewed by: Richard T. Jameson
    There's talent to burn in this movie. But the flame is cold.
  17. It's a slice of life, with all the trimmings, and one of the strongest films of the year.
  18. Downbeat and at times strangely slow-moving despite all its beautifully shot high-speed ambulance rides.
  19. Reviewed by: David Ansen
    Full of bravura moments and high-wire performances.
  20. Develops microclimates of mood without fully developing the same shadings of character.
  21. 67
    Although it tries continually to focus on the heart, it ultimately fails to ignite it.
  22. 90
    Cage, who gives a blazing, imposive performance, uses his haunted eyes to reveal the emotional scars that Frank can't heal.
  23. 50
    Curiously and disappointingly lethargic.
  24. Potentially oppressive subject matter is redeemed by impeccable moral integrity and stunning artistry.
  25. An ecstatic sensory experience so overloaded it hardly matters that the narrative has been placed on a back burner.
  26. Has a certain morbid fascination, but it has no real bite, and finally seems so contrived and pointless it borders on being out-and-out exploitation.
  27. An intense, volatile film full of sorrow and wild, mordant humor.
  28. Reviewed by: Richard Schickel
    Like its title -- blunt, thruthful, uncompromising. It is hard on an audience, even harrowing. But that's exactly what Martin Scorsese was put on earth to do.
  29. Fans of the greatest working film director will be pleased.
  30. 40
    Falls far short of its grim potential.
  31. Reviewed by: Mike Clark
    In a role as tailor-made for him as the story is for its writer and director, Nicolas Cage anchors the movie with one of his best performances.
  32. Reviewed by: Emanuel Levy
    Achieves a poetic, quasi-religious tone.
  33. 70
    The mood is less angst-ridden than hypercaffeinated, as Scorsese keeps cranking the velocity-bloodbath in the reggae inferno, exploding skyline pietà, climactic white light of redemption.
  34. 50
    Doesn't pack the punch of Schrader and Scorsese's career-best collaborations ("Raging Bull," "Taxi Driver").
User Score

Generally unfavorable reviews- based on 90 Ratings

User score distribution:
  1. Positive: 6 out of 11
  2. Negative: 1 out of 11
  1. JimmyP.
    Mar 18, 2007
    I thought that this might be maybe one of if not Scorsese's most overlooked film. I thought it had a powerful message, gripping I thought that this might be maybe one of if not Scorsese's most overlooked film. I thought it had a powerful message, gripping direction, and standout performances, from Nicolas Cage, and Ving Rhames. Lookout for Scorsese's voice on the dispatch, and also Queen Latifah's. Full Review »
  2. Barryw.
    Dec 1, 2005
    This movie is excellent.the acting is superb,and the story deep and full of humor,love,and spritual lessons.i loved the movie.
  3. Sep 15, 2010
    The people who I have suggested this film to and disliked it all had one thing in common: they were dissatisfied with a broken and hopelessThe people who I have suggested this film to and disliked it all had one thing in common: they were dissatisfied with a broken and hopeless environment, mental instability, and intense emotions to be the focus of movies. However, the ones that did like it agree with me that when one takes what is presented on the screen and looks beneath it, the film is now rife with inner conflicts and turmoil, so many different kinds that do not need to be expressed with extroverted antics. Cage's character was intense without having to do or say too much to pass that. Full Review »