User Score
7.7 out of 10

Generally favorable reviews- based on 49 Ratings

User score distribution:
  1. Positive: 45 out of 49
  2. Negative: 0 out of 49

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  1. Apr 25, 2013
    8
    Many have dismissed this film for not exploring the character of Charlie Bronson. Saying this completely negates the focus of the film. Refn is only focused on exploring the idea of the man, not the man himself. The main theme of the picture is the fascination with fame, the other-worldly persona it brings and, the emotionally empty ramifications it has. Fame is without substance, so therefore the character is too. Expand
  2. MartinB
    Oct 13, 2009
    9
    Anyone who doesn't like this movie simply just doesn't get it. Maybe it's a British thing (I'm Irish but have grown up on British TV) or maybe it's particularly enjoyed by those who like Theatre of the Absurd (Beckett etc), but this is without doubt one of the best movies of the last ten years.
  3. OrwellB.
    Oct 10, 2009
    8
    Bronson is more than entertainment. It is art with Tom Hardy at the centre. You have to see Tom Hardy
  4. CapoR
    Oct 13, 2009
    6
    Nicely portrayed but it lacks the elements to make it a very good movie.
  5. Jun 10, 2011
    8
    Sorry, machine translation. The "stage", by Nicolas Winding Refn. Violence and abuse, the victims left in a state of prolonged mental suffering, failure of institutions in understanding adolescent deviant behavior, violent arm of the law and to end the dreams of omnipotence megalomica. This is "Bronson," the film of Nicholas Winding Refn / director Tom Hardy and very good player in the role of Michael Peterson "aka" Charles Bronson /. That is a true story of Bronson. The convict thug, convict the most dangerous of England, has attracted public attention for his want artistic and literary production but also for their way of life accompanied by a personal code of honor. It is not a murderess, will not beat women or children. What is the strategy to tell Refn Bronson? The stage. Bronson is the protagonist on stage, as it is in many prisons turned from him. At that stage in those costumes and tells the general public. Ironically, the isolation becomes a friend and as such provides the necessary time to draft the "script" as the text of self-narration. Remember the scene with the convict in double face? This is Bronson, I understand, a man in extraordinary performance by Tom Hardy is presented to us a little 'jester but also very, very corrosive. Council to see the film, directed by brilliant quality, the history is not easy to tell and interpret it for the music, but ... Keep a safe distance. Good Click! ITALIAN VERSION Il "palco", di Nicolas Winding Refn. Violenza e sopraffazione; vittime lasciate in prolungato stato di sofferenza psichica, incapacità delle istituzioni nel comprendere comportamenti adolescenziali devianti, braccio violento della legge e per finire sogni di onnipotenza megalomica. Questo è "Bronson", il film di Nicholas Winding Refn regista / e Tom Hardy bravissimo protagonista, nel ruolo di Michael Peterson "in arte" Charles Bronson /. Quella di Bronson è una storia vera. Il galeotto picchiatore, il galeotto più pericoloso d'Inghilterra; ha attirato su di sé l'attenzione pubblica vuoi per la sua produzione artistico-letteraria ma anche per il proprio stile di vita accompagnato da un personalissimo codice d'onore. Infatti, non è un assassino, non picchia le donne né i bambini. Qual è la strategia di Refn per raccontarci di Bronson? Il palco. Sul palco Bronson è protagonista assoluto, così come lo è nelle tantissime carceri da lui girate. Sul quel palco ed in quei costumi si racconta al grande pubblico. Per assurdo, l'isolamento gli diventa amico e come tale fornisce il tempo necessario per la stesura del "copione" quale testo autonarrativo. Ricordate la scena con il galeotto in double face? Questo è Bronson, mi par di capire; un uomo che nella straordinaria interpretazione di Tom Hardy ci è presentato un po' giullare ma anche tanto, tanto corrosivo. Consiglio di vedere il film, per la regia qualitativamente brillante, per la storia non facile da raccontare ed interpretare; per le musiche; ma... tenetevi a debita distanza. Good Click! Expand
  6. Apr 22, 2011
    7
    Despite being flawed by a weak narrative structure and an overall awkward direction, Bronson is a very interesting film about antisociability in its most extreme form. Part prison drama, part slice of life with strong, absurd comedic overtones, the film tells the bizarre life story of Mike Peterson aka Charles Bronson, allegedly Britainâ
  7. Aug 10, 2012
    4
    If valhalla rising was a weak version of agguire the wrath of god then this is a weak version of A clockwork orange. The film's dark comedy falls flat and many scenes that are supposed to be horrific don't really draw the viewer in. Granted there were times where I felt bad for Charley Bronson but this is all because of Tom hardy's very good performance.
  8. Aug 19, 2011
    10
    http://mikesharkey.blogspot.com/2009/04/igizmo-review.html

    And throughout, Tom Hardy
  9. Jul 19, 2012
    10
    Not sure what to think at this film at first. It came off as gritty 80's style of film making. Which almost seemed to be inspired by clockwork orange. Tom Hardy was excellent as the role of Charlie Bronson and the fact he did 2500 pushups a day before this role shows his dedication to this film. He was the only shining light in this film unfortunately  and though the film is about his life, maybe was focused on him a little too much and not how he affected those around him. 
    6.1/10
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  10. Jan 31, 2013
    8
    One thing's certain: Hardy's "Charlie Bronson'' is a terrifying, charming, altogether mesmerizing individual, a man you'll be thankful is locked up. Peterson sidesteps the sociopath's standard resume: He's not the product of a broken home but a comfortable middle-class youth in Luton. He just likes to break things. Over other people's heads.The film opens with a man on stage proclaiming "My name's Charlie Bronson, and all my life I've wanted to be famous." The auditorium seems empty but later a still unseen audience provides the approval he seeks. Based on a true story set in 1974, a young Michael Peterson (Tom Hardy) decides he wants to make a name for himself. He takes a sawn-off shotgun and attempts to rob a post office only to be swiftly apprehended by authorities and sentenced to seven years in jail. But unable to control his violence, Peterson stays behind bars for 34 years, 30 of which are spent in solitary confinement. During this time, Michael Petersen, the boy, fades, and 'Charles Bronson,' his superstar alter ego, takes over. Exposed to violence from an early age, Michael is gradually swallowed up by the prison system, seemingly an environment that suits him. For that matter, he occupies any territory in which he exists, by sheer brute force.
    As a film it is beautifully structured and edited, and impressively shot in dark tones--illustrating his theme that Bronson is "an artist looking for a canvas", whose search is frequently violent, crazy and erratic.The film echoes the stylistic music-driven texture-making of Stanley Kubrick's "A Clockwork Orange" with a smirking violence.
    The film almost solely rests upon the astonishing performance from a almost unrecognizable Hardy. Never asking for our sympathy for his situation, but somehow time to time able to. Hardy brings a raw physicality to the role, leaping naked about his cell, jumping from tables, hurling himself into half a dozen guards.
    Unfortunately the film never smirking under the skin of Bronson and his motivations. It omits the facets of his life including the Muslim woman he married in jail, his conversion to Islam, and subsequent renouncement and the awards he won for his art and poetry.

    Gripping and visceral, ugly and beautiful, terrible and haunting, "Bronson" is quite brilliant.
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Metascore

Generally favorable reviews - based on 22 Critics

Critic score distribution:
  1. Positive: 17 out of 22
  2. Negative: 3 out of 22
  1. Reviewed by: Stephen Farber
    30
    Despite the artistic flourishes, this is still an utterly repellent look at a psychopath who does not deserve the attention of the filmmakers or the audience.
  2. Reviewed by: John Anderson
    60
    Too smart/arty for the slasher set, and too violent for high-brows, Bronson may have a tough time finding its niche, although it has "cult hit" written all over it.
  3. 30
    Bronson is essentially a faux-operatic, music hall turn--a larky, lumpen version of "Lola Montès."